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Autumn Color and Sierra Crest

Autumn Color and Sierra Crest
Early autumn color in a landscape of rock and forest below the east side of the Sierra Nevada crest.

Autumn Color and Sierra Crest. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early autumn color in a landscape of rock and forest below the east side of the Sierra Nevada crest.

Thoughts of autumn have begun over the past few weeks. I can imagine all sorts of reasons. As I have written, that mysterious “something” that indicates that the seasons are changing appeared recently, right on schedule. (I attribute it to changes in light, the angle of the sun, the time of sunset and sunrise, and perhaps a few other things.) Here in the West, it may also be triggered by an intense desire to see the end of the hot, dry conditions that plague us during this time of global climate change. I miss cooler weather!

This, of course, gives rise not only to ideas about where to go to photograph this year’s color, but also to reexamination of autumn photography from prior years. This photograph comes from a few years back, during the relatively wet interval between the previous five-year drought and the current drought. I made my first fall color visit in very early October that year, hitting a few of my favorite places and checking out a few new ones that are less known. This location is more the former than the latter, a very large system of canyons draining the eastern Sierra above Bishop, full of rivers, forests, and plenty of rocky terrain leading to the crest of the range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Black Sands Beach, Coastal Cliffs

Black Sands Beach, Coastal Cliffs
Black Sands Beach and the Lost Coast, Shelter Cove, California.

Black Sands Beach, Coastal Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

Black Sands Beach and the Lost Coast, Shelter Cove, California.

Previously I have shared my dark secret: for decades I barely visited the portions of California north of the San Francisco Bay Area, Sacramento, and Tahoe line. Sure, I visited Lassen National Park with my family when I was young, and I’ve been on Mt. Lassen a few times, and — of course — I have driven north out of the state on Interstate 5. But the Northern California coast remaining mostly off my radar for decades. A decade or two ago this began to change — slowly — as we visited areas in Mendocino County and along the path to and from there, and when we pushed a bit further north from that base on some day trips.

Finally, during the last decade or so, I began to get more serious about this wonderful region and, among other things, I began photographing in the redwoods. (I have photographed closer redwoods for decades.) And then I pushed out toward the coast. On this year’s visit we finally made it to the edges of the Lost Coast area below Eureka, a portion of the coast so rugged that even “the coast highway” takes an inland jog. In the middle of this region lies the isolated (but surprisingly large) community of Shelter Cove. Black Sands Beach extends from this local toward the northern section of the Lost Coast, and no roads touch the coast again for many miles.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Coastal Lagoon, Burned Hills

Coastal Lagoon, Burned Hills
A coastal lagoon between Santa Cruz and San Francisco, backed by distant burned hills.

Coastal Lagoon, Burned Hills. © Copyright 2021 G Dan Mitchell – all rights reserved.

A coastal lagoon between Santa Cruz and San Francisco, backed by distant burned hills.

This is a photograph that tells a story, one that may not be immediately apparent. But once you see it you may connect it to a larger story affecting California and the west right now, a story that is beginning to affect the entire planet it concerning ways. It is a photograph of a small lagoon along the Pacific Coast Highway just north of Santa Cruz, California. This is a place I have visited for years — decades, actually — and it is usually a lovely, bucolic landscape. I made the photograph in spring, and even during this very dry year the vegetation is thick and lush and the lagoon remains wet, supporting plant and animal life.

But take a closer look at the ridge in the distance. It belongs to what we loosely refer to as the “Santa Cruz Mountains,” the range lying between the South San Francisco Bay and the Pacific Ocean. The top of the ridge is covered with… the black remnants of a forest that was destroyed in last year’s tremendous lightning-causes wildfires. In places near this location the fire burned almost all the way to the ocean. Fires have always been part of the California environment, but what has happened in the past few years is unsustainable. Due to drought and high temperatures linked to human caused global climate change, the state is incredibly dry and any fire, even the sort that would have been quickly extinguished in the past, can take off and quickly get out of control.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Stream and Islands, Mile 337

Stream and Islands, Mile 337
A stream crosses the sand to enter the Pacific Ocean among immense shoreline rocks and island and their reflections, Oregon coastline.

Stream and Islands, Mile 337. © Copyright 2021 G Dan Mitchell – all rights reserved.

A stream crosses the sand to enter the Pacific Ocean among immense shoreline rocks and islands and their reflections, Oregon coastline.

Last month we spent time in far Northern California photographing redwood forests and coastal subjects. Several things inevitably happen on these visits. One is that we always remark how this area feels more like Oregon than California. Another is that we often head up to and across the Oregon border. On the most recent trip we took a drive to the north one evening, but we mostly explored areas just south of the stateliness and when we reached the boundary we turned around. But this photograph comes from a previous trip on which one of these “short drives” took us a good distance up the Oregon coast.

This is a striking spot along that Oregon coastline — and it was even more appealing since there were a couple of people riding horses on this beach when we passed by. (They are not seen in this photograph… in case you were looking for them.) Like so many of these beautiful spots, this one is not marked as any sort of icon, and I did not know its name or even if it has one… so I made a photograph of milepost 337 when I finished photographing to help me remember.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.