Tag Archives: dense

Spring Forest

Spring Forest
Dogwood trees begin to leaf out in a dense Yosemite Valley forest

Spring Forest. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dogwood trees begin to leaf out in a dense Yosemite Valley forest

Following a string of wintry photographs from Yosemite, today’s photograph reflects the early signs of spring. I made the photograph on one if this year’s visits, and the visit that most clearly demonstrated the wild variations in conditions that can occur during this transitional season. A day before I had photographed new snow, including an actual snow storm on the first day of my visit. Now, only a short time later, I found myself making photographs that included no obvious signs of winter and quite a few signs of spring!

The very dense section of forest is not the most typical sight in much of the Sierra, where forests are often more dry and open — especially so where natural effects of fire have periodically cleared out the undergrowth. Here a mostly-conifer forest is interrupted by lots of dogwood trees, and on the day I was there the dogwoods were just barely starting to show their first spring buds, with a few of them starting to open into leaves. It was a bit later in the morning, so gently backlight was filtering down through the trees.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dogwood Blossoms, Dark Forest

Dogwood Blossoms, Dark Forest
Blossoming dogwoods in dark, dense forest, Yosemite Valley

Dogwood Blossoms, Dark Forest. © Copyright 2018 G Dan Mitchell – all rights reserved.

Blossoming dogwoods in dark, dense forest, Yosemite Valley

On one morning during my recent sojourn to photograph spring subjects in Yosemite Valley I had extraordinary lighting and atmospheric conditions. The morning produced a number of photographs that have been and will be shared here. They make me think of “channeling Bierstadt” — with effects of clouds and haze and light combined with dramatic ridges and cliffs. This is not one of those photographs. In fact, this image is inserted here to break up the flow of those others…

The timing and nature of some spring events in Yosemite Valley is variable — the amount of snow in the high country and when it melts out, for example, determine the timing and character of river and waterfall flows. Other events hold to a pretty consistent schedule from year to year, though climate change is edging some of these in new directions. One of the fairly consistent events is the arrival of dogwood blooms in the Valley and then in higher locations nearby. When I visited two weeks ago I saw the first buds on these trees and only a few tiny, green blooms. A week later there were many more blooms, and some trees were nearly full of them. I photographed this forest scene, with a primary tree full of blooms and other more distant blooms seen less vividly in the darker forest, one evening after the direct sun had left this spot.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Big Leaf Maple And Forest, Autumn

Big Leaf Maple And Forest, Autumn
Yosemite Valley big leaf maple trees in autumn

Big Leaf Maple And Forest, Autumn. Yosemite Valley, California. October 21, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Yosemite Valley big leaf maple trees in autumn

I’ll start with a story about crowds, but I’ll end on a better note. :-) I drove to Yosemite Valley on this late-October weekend partially to photograph early fall color in The Valley, but also so that I could attend an exhibit opening at Gallery Five in Oakhurst — where the final showing to the 2017 Yosemite Renaissance exhibit had been installed. I have visited the Valley for years at about this time, since fall colors there typically peak around the end of the month. On this trip, my first indication that I wouldn’t exactly be alone in the park — despite there being a lot of wildfire smoke — was the extraordinarily long line to enter the park, even very early in the morning. Further into the Valley I was stunned by the number of cars and visitors — it wouldn’t have been anything special during the summer, but near the end of October? I decided to head up to the Curry Village (sorry, “Half Dome Village”) area to park where I could wander off and make photographs, but when I arrived there was literally no place to park — not the Village lot, the overflow lot, the nearby roadways, or anything else all the way up to nearby campgrounds. I was floored…

I finally left that area and found a pull-out along the roadway, parked my car near some a portion of the forest filled with colorful big leaf maple and dogwood trees, and headed off into an area where there was virtually no one else around. Yes, there are such places here, even on busy days. As I walked I spotted a number of potential photographs, but I kept going, walking slowly until I finally reached the banks of the Merced River. I made a few photographs there in solitude before turning around and slowly starting back the way I had come. I now had in mind a few trees that I thought might make interesting photographs, so I paused and poked around near them looking for compositions. This photograph falls into a category that I think of as “order from chaos” compositions, in which there is an almost overwhelming amount of detail tied together (I hope!) by some underlying compositional order. Here the darker branches and trunks of trees supply that order underlying the complexity of the colorful big leaf maple leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Coastal Forest, Point Lobos

Coastal Forest, Point Lobos
Dense forest atop bluffs above the Pacific Ocean at Point Lobos State Reserve

Coastal Forest, Point Lobos. Point Lobos State Reserve, California. July 14, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dense forest atop bluffs above the Pacific Ocean at Point Lobos State Reserve

Point Lobos State Reserve, located just above the Big Sur coastline, is not a large park, but it packs a lot of beauty into a small park. I have visited for decades, beginning long ago when my parents moved the family to California when I was about four years old and we used to take day trips there to picnic and visit the tide pools. (Today’s visitors would be shocked to know that it once was a quiet place not overrun by crowds. Ah, well.) In my teens, when I first became serious about photography, I used to go there and try to channel my inner Ansel Adams and Edward Weston. And, often to my surprise, I still find new surprises almost every time I visit.

On this mid-July visit I arrived in the morning on a weekday shortly after the park opened and before too many other people were there. I was hoping to time my visit for the breaking up of the morning fog, but it stayed foggy the entire time. I parked my car, shouldered a pack full of camera gear, and spent the next few hours wandering slowly and almost aimlessly across the northern half of the park, just looking and enjoying the cool coastal air. Eventually I found myself on familiar ground, walking along the north shore trail. I have passed this spot many times before and may even have photographed this bit of forest, but I had not really noticed these two light-barked trees — one twisted and one straight — surrounded by incredibly dense forest growth.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.