Tag Archives: downtown

Photographs: San Francisco, Photographs: Urban/Street

Through the Scrim

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Through the Scrim
An urban scene viewed through a scrim

Through the Scrim. © Copyright 2018 G Dan Mitchell – all rights reserved.

An urban scene viewed through a scrim

This is intended to be a sort of playful photograph, though I think it might be read as having a bit of an ominous quality, too, depending upon how you look at it.

I made the photograph from inside the San Francisco Museum of Modern Art (SFMOMA). We are members of the museum and we go there regularly — partly to see the collection and the temporary exhibits, and partly to photograph the architecture, the people, and the urban environment surrounding the building. I made the photograph through a sort of scrim that was covering some windows, presumably to mute the outside light a bit. It was rainy, and a bit of water is running on the fabric of the scrim, and the overall effect is to mute contrast and detail in the urban scene outside the window.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: San Francisco, Photographs: Urban/Street

Formerly Bob’s Auto Service

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Formerly Bob's Auto Service
A downtown garage in San Francisco

Formerly Bob’s Auto Service. © Copyright 2018 G Dan Mitchell – all rights reserved.

A downtown garage in San Francisco

I often walk past this business when I take the train to San Francisco to do street photography. My typical circuit has me doing some sort of walking loop to the north from the train station and then back by a different route. This shop is on a very busy intersection, squeezed into a small space. It looks like it has been there forever, and there is empirical evidence of this if you look closely.

These places fascinate me for a whole bunch or reasons which range from purely visual to questions about the story that might lie behind them. Visually, I’m challenged by trying to see some kind of shape and order in urban chaos, but I also like the sometimes wild layers of color on business that use it to gain visibility. In addition, especially on individual businesses that have been in a location for a while, elements appear that reflect ownership and/or management by individuals — as differentiated from the slick and ultimately uniform appearance of chains and be businesses. Here I love the hand-painted blue letters across the top of the building — they are not up to the “standards” of contemporary design, but they reflect someone’s great care in producing them. Below that, on the yellow panel above the garage, you can look closely and see the painted-out words that I used for the title of this photograph.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Pacific Northwest, Photographs: Urban/Street

Easy Joe’s

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Easy Joe's
Street scene with pedestrians, Seattle

Easy Joe’s. Seattle, Washington. September 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Street scene with pedestrians, Seattle

Today I’m going to insert one more street photograph into what has largely been a recent stream of natural world photographs. (I suppose that focus should not be a surprise during the fall season!) Back in September I was in the Seattle area of several days, mostly on non-photographic business, but I managed to get out and spend some time photographing, too. One day I made it to the North Cascades for a bit of landscape photography, and on another I sneaked out for a few hours of street photography.

I actually have no idea what Easy Joe’s is (or who Easy Joe is or was), but since the text appears in the scene I am going with it. For some reason, this photograph feels like Seattle to me — something about the architecture, perhaps, or the light or possibly I just recognize the downtown location. It also presented a sort of urban geometry that I enjoy, with tons of vertical and horizontal forms, but broken up by the passage of a compact group of pedestrians.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Pacific Northwest, Photographs: People, Photographs: Urban/Street

Storyville Coffee

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Storyville Coffee
Patrons sitting at the window of a Seattle coffee shop

Storyville Coffee. Seattle, Washington. September 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Patrons sitting at the window of a Seattle coffee shop

As you may have noticed — at least if this isn’t the first time you have seen one of my posts — I like to photograph a rather wide range of subjects. Some know me as a “landscape” or “nature” photographer, but my subjects include many other things: night photography, street photography, urban landscapes, musicians, and more. One line of thinking holds that this is not a good thing — that it dilutes one’s photographic identity and fails to produce a recognizable style. Yet, it turns out that I’m not alone, and lots of other photographers are fascinated by multiple subjects. (Last weekend I ran into a couple of fine photographers and friends high in the Yosemite Sierra, people who have a reputation for photographing the natural world. When I met them they were just finishing up photography of peeling paint on an empty building…) Once they have been typecast, they tend to accept that — since being recognized for a type of photography is a good thing — but they occasionally admit to being frustrated when their other work isn’t understood.

So this is from my “other photography” — the work I do when I spend time in urban environments. It is hard for me to explain the fascination of “street photography” to those who don’t get it, but I’ll try. First, I think we can regard this world as a kind of “urban landscape” — and some of the same attractions of light and texture and color and form are found here. Second, it can be an incredibly dynamic “landscape.” When things are going well, I often feel that I’m in the midst of a continuous flow of people and compositions and their collisions and that there is almost too much to see. The trick is often (though not always) to stay tuned in and to be read to see and photograph quickly. Third, the human layer is something found much less in landscape photography, and it fascinates me. Here I just happened to spot one of the little vignettes that are everywhere in the city — an interest group of people in different poses and likely with different attitudes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.