Tag Archives: fall

Autumn Wetlands

Autumn Wetlands
Late-autumn colors in California Central Valley wetlands.

Autumn Wetlands. © Copyright 2012 G Dan Mitchell – all rights reserved.

Late-autumn colors in California Central Valley wetlands.

As I continue my pandemic project of reviewing years of raw files — and discovering and rediscovering all sorts of interesting things — I have now arrived at the very end of 2012. I’m currently working on the final week or so of autumn and about to move into winter and then on to 2013. One silver lining behind the dark coronavirus cloud is that I have had the time and inclination to revisit these old images and relive some of the experiences I had as I made them.

Every fall migratory birds return to overwinter in California’s Central Valley. Starting in about November I turn my attention that way and start to anticipate visits to this landscape — one that I don’t tend to photograph during the warmer months of the year. But in the cooler and wetter seasons, when the birds can be abundant, this part of California calls to me. I made this photograph on a cold and foggy late-autumn morning as the tule fog was beginning to thin, casting soft light on the autumn foliage of the scattered trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sunset Bluffs, Pacific Coast

Sunset Bluffs, Pacific Coast
Late-autumn sunset light on California coastal bluffs south of San Francisco.

Sunset Bluffs, Pacific Coast. © Copyright 2012 G Dan Mitchell – all rights reserved.

Late-autumn sunset light on California coastal bluffs south of San Francisco.

My recollection of this photograph is that I had gone to the coast between San Francisco and Santa Cruz on this late-autumn evening partially because I had heard that people I knew were meeting up there to photograph and get together for dinner at an area restaurant. If I recall correctly, things did not go quite as planned. I think I ended up in the wrong restaurant and didn’t find these folks, and eventually I wandered off to some nearby bluffs by myself — which actually suits me fine when I’m making photographs, too.

It was a late afternoon and evening of interesting conditions, the sort that may produce something very special but which are more likely, perhaps, to be a complete bust. There was overcast and some haze in the air, and the light in afternoon was not really spectacular — it was a bit flat and the overcast made it more dull as sunset approached. However, there was the potential for something interesting. The cloud bank that stretched away from the coast seemed to terminate offshore, and there was a gap between this edge and the horizon. If that remained, I knew that there might be a brief moment of spectacular light coming through this gap just before the sud dropped below the horizon. If the band of light is narrow the colors can be intense in its beam while remaining darker and far less intense elsewhere. As you can see, that is precisely what happened.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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A Forest After Fire

“A Forest After Fire” — A dark Yosemite Valley forest, several years after a managed fire.

For obvious reasons, wildfire has been on my mind a lot during the past few weeks. Back in August a spectacular and extremely unusual series of electrical storms rolled across the San Francisco Bay Area, touching off scores of small fires that soon merged into three very large and very destructive infernos. Since that time we’ve lived in a pall of smoke around here. I briefly escaped — or so I thought — to the Eastern Sierra, with plans for a short pack trip… the weekend that the huge Creek Fire started south of Yosemite. Since that time the entire west coast has been afflicted by historically awful fires.

I’m familiar with wildfires in California, for one reason from years of late-summer and early-autumn backpacking. Some smoke is common at this time of year, most often continuing on into the very beginning of October when the first rains often arrive. Long ago I reconciled myself — after years of Smoky the Bear exposure — to the idea that some fire is a natural and beneficial part of the natural environment. But it has been harder to find photographic beauty in fire-scarred landscapes. This scene merges those two notions. This forest had been burned in a management fire a year or two earlier, scorching the lower trunks of these trees and consuming some excess litter. But when I made the photograph the forest was again looking quite healthy, albeit with visible signs of the fire remaining.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Red Rock and Autumn Color

Red Rock and Autumn Color
Early autumn color at the base of Zion Naitonal Park cliffs.

Red Rock and Autumn Color. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early autumn color at the base of Zion Naitonal Park cliffs.

Back in Autumn of 2012 I had an unusual opportunity to spend a total of roughly a month photographing in the red rock country of Southern Utah. I was there early in the month for a couple weeks, and I returned in near the end of the month with photographer friends. On that second visit we concentrated on Grand Staircase-Escalante National Monument and on Capitol Reef and Zion National Park. We visited Zion twice — as we entered the state and again as our trip concluded and we started back to California.

From my autumn visits to this part of Utah I started to learned a few things about how fall color evolves there, though my knowledge is far from complete. The first thing I learned is that the aspens change color earlier than in California — more like late September than early October. (I learned this the hard way, by showing up a bit too late to photograph peak aspen color.) The color in the red rock canyons seems to come later, and we had plenty of it to photograph in the second half of the month. When we arrived in Zion National Park at the end of the month interesting color was showing up at higher elevations, but I think we were catching only the very beginning of the color in Zion Canyon. That’s where I made this photograph, with an early riot of color at the base of the ubiquitous red rock cliffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.