Autumn Morning, White Mountains #2. © Copyright 2022 G Dan Mitchell.

Colorful autumn forest in morning light, White Mountains, New Hampshire.

This photograph gets the “#2” designation since I previously posted a landscape-orientation photograph of roughly the same scene. One of challenges of photographing fall color in New Hampshire (and much of New England, for that matter) is that it can be a challenge to find open views of the terrain. In many places the roads don’t have a lot of places to pull over, and the forest often comes right to the edge of the road, blocking the views. So when I found a more open location I took advantage of it. I visited this spot more than once, and on the second try I think I got the better light and color.

This photograph illustrates differences between fall color in this region and the Eastern Sierra color that I’ve photographed for years. It would be almost impossible to find a California location with so much color extending for such great distances. (And keep in mind that this is just a small slice of what was visible from this location.) The color here also varies a lot from tree to tree, though the result is that it can produce a somewhat undifferentiated effect in long views. I found it challenging to locate compositions in photographs that focused entirely on this color. Here I separated the upper and lower portions of the frame, and then found some leading lines in the distant gully and the contrast between the yellow trees and the shadow on the left side.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Morning, White Mountains. © Copyright 2022 G Dan Mitchell.

Colorful autumn forest in morning light, White Mountains, New Hampshire.

I made this photograph on what I came to regard as the actual day of peak color in this part of the White Mountains. Here and nearby, the colors were noticeably more intense and widespread than the previous day, and one day later when some weather came through trees were dropping leaves and more bare branches were appearing. This photograph exemplifies an approach that I often like — using a longer focal length lens to isolate a small section of the overall landscape. Here I wanted to focus on the juxtaposition of the foreground trees and hill with the more distant pattern of the ascending gully.

Another aspect of this photograph is, I came to learn, typical of a lot of White Mountains autumn photography. It is often a challenge to get unobstructed access to longer and wider views of the landscape, partially because the forest are so dense and close-in, and partially because roads here tend to be designed without shoulders and with few places to pull over. Consequently, any place that does have a wider view seems precious. Here there was a small turn-out along the road, and if I put my camera in just the right spot I could manage to photograph between and over the nearer brush and trees… and obtain one of those long views.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.