“Sandstone and Trees” — Scattered trees find footholds in cracks in the weathering sandstone, Zion National Park.
Except for one element, you could find a similar scene in California’s Sierra Nevada. That one element? The intense coloration of the Utah sandstone red rock formations. The contrast between the green trees and the red sandstone is striking, as is the complexity of the geology —with strata and layers intersecting and exfoliation gradually removing the topmost layers.
I photographed this scene some years ago on a visit to Zion National park. These colors and textures provide a visual playground for photographers. And sometimes wildlife even joins in the fun — on one occasion I photographed big horn sheep on nearby slopes.
A small pine finds a foothold in a small crack on an immense glacier-sculpted granite slab, Yosemite National Park
This photograph is connected to quite a few others that I have posted recently, and in multiple ways. One of the subjects that I focused on during our time photographing at this Yosemite backcountry location was the many small trees growing tenuously in small cracks and pockets in this large bowl of granite and among nearby granite slabs. It seems almost a rule that in the natural world something will manage to find a way to grow in almost any location where growth is remotely possible. These trees certainly seem to illustrate that idea, as they sometimes seem to have nothing more than a thin crack in otherwise solid granite in which to put down roots. This one grows part way up the incline of a sloping bowl that faces west, so the morning light doesn’t arrive until rather late. I photographed as the line of sunlight worked its way across the tree and toward the textured slabs beyond.
I have heard a photographer friend humorously refer to photographs like this as “brave little tree” shots. It certainly is a popular concept. While I often like to think that photographs may speak simply as images whose components of light and texture and shape and color evoke an emotional response, it doesn’t escape my notice that photographs also, partially through the expectation that photographs contain true images of things, may also resonate in other ways — and that a “brave little tree” may evoke connections to other “brave little” things and ideas, and that these associations may be personal and specific to each viewer.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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