Tag Archives: forest

Autumn Meadow, Forest, and Peak

Autumn Meadow, Forest, and Peak
A peak towers above colorful autumn aspen groves at the edge of a meadow in the Eastern Sierra Nevada.

Autumn Meadow, Forest, and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A peak towers above colorful autumn aspen groves at the edge of a meadow in the Eastern Sierra Nevada.

When it comes to visiting the Sierra Nevada, the past couple of years have been a challenge! Travel was hard in general during the summer of 2020. I managed to get up there briefly in the late summer, but I ran into wildfire issues and had to cancel out of the one backpack trip I had planned. I got to the Sierra a couple of times this season, but on each visit something threw a monkey wrench into my plans and I had to improvise or leave early. During the past few days I managed to get to the east side to see the aspen color. But (yes, here it comes) I hit wildfire smoke south of Bridgeport, and when CalTrans started closing passes yesterday in anticipation of several inches of new snow, I high-tailed it back home.

However, I did see and photograph some aspen color. For the most part, I saw some pretty decent color, with the promise of more to come. There were quite a few colorful trees and plenty of others with hints of color to come over the next couple of weeks. If you can avoid the smoke, it should be good. (It was sad to see many newly-brown trees along Tioga Pass Road on my way home, trees that appear to be suffering from the drought.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lake, Ridges, Evening Light

Lake, Ridges, Evening Light
Mountaintop trees stand above a sub-alpine lake, dome, and ridge in evening light, Yosemite National Park

Lake, Ridges, Evening Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Mountaintop trees stand above a sub-alpine lake, dome, and ridge in evening light, Yosemite National Park.

This photograph (and its appearance here) is a bit unusual for me, though not entirely unprecedented. It is a photograph that I have shared previously, back when I originally made it some years ago. During the last year and a half I have had plenty of opportunities to revisit older work. Mostly this has meant exploring raw file archives to locate work that was “left behind,” but which turned out to be interesting and valuable in retrospect — photographs that I felt deserved a first showing. But this case represents something different — the rethinking of a photograph that I thought I had finished.

Revisiting and revising one of my previously-shared photographs usually leads to some relatively obvious changes. But in this case I think that changes may be subtle. Theres a small change in how it is cropped, some new ideas about how to handle the foreground light, some important but small changes to the middle forest and peak just beyond the lake, and some new adjustments to the sky. In my view, it is perfectly natural and good to revisit the original interpretation of a photograph over time, a process that was perhaps more common in the film era.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Twilight Moon

Twilight Moon
Twilight moon over a Yosemite backcountry lake.

Twilight Moon. © Copyright 2021 G Dan Mitchell – all rights reserved.

Twilight moon over a Yosemite backcountry lake.

The last few hours of daylight and the first hour or so after sunset are prime times for landscape photography. (The same is true for the comparable hours around sunrise.) I am often surprised to find myself alone at this time of day, even when I’m photographing near large campgrounds. In the morning everyone is still zipped in their sleeping bags, and in the evening I suppose they are busy eating dinner. I occasionally want to head back into those campgrounds and tell people! But then I remember how much I enjoy the solitude at these extraordinary moments.

This photograph was made in the company of a group of folks, photographers all, who understand. We are out of our tents in pre-sunrise darkness, and we return to camp to attend to our needs for food and coffee hours later. We head out again in the late afternoon, and the last of us stumbles back into camp well after dark, navigating by the light of a headlamp. On this evening I had followed that pattern, doing a wide solo loop around this lake and photographing as the golden hour light came on, then continuing right through to the dusk hours when only a bit of the fading sunset color remained.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Islands, Wilderness Lake

Islands, Wilderness Lake
Rocky islands with trees at a small wilderness lake in the Yosemite backcountry.

Islands, Wilderness Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky islands with trees at a small wilderness lake in the Yosemite backcountry.

This photograph is almost a companion to the photograph I shared yesterday — same lake, same morning, similar subject, different trees, and islands instead of a peninsula this time. Once again, though, the trees on the islands and ascending the granite slopes beyond are illuminated by beautiful morning Sierra Nevada back light. To those familiar with the Sierra, this scene likely speaks of many things, but perhaps two in particular. First, is the nature of the forest — different from in many other locations, largely due to its generally more open character. (Some have proposed that the “Range of Light” name may be partially on account of this aspect of the Sierra experience.) Second, and perhaps a bit less obvious at first glance, is the evidence of glaciation. This lake was almost certainly scooped out by those forces, and the dome-like slopes beyond also suggest glacial sculpting.

As I have mentioned as recently as my previous post, I love photographing Sierra subjects — especially trees — in backlight, especially if a there is a bit of haze to produce a sense of distance between foreground and back ground and a bit of “glow” in the atmosphere. This kind of light can extend the hours for photography since it often works even when the early and late golden hour light is not present.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.