Tag Archives: grafitti

Urban Tree, Night

“Urban Tree, Night” — A tree and a brick wall with posters at night, Madrid.

You may have to look closely to realize it, but this photograph was made at night. (t is often surprising just how much light is found in the nighttime urban environment.) The location is Madrid, not far from the Plaza Mayor, during December, when the streets here are filled with people celebrating the holidays. But this little side street was quiet and nearly deserted.

Night transforms the urban environment. Things that might look mundane during the day can take on a different appearance under the glow of artificial lights. Here several light sources illuminate the brick wall and the sidewalk, and side light highlights the trunk of the urban tree.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Hi From Paris

Hi From Paris
Street art on a Paris wall at night.

Hi From Paris. © Copyright 2022 G Dan Mitchell.

Street art on a Paris wall at night.

One thing often leads to another. Recently I looked up a photograph I made in a few years ago. (I’m writing something about that photograph that will appear on my blog soon.) As I contemplated the circumstance of making that photograph I wanted to go back and look at others I made right before and after that one. Once I started it was impossible to stop, and before long I was digging into a body of work that I had not looked at for a while. As I did, I found some forgotten images that I wanted to work on.

This photograph is one of them. We were staying in Montmartre, and on this evening we went out to find something to eat… and then we ended up just walking along the evening streets, taking in the feeling of the place and, of course, making photographs. As in many big cities, there is fascinating street art throughout Paris — and some not-so-fascinating stuff, too. I photographed this eclectic little vignette under the light of street lamps: “HI FROM PARIS!”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Smile More

Smile More
A Manhattan street scene.

Smile More. © Copyright 2021 G Dan Mitchell – all rights reserved.

A Manhattan street scene.

May I just say that I miss Manhattan? I really miss Mahattan. After a year of keeping my “social distance” from people, I would love nothing more than to be in the middle of a loud, busy, Manhattan street overcrowded with people, perhaps heading into some very small and crowded restaurant. We’re not there yet, but I’m starting to imagine a time when this will again be possible.

Oddly, this Manhattan photograph looks about as empty as one would expect during a pandemic, even though it was made on a normal New York day a few years ago. Perhaps it was the particular neighborhood or perhaps the time of day, but there was almost no one on the street when I made the photograph, aside from a young father who walked though the scene at one point with his child. “Smile more” says the sign.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Doorway, Heidelberg

Doorway, Heidelberg
A graffiti-covered doorway on a narrow Heidelberg street

Doorway, Heidelberg. © Copyright 2018 G Dan Mitchell – all rights reserved.

A graffiti-covered doorway on a narrow Heidelberg street

To the extent that a photograph can be “about” things — I tend to think that a photograph “is” a thing — this one is perhaps about my obsession with geometries, about light, and about the door, with its graffiti, and what that might tell us about the door and how people here treat this “street art.” And by “about” I don’t necessarily mean that it tells us about these things — more that it may be about questions raised by such things.

The doorway is on a back street in the old part of Heidelberg, where we wandered on an August day earlier this year. These colors and this sort of paint and decoration seem fairly characteristic of this area. As we walked, the left side of the street was in shadow and the right was struck obliquely by sunlight that was somewhat softened by hazy cloudiness. Without that filtering the light would likely have been almost to stark for the photograph. Here I notice, as I did with an earlier photograph from Amsterdam, that there seem to be some “rules” constraining the application of the graffiti. It is on the door but not, for the most part, on the walls. Oddly, it all seems to be in black or other very dark colors. (I actually wonder if it was created by the people who live/work in this building.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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