Tag Archives: historic

Morning, St. Mark’s Square

Morning, St. Mark's Square
“Morning, St. Mark’s Square” — A few people and many pigeons, early morning at St. Mark’s Square, Venice

St. Mark’s Square can be one of the most crowded places in Venice. The square itself is one of the best known landmarks, and others (like the eponymous cathedral) are nearby, along with the famous columns and the waterfront. If you are looking to avoid the crowds, this is not one of the places you most likely go!

However, on this morning I was out on the streets very early with my camera. I began a bit before sunrise, actually. Not only were there far fewer people, but the early morning air was comfortably cool. It felt like a very different Venice as a few people walked past and flocks of pigeons collected in the square.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Fountain of the Horses, Santiago de Compostela

Fountain of the Horses, Santiago de Compostela
“Fountain of the Horses, Santiago de Compostela” — Morning tourists near the “Fonte de Cabalos” (Fountain of the Horses) in Santiago de Compostela.

The “Fountain of the Horses” (“Fuente de los Caballos“) is a two-centuries-old monument in the Praza das Pratarías, a small square near various sacred buildings in the city. Its name comes from the four horses at the base of the statue. We passed though the square several times during our May visit.

While the fountain was on my mind when I made the photograph, it wasn’t the main thing that I was thinking about. (I mostly thought of it as a compositional element.) I was intrigued by the arrangement of buildings on the street at and around the square and by the morning light coming straight down a narrow street to the left… and also by the positions and colors of the people in the square.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Mosteiro da Serra do Pilar, Night

Mosteiro da Serra do Pilar, Night
“Mosteiro da Serra do Pilar, Night” — Dusk photograph of the tower of the Mosteiro da Serra do Pilar, Porto.

On this May evening in Porto we decided to cross to the south side of the Douro River to watch the sunset over the city. There are lots of locations from which the view of Porto is available, but we had our eyes on the high point near the end of the Dom Luis I bridge, the square around the Mosteiro da Serra do Pilar. After sunset I turned my camera to this round building, the old church.

I was surprised that this site doesn’t seem to be better known, giving its striking appearance and its prominent location. (Perhaps people don’t like the uphill walk?) It is hard to imagine a better location for viewing the Porto waterfront, and the facility itself is historic.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Alfama and Panteão Nacional

Alfama and Panteão Nacional
“Alfama and Panteão Nacional” — The dome of the Panteão Nacional rises above Alfama, Lisbon.

The Panteão Nacional is one of several sites along this ridge above the Alfama district of Lisbon. It and the others command a sweeping view of the city and the water, but they also form focal points for views of the area from elsewhere in the city. I photographed this view from the Portas do Sol viewpoint area.

As striking as the building and its dome are, the Alfama itself is really the show here, in my view. The colorful buildings with their red roofs are packed tightly together along narrow and curving streets.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)