Tag Archives: historic

Photographs: Germany, Photographs: Travel

Schloss Heidelberg and Karl Theodor Bridge

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Schloss Heidelberg and Theodor Heuss Bridge
Looking across the Neckar River toward Heidelberg Altstadt, Theodor Heuss Bridge, and Schloss Heidelberg (Heidelberg Castle)

Schloss Heidelberg and Karl Theodor Bridge. © Copyright 2019 G Dan Mitchell – all rights reserved.

Looking across the Neckar River toward Heidelberg Altstadt, Theodor Heuss Bridge, and Schloss Heidelberg (Heidelberg Castle).

As predicted earlier, this is another straight-ahead travel photograph. The photograph looks across the Neckar River at the Theodor Heuss Bridge, over Altstadt Heidelberg (the “old town”), and up to Schloss Heidelberg (Heidelberg Castle).

Heidelberg is a home base when we travel to Europe, as Patty’s brother and his wife have lived in that area for a long time. We’ve stopped in there on each of our past three trips “across the pond,” so we have had time to get to know the parts of the city that are within walking distance of their place. And this scene is within that distance — up a hill, along a path, down some steps, and across the river, and we are there!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Germany, Photographs: Travel, Photographs: Urban/Street

Behind The Wall

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Behind The Wall
The “backside” of the Berlin Wall at the East Side Gallery

Behind The Wall. © Copyright 2019 G Dan Mitchell – all rights reserved.

The “backside” of the Berlin Wall at the East Side Gallery.

A possible alternative title for this photograph could be “Back Side Gallery.” Get it? OK, I’ll explain. The wall is The Wall, a remnant of the old Berlin Wall. This section is now known as the East Side Gallery, and on the other side (the “front side”) it features a wonderful array of street art that memorializes and comments on the Wall, its history, and a range of related subjects.

The East Side Gallery is, among many other things (most of which are likely more significant than what I’m about to write) a powerful example of how art claims out attention and can, at least temporarily, distract our vision from the mundane. The location of this section of the wall is unremarkable. One one side (where most probably don’t look) is this empty field, a plain wall covered with graffiti, and not much else. On the other side, as you stand looking at the “Gallery” portion, behind you is a busy roadway and an area filled with architecture that is not exactly eye-catching. But if you stop and take in the street-art side of the wall and the impromptu street theater produced by visitors, all of the rest of that temporarily disappears.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Germany, Photographs: Travel, Photographs: Urban/Street

Blue Shirts, Wall

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Blue Shirts, Wall
Two men in blue shirts at the East Side Gallery, Berlin

Blue Shirts, Wall. © Copyright 2018 G Dan Mitchell – all rights reserved.

Two men in blue shirts at the East Side Gallery, Berlin.

Berlin’s “East Side Gallery” is a section of the Berlin Wall — which has been entirely removed in almost all other areas — that was turned into a sort of street art exhibit, with all sorts of artists adopting sections of the wall and creating a kaleidoscope of wildly diverse imagery. We were in Berlin for a few days in 2018, and one day we walked over this direction.

I’m often a bit confused about how and even whether to photograph street art. One problem is that making photographs of the creative work of others feels a bit shallow at times. Another problem is that with some kinds of tagging that verge on vandalism, the photographer can feel complicit by sharing the tags more widely. (By the way, tagging is rampant in areas of Berlin that we visited, and some of the familiar American ground rules — such as not tagging homes — are regularly ignored there.) But sometimes photographing the work of others makes sense, and here I decided to mostly focus on the other people there to see the work. Once I did that I began to see a lot of striking coincidences and relationships — such as this pair of men wearing blue shirts and walking in front of this wildly detailed section of the wall.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Night, Photographs: Structures and Objects

Two Buildings, Night

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Two Buildings, Night
“Two Buildings, Night” — Night photograph of two buildings in the historic core of Mare Island Naval Ship Yard

One of the attractions of photographing at night is the way that everything changes and familiar and even mundane subjects can be transformed. Night almost automatically adds an element of mystery to subjects, even when the literal subjects might arguably be mundane. This is partly the natural associations we make with the night, but it is also the objective nature of the light — rather than working under the sun or other forms of light from the sky, we rely almost always on multiple point sources of artificial illuminations. (And exception would be working under full moon light, but that has its own implications.)

I made this photograph in the “historic core” area of the Mare Island Naval Ship Yard in Vallejo, California. For the most part many of the original structures still stand in this area. (Much more extensive redevelopment has occurred elsewhere on the island, some of which has removed the old facilities.) Here some of the buildings have been updated and put to use for more modern purposes, but the general feeling of the place remains. I have photographed in this little alley-way for about fifteen years now. Somethings stay the same and other change, and on this visit I found that I was able to use the new corner windows on the foreground building as a point of focus.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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