Tag Archives: historic

Blue Shirts, Wall

Blue Shirts, Wall
Two men in blue shirts at the East Side Gallery, Berlin

Blue Shirts, Wall. © Copyright 2018 G Dan Mitchell – all rights reserved.

Two men in blue shirts at the East Side Gallery, Berlin.

Berlin’s “East Side Gallery” is a section of the Berlin Wall — which has been entirely removed in almost all other areas — that was turned into a sort of street art exhibit, with all sorts of artists adopting sections of the wall and creating a kaleidoscope of wildly diverse imagery. We were in Berlin for a few days in 2018, and one day we walked over this direction.

I’m often a bit confused about how and even whether to photograph street art. One problem is that making photographs of the creative work of others feels a bit shallow at times. Another problem is that with some kinds of tagging that verge on vandalism, the photographer can feel complicit by sharing the tags more widely. (By the way, tagging is rampant in areas of Berlin that we visited, and some of the familiar American ground rules — such as not tagging homes — are regularly ignored there.) But sometimes photographing the work of others makes sense, and here I decided to mostly focus on the other people there to see the work. Once I did that I began to see a lot of striking coincidences and relationships — such as this pair of men wearing blue shirts and walking in front of this wildly detailed section of the wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Two Buildings, Night

Two Buildings, Night
“Two Buildings, Night” — Night photograph of two buildings in the historic core of Mare Island Naval Ship Yard

One of the attractions of photographing at night is the way that everything changes and familiar and even mundane subjects can be transformed. Night almost automatically adds an element of mystery to subjects, even when the literal subjects might arguably be mundane. This is partly the natural associations we make with the night, but it is also the objective nature of the light — rather than working under the sun or other forms of light from the sky, we rely almost always on multiple point sources of artificial illuminations. (And exception would be working under full moon light, but that has its own implications.)

I made this photograph in the “historic core” area of the Mare Island Naval Ship Yard in Vallejo, California. For the most part many of the original structures still stand in this area. (Much more extensive redevelopment has occurred elsewhere on the island, some of which has removed the old facilities.) Here some of the buildings have been updated and put to use for more modern purposes, but the general feeling of the place remains. I have photographed in this little alley-way for about fifteen years now. Somethings stay the same and other change, and on this visit I found that I was able to use the new corner windows on the foreground building as a point of focus.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Ship Yard Crane Structure, Night

Ship Yard Crane Structure, Night
“Ship Yard Crane Structure, Night” — A huge, rail-mounted ship yard crane at night, Mare Island Naval Ship Yard.

The historic Mare Island Naval Ship Yard, on an island across the narrow bay from Vallejo, California, is a remarkable place. It has a long history, going back to the first half of the 1800s, when it was the first such ship yard on the west coast of the United States. It continued to serve in that capacity until the 1990s, when it was finally decommissioned. At first, much of the facility languished, gradually falling into disrepair. More recently, it has become the site of redevelopment, new construction… and efforts to arrest the decay and preserve some of the historic area.

Mare Island has also been a Mecca for Bay Area night photographers for a couple of decades. Ask almost any area night photographer if they’ve been there, and the answer will be “yes.” I got my start doing night photography at Mare Island about fifteen years ago, when I happened to end up at an introductory session run by the original “The Nocturnes” group, put on as part of the Pacific Flyway Festival. The subject of this photograph is one of the gigantic shipyard crane structures found along the waterfront, designed to facilitate moving huge ship components at the dry-docks. This crane sits on carriages that run on a short section of curving track, allowing it to move over a short distance.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Roll-Up Door, Night

Roll-Up Door, Night
“Roll-Up Door, Night” — A metal roll-up door, old windows, and buildings in multi-colored night light

This is another photograph from my recent “alumni night” with The Nocturnes at the historic Mare Island Naval Ship Yard in Vallejo, California — a location where I did my first night photography about fifteen years ago, and to which I return at least a couple of times every year. The places is a sort of Mecca for Bay Area night photographers, almost all of whom have made the place a subject at some point. It holds very old historic ship yard buildings and structures, some areas that are essentially abandoned, a few areas undergoing redevelopment, and the effects of the ever-present San Francisco Bay that surrounds it.

Some things remain the same and others change. This photograph holds a bit of both extremes. The buildings in the scene have been there a long time and I have photographed them in the past. However, the lighting has changed significantly. This used to be an area of extremely dim light, but now there is a new facility just to the left of the area in the frame, and when anyone approaches security lights are activated and they cast a glow across the faintly green building. Its color controls with that of the more distant concrete building illuminated by an entirely different type of light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.