Tag Archives: historic

Roll-Up Door, Night

Roll-Up Door, Night
“Roll-Up Door, Night” — A metal roll-up door, old windows, and buildings in multi-colored night light

This is another photograph from my recent “alumni night” with The Nocturnes at the historic Mare Island Naval Ship Yard in Vallejo, California — a location where I did my first night photography about fifteen years ago, and to which I return at least a couple of times every year. The places is a sort of Mecca for Bay Area night photographers, almost all of whom have made the place a subject at some point. It holds very old historic ship yard buildings and structures, some areas that are essentially abandoned, a few areas undergoing redevelopment, and the effects of the ever-present San Francisco Bay that surrounds it.

Some things remain the same and others change. This photograph holds a bit of both extremes. The buildings in the scene have been there a long time and I have photographed them in the past. However, the lighting has changed significantly. This used to be an area of extremely dim light, but now there is a new facility just to the left of the area in the frame, and when anyone approaches security lights are activated and they cast a glow across the faintly green building. Its color controls with that of the more distant concrete building illuminated by an entirely different type of light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Shipyard Crane Structure, Night

Shipyard Crane Structure, Night
The base of a gigantic rolling crane structure, Mare Island Naval Ship Yard

Shipyard Crane Structure, Night. © Copyright 2018 G Dan Mitchell – all rights reserved.

The base of a gigantic rolling crane structure, Mare Island Naval Ship Yard.

I did my first real night photography at this location, the historic Mare Island Naval Ship Yard, fifteen years ago. I more or less randomly saw an announcement for a free introduction to night photography at the Flyway Festival at Mare Island, and without giving it much thought I signed up. The session was organized by Tim Baskerville, a guiding-light (guiding dark?) of the San Francisco Bay Area night photography scene and the leader of a group called “The Nocturnes.” (Studio Nocturne SF, the night photography collective I work with today, is a direct descendent.) I had almost no idea what I was doing on that first night photography adventure, but I was taken by the genre (and by this location) and I’ve been photographing at night ever since.

This week a group of us met for a “Nocturnes Alumni Event” at Mare Island, and after sharing and pizza we headed out into the dark to make photographs. It is a bit of a strange experience for me by now. I am very familiar with many of the features of the place, but there have been many changes, too. Back in 2003 the site was almost entirely abandoned, and it was not clear what would become of it. Today portions are being redeveloped, for better or worse — mostly better, I think. So some of the old subjects are gone, others that were off-limits back then are now accessible, and new things have appeared. On this evening I was able to get up close to some of these remarkable and gigantic old shipyard cranes. In a Silicon Valley world of virtual industries, it is quite striking to stand beneath these very solid and very real machines — gigantic things that were used to move the components for building ships.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Skylight, Austrian Postal Savings Bank

Skylight, Austrian Postal Savings Bank
Skylight above the main interior space of the Austrian Postal Savings Bank

Skylight, Austrian Postal Savings Bank. © Copyright 2018 G Dan Mitchell – all rights reserved.

Skylight above the main interior space of the Austrian Postal Savings Bank

The Austrian Postal Savings Bank in Vienna is an astonishing bit of modernist architecture. There is a lot of see in Austria, and for various reasons this didn’t make it onto many of the lists we consulted. However, close to the end of our 2018 visit we got a recommendation to visit this place, which turned out to not be all that far from where we were staying.

The building, both historically and architecturally, is a fascinating place. My understanding is that the Austrian Postal Savings Bank was a sort of revolutionary extension of banking services to working people in Austria, to encourage them to develop savings habits even though the amounts they were likely to deposit paled next to what the wealthy had to work with . This particular building is also a beautiful example of modernist architecture of the early 20th century. The photograph looks straight up from the floor of the main room in the building, a large open space surrounded by service windows/desks. This skylight is simple but very big, and it produces absolutely lovely interior light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Interior, Austrian Postal Savings Bank

Interior, Austrian Postal Savings Bank
Main interior space of the historic, modernist architecture Austrian Postal Savings Bank

Interior, Austrian Postal Savings Bank. © Copyright 2018 G Dan Mitchell – all rights reserved.

Main interior space of the historic, modernist architecture Austrian Postal Savings Bank

Today I’m breaking up the stream of Eastern Sierra autumn color photographs and returning to the even larger stream of photographs from our travels this past summer. This time we’re back in Vienna, where we spent four nights back in August. It was our first visit and, as seems to be the case with first visits to such places, the experience was a combination of being fascinated/impressed by the city along with beginning to get a sense of its character. Four days is, of course, too little time to really understand a place, but during four days our relationship to such a place changes quite a bit.

We got a recommendation from someone to locate and visit the Austrian Postal Savings Bank (Österreichische Postsparkasse), and we’re glad we went. The place does not seem at all to be on the lists of “things you must see in Vienna,” but if you are interested in architecture and history it probably should be. I won’t try to recount my limited understanding of the history here (there are great resources online, and you can start with Wikipedia) but the modernist building is remarkable, both in its overall effect and in its details. This photograph shows the main room, now mostly vacant, which is a remarkable modern, bright, and airy space, lit from about via a huge skylight.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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