Tag Archives: historic

Abandoned Mill

Abandoned Mill
The ruins of an abandoned mill in the desert backcountry

Abandoned Mill. Desert Mountains, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The ruins of an abandoned mill in the California desert backcountry

During the nearly twenty years since I first “discovered” California deserts, my experience with them has changed. To be honest, as a person largely focused on the coast and the Sierra, when I was younger I didn’t really know much about these wild places, and I wasn’t really attracted to them. It wasn’t until the late 1990s that I actually made a serious visit and began to “get it” about the things that make these areas so marvelous. At first, like almost anyone else, I focused on some of the most obvious and iconic places. But eventually as I returned to these places, especially to Death Valley National Park, I began to push out my boundaries bit by bit. As I did so I discovered many more interesting things about these places, both the natural wilderness and the human history. One of the first experiences that connected me to the human history was an accident. One evening I wandered away from a camp and just sat down on a boulder in an elevated location on an alluvial fan. I happened to look down to see an unusual rock. I picked it up and quickly realized that it was a cutting implement left their by the earliest people to make their lives here — and my notions of the depth and variety of human experience in the desert was profoundly altered.

That human influence has many facets. Certainly the experience of the people we now refer to as “native Americans” is central. (I like Canada’s term: “first people.”) Later settlers showed up for a range of reasons — pioneers passing through, prospectors chasing the dream of the big strike, folks looking for a job, people not well suited to living in the civilized world, and other. They all left traces. The prospectors and miners left lots of them all over the desert landscape, and you can’t travel around these places without running into it. The photograph is a detail from one amazing structure high on a desert ridge, abandoned only recently in the context of the larger scale of history, but still putting us in touch with an era that is mostly gone now from these places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Whalers Cabin, Point Lobos

Whalers Cabin, Point Lobos
Hidden behind a grove of trees, the Whalers Cabin sits on a bluff above Whalers Cove at Point Lobos

Whalers Cabin, Point Lobos. Point Lobos State Reserve, California. July 18, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Hidden behind a grove of trees, the Whalers Cabin sits on a bluff above Whalers Cove at Point Lobos

For may years I have visiting Point Lobos, the increasingly popular (and sometimes over-run) California coastal reserve along the Pacific Coast just south of Carmel. Decades ago my family visited when I was a child — I recall picnicking there, but most of all I remember exploring the tide pools and descending a steep old trail to a small beach that is now closed. While I knew limited areas of the reserve very well, there were other sections that I simply never visited: some of the forest trails, a few areas close to Monastery Beach and others.

One of the places that, oddly, I never visited was the little “Whalers Cabin” set back on the bluff above Whalers Cove, a sheltered and often placid bay that is protected from the surf of the open ocean. I visited the cove, and I’ve photographed there in the past, but I always went right past the cabin without stopping. This summer I finally stopped in and looked around a bit. As I understand it, whalers may have used the place, but so did fisherman. Today it is a small museum, and (as far as I know) the only very old historic structure still remaining in the park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Louvre

The Louvre
Courtyard and people, the Louvre

The Louvre. Paris, France. August 11, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Courtyard and people, the Louvre

We spent about a week exploring Paris during the summer of 2016. Mostly we wandered, with a few specific goals in mind, and many opportunities for (sometimes random) discoveries. But there were a few things that we knew we had to visit, and the The Louvre was, of course, on that list. The museum is gigantic, with collections that are so extensive that a single day visit — which is what we had — only affords an opportunity to visit a small portion of the museum. We managed mostly one floor of one wing.

The grounds within and around the Louvre are constructed on a monumental scale. While many parts of Paris feature narrow and twisting streets, here there are vast open courtyards and buildings that extend over great distances. This photograph was made from one of the upper levels of the museum, and it looks back toward the central open area, across which groups of people walk.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

D8 Crane, Night

D8 Crane, Night
The D8 crane at night, Mare Island Naval Ship Yard

D8 Crane, Night. Mare Island Naval Ship Yard, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The D8 crane at night, Mare Island Naval Ship Yard

As all who photographer there know, these huge crane are among the primary iconic elements of the historic Mare Island Naval Ship Yard. Their size makes them visible from many places including the opposite shore in the town of Vallejo across the harbor. Their appearance is striking, especially at night, when their organic forms are usually lit from below, especially now that they are once again in use as part of a project to dismantle the ships of the old “ghost fleet” that was long moored near the Carquinez Bridge.

Their reactivation has created some photographic opportunities that were rarely available when I first began photographing at Mare Island a dozen or more years ago. Back then the cranes, which can be moved around the dry docks along a system or railway tracks, were often parked in inaccessible locations and seldom well-lit. But on this visit we found two of them had been moved out from behind the security fences and along a closed roadway. We were able to photograph them close-up and from a range of positions and angles. Each has a sort of personality. The closest one is bright yellow in the artificial light, while the further crane has a dark and weathered appearance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.