Tag Archives: historic

Support Columns, Purple and Green Wall

Support Columns, Purple and Green Wall
Support Columns, Purple and Green Wall

Support Columns, Purple and Green Wall. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Night photograph of dilapidated building in green and purple, Mare Island Naval Ship Yard.

In contrast to the huge and somewhat garishly lit iconic towers and cranes of Mare Island, there are innumerable little quiet and hidden subjects to photograph. I think that most of us start with the obvious subjects and eventually, after shooting them many times, begin to look for these other possibilities. I photographed this in very low light, complicated by a bit of wind, and I could barely see the subject as I worked. (In order to focus I had to shine a small light on the edge of part of the structure.)

The colors were almost a bit of a surprise. At Mare Island there (or, in too many cases used to be, now that the lighting has been “modernized”) a wild variation in lighting types. There is often the moonlight. A glow comes across the water from Vallejo. Sodium vapor lamps can produce a sort of sickly yellow color. Tungsten light is warm colored, and fluorescent light can be very strange. As a consequence, the colors of this nighttime world are more about the colors of the lighting than the colors of the subjects themselves. The side of this building, which is probably quite drab in daylight, picked up subtle green and purple tones under the artificial light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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D4 — Do It Safe

D4 — Do It Safe
Two shipyard cranes, Mare Island Naval Ship Yard

D4 — Do It Safe. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two shipyard cranes, Mare Island Naval Ship Yard

This past weekend I joined my friends from The Nocturnes, the San Francisco Bay Area night photography group for a night photographing at the historic Mare Island Naval Ship Yard. (Despite the similar names, this is a different group than Studio Nocturne SF, a group of photographers with whom I exhibit.) The location is a bit of a Mecca for night photography around here, and I’ve been photographing in this place for something like a dozen years, virtually always at night.

On this shoot I focused on a combination of some less obvious things that I’ve learned to see over many years of working this subject and some of the classic, iconic subjects at Mare Island. This photograph is in the latter category. These huge cranes, set on a system of tracks surrounding dry docks, are perhaps the most characteristic visual feature of Mare Island, especially since they tower high above the old historic buildings. My night photographs of this subject don’t exactly strive for an accurate image. To be honest, that would be an incredibly boring thing, since there is so little light that the subject is often barely visible on the scene. So my idea is to focus on “what the camera sees,” and I typically make very long exposures that collect enough of that faint light to make the subject more clearly visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Ponte Vecchio

Ponte Vecchio
Buildings on the Ponte Vecchio bridge across the Arno River, Florence/Firenze

Ponte Vecchio. Florence/Firenze, Italy. August 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Buildings on the Ponte Vecchio bridge across the Arno River, Florence/Firenze

I have mentioned before that I often like to not know too much about a place before my first visit — I love the experience of discovering it in my own way once I arrive. While some research is a good thing, too much can compromise the experience. As a result, it isn’t unusual for me to arrive in a new location completely unaware of some thing that everyone else knows about. (Someone I know still tells the story of my first visit to Arches National Park…) This is a long way of saying that I did not really know about the famous Ponte Vecchio bridge until I saw it moments before I walked across the first time.

I now understand that this bridge across the Arno River in Florence has a very long history, but when I first saw it I simply responded to it on the basis of what I saw. And I had never seen a bridge quite like this before. The old span is almost entirely lined with buildings, many quite old, and apparently it was long ago the location of butcher shops and more recently of jewelers, art sellers, and souvenir shops. We arrived late in the day, just as the sunset light was coming on. I photographed this scene in the shaded side of the bridge, narrowing the composition to focus on the shapes, colors, and textures of the old buildings.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Badia di Passignano

Badia di Passignano
Vineyards near the Badia di Passignano abbey

Badia di Passignano. Chianti Region, Italy. August 25, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Vineyards near the Badia di Passignano abbey

A few days ago we briefly left the mountainous country where we’ve been staying in the Chianti region of Italy and we made the drive down to Siena. (Siena is a marvelous place, and I hope to post photographs and some text about that visit later on.) We went there on paved country roads that passed through lots of rural areas, but we decided to head back north by way for the “freeway.” That being a bit too California-like, we left the main road and headed east into the hills.

Eventually the route arrived at open terrain and narrowed — the road passed between old stone walls here — and approached this remarkably-situationed old abbey, sitting along on a shallow ridge and surrounded by vineyards. The late afternoon sun and atmosphere produced a bit of haze as I photographed across the vineyards and back toward the structure.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.