Tag Archives: intimate

Dogwood Flowers, Merced River

Dogwood Flowers, Merced River
Dogwood Flowers, Merced River

Dogwood Flowers, Merced River. Yosemite National Park, California. May 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Flower-laden spring dogwood branches above the rushing water of the Merced River, Yosemite National Park.

It seems that everyone needs a photograph of white dogwood flowers and green leaves against the backdrop of the waters of the Merced River – and here is mine! I made this photograph on a one-day quick trip to the Valley timed to coincide with the peak of the dogwood blooms. This was a spectacular dogwood blossom season! I had heard reports of larger than usual numbers of the flowers, but I was still very surprised to see how thickly the flowers covered many, many trees. I’ve seen quite a few dogwood blooms in Yosemite Valley, and this had to rank among the most impressive.

The challenges of the “dogwood over water” photographs are several. The first it to find a branch hanging over or near the Merced. This isn’t as easy at is might seem. Such branches aren’t exactly everywhere along the banks of the river, and in many places the flowers face away from the bank – not such an appealing image – or might appear against water that is too rough and provides a distracting background. Often dogwood flowers that catch your attention with their start white shapes turn out to be less than pristine close up – they might have brown tips, holds in the petals, or be discolored – and it can take a bit of looking to find some that are in great shape. Ideally there will be something high above the opposite bank the provides a bit of color to the water. Then there are the conflicting desires to use a long exposure to blur the water a bit while trying to capture a sharply delineated image of the flowers… which sit at the end of long, flexible branches that move in the slightest breeze! With patience, the breezes may eventually pause, and careful timing helps time the exposure between periods of motion.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Shadows, Pebbles, and Tracks

Evening Shadows, Pebbles, and Tracks
Evening Shadows, Pebbles, and Tracks

Evening Shadows, Pebbles, and Tracks. Death Valley National Park, California. April 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The tracks of a passing animal among small pebbles in evening shadows on the dunes, Death Valley National Park

The day before I made this photograph a huge wind/dust storm had swept across Death Valley, raising tall clouds of dust high into the air, blowing away tents and anything else not firmly tied down, and spreading a thin film of dust into cars, tents, sleeping bags, and just about everything else. The idea of a desert dust/sand storm is interesting and exciting, and there are certainly some elements in this weather that are photographically compelling – but the reality is that they can make like quite difficult for a while.

On the other hand, after the dust storm passes, many of the usual traces of human presence are temporarily erased from sand dune areas. So on this evening after the dust storm I wandered out into low dunes away from the more popular areas and saw virtually no human tracks where I ended up. However, I did non-human tracks, perhaps more clearly given that there were fewer of them and they were isolated against the newly clean and smooth wind-blown sand. I just happened to spot these small tracks (a lizard?) as I entered a small “dune” valley. I first noticed the uppermost shape, which reminded me of a small branch or twig or possibly a bit of coral. I soon noticed the more linear track up the middle of the branch-like tracks – a tail? – and thought I might be able to make a photographic composition out of these tracks, a few small rocks embedded in the sand, and some of the early afternoon shadows across the sand.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dried Branch, Sand

Dried Branch, Sand
Dried Branch, Sand

Dried Branch, Sand. Death Valley National Park, California. April 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The dry remnants of a dead plant in recently wind-blown sand dune, Death Valley National Park

I have been visiting Death Valley regularly for perhaps fifteen years, typically photographing there for nearly a week every year for the past decade, and occasionally more. On my most recent trip, from which I returned only days ago, I was thinking about a number of thing regarding my experience with the place and how it has changed. On my first visits there was, of course, the excitement and wonder of discovering a place that was essentially completely new to me. I recall that on my first trip there I got close to the Race Track without going all the way to this location. We camped not far from that playa and I imagined this place that I had heard so much about and even envisioned it in a particular location – and when I did visit a year or two later I discovered that it was quite a bit different from what I imagined, though magical in different and perhaps more powerful ways. After a few years of visiting and photographing the best known iconic sites I began to find them less interesting, and though I continued to photograph them when the opportunity arose, I focused more on expanding the areas I knew about and on looking more closely at areas I thought I knew.

As I did this, I have to confess that portions of the Death Valley experience baffled me or even put me off a bit. While I found some of the terrain to be tremendously beautiful, there were other aspects that I just couldn’t quite relate to. As a person who has spent a lot of time in forested places with flowing water – mainly the Sierra Nevada – I found some areas of this desert to be, quite honestly, boring. I drove through or past them on my way to what I thought of as the more interesting places where I could find colors outside of the range from tan to gray and where some special object or formation might create an obvious center of interest. However, from time to time I would be surprised to find in some plain, nondescript, and even boring place an experience of stillness, immense space, and deep silence that I had rarely encountered elsewhere. More and more, I began to see this as a primary attraction of this landscape – more so in many cases that the specific features of this pinnacle or that formation or the other valley.

On this recent trip, conditions conspired to make me look more closely at some of these things that I had originally overlooked. The conditions were such that if I had experienced them a few years ago I might have simply left. (In fact, that thought did cross my mind once or twice on this trip.) The spectacular light really never came, skies were cloudy, the air was hazy, it was very hot, the winds blew strongly, and there was a dust storm. During the first couple of day, with the exception of shooting the dust storm, many of the subjects I had in mind simply didn’t work out the way I planned. A bit surprisingly, without the possibility of shooting yet another beautiful golden hour sunset image of a spectacular bit of geography (though I did do some of that still) I slowed down and looked more closely at some of those “boring” places that I had passed through more quickly in the past.

This photograph was made in one of those locations. It was not far from one of those iconic locations, but it wasn’t the iconic spot at all. An hour or so before sunset I simply wandered away from the road, past vegetation and into the sand, and started looking around. In the low spots between dunes, the world beyond was out of sight and the wind was blocked, and as the light faded I encountered again that deep and powerful and timeless silence that is so hard to find almost anywhere else.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree and Granite Wall

Tree and Granite Wall
Tree and Granite Wall

Tree and Granite Wall. Yosemite National Park, California. February 23, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

A single tree grows against the face of a granite wall, Yosemite National Park, California

I’m well acquainted with this tree, though there is always more to learn about such things. It is next to a Yosemite road that I drive regularly, and near a location that I frequently stop to photograph in all seasons. Most often I’m not photographing this tree, but some other nearby subjects – but I always end up looking at the tree and considering its situation.

The tree grows very close to an impressively steep cascade of water, but it is not quite within the watercourse itself. Off to one side, it grows almost perfectly straight against the face of a very large chunk of granite that must have long ago fallen from the steep terrain above. While its trunk and branches, like those of many similar Sierra trees, can almost seem closer to rock than to a living thing, the green at the end of the thinner, darkened branches softens its appearance. And there is a bit more to the rock behind the tree if you look closely. There is a complex and varied pattern of lichen across its surface and in places it is broken up by cracks, such as the curving one at upper right whose curve seems to be faintly completed just to the right of the tree trunk.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.