Last fall I was in a popular Eastern Sierra location to photograph autumn aspen color. I had arrived before sunrise, while it was still pre-dawn twilight. I began photographing before the sun came up, continued through the arrival of first direct light, then moved on to some other nearby subjects. As I continued to work I could not help noticing that the full moon was setting in the western sky.
Continue reading Sierra Setting Moon at Sunrise
Frost-Rimmed Oak Leaves, Autumn. Yosemite Valley, California. November 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.
A very cold autumn morning brings a touch of frost to late-fall oak leaves in Yosemite Valley
Earlier this week I had (just barely) enough time for a very quick one-day up-and-back visit to Yosemite Valley. Such a visit, entailing a four-hour drive each way, and beginning with a 3:30 a.m. alarm going off, is not completely fun in all imaginable ways… but I won’t complain in front of people who might regard a visit to this valley as a once-in-a-lifetime experience. I’m fortunate to live where I’m able to get to such a place and back in a day. The reason for the quick visit was that I had not made my annual “autumn leaves” visit to the Valley. In a typical year I do that right around the first of November (though I often think of it as a Halloween trip!) when the maple, oak, and dogwood leaves can be very colorful. I thought that I had missed the show this year, but over the weekend I heard from friends that there were still leaves in The Valley, so I figured that I would try to get up there for a quick visit.
Having gone there for decades, I no longer go straight for the usual iconic subjects – though I will photograph them when the conditions are extraordinary. Instead, I often end up poking around in odd corners, looking for things that are smaller and less easily seen, but which I associate with The Valley just as much as, say, Half Dome or El Capitan or Yosemite Falls. So, odd as it may seem, when I made my first stop of the day at El Capitan Meadow, with its iconic views of Sentinel Rocks and El Capitan on opposite sides of The Valley… I spent the first 15 minutes with my lens pointed down into a small patch of the Merced River where there were some interesting reflections, and then I wandered off along the river bank in a few inches of snow to photograph close-up views of the wonderful oak leaves rimmed with morning frost. It occurred to me later that some might think it is a bit odd to drive so far to photograph such things!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
First Light on Zabriskie Point Hills. Death Valley National Park, California. April 3, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.
The first morning light touches hills at Zabriskie Point with ridges of the Panamint Range visible in the distance, Death Valley National Park, California.
When I visit Death Valley – typically, at least once each year – I usually try to seek out some of the less iconic scenes. However, I still do visit the icons, too. And Zabriskie Point at dawn may be the best known and perhaps the most photographed “icon” in the park. When I do go to Zabriskie it is usually for one of two reasons. First, if the light or conditions are truly special, I’ll be there with everyone else when the sun comes up! Second, I have a vague project to try to photograph aspects of Zabriskie that are different from the icon views across Gower Gulch or of Manley Beacon. This photographs sort of fits into that second category.
Those who have photographed here more than once become acquainted with the way that the morning light typically unfolds at Zabriskie. The pre-dawn light begins to softly light the entire scene, and before long the very first dawn light strikes the highest ridges of the Panamint Range on the opposite side of the Valley to the west. This light works its way down the face of that range, gradually illuminating the ridges and valleys of the range and spreading horizontally. It then begins to hit the Valley floor and works its way east and closer to Zabriskie and the rest of the ranges along the east side of the Valley. Although the closest hills are in shadow, one can almost sense the beams of light over head that are reaching into the Valley and sense that the angle of this light is gradually working down toward the closest ridges. Then the first light appears on the higher features around Zabriskie Point, at first soft but quickly increasing in intensity.
This photograph was made at this moment when that firs light arrives. The subject is a darker and rugged ridge that rises between the usual vantage points and the backdrop of the distant Panamint range, which in this photograph is somewhat obscured by the hazy atmosphere on a day when giant dust storms were just beginning to develop further north in the Valley.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.