Tag Archives: inyo

Photographs: Nature, Photographs: Sierra Nevada

Late Season Wildflowers

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Late Season Wildflowers
A patch of late-August lupine flowers in the John Muir Wilderness

Late Season Wildflowers. © Copyright 2019 G Dan Mitchell – all rights reserved.

A patch of late-August lupine flowers in the John Muir Wilderness.

Over the years I’ve seen some outlier seasons in the Sierra Nevada. A few years ago we experienced a serious five-year drought that left the range dry very early in the season, producing summers that were mostly brown up high and autumns that featured stressed aspens. I’ve also experienced summers that followed extremely wet precipitation seasons, including several during which the high country really did not open until July. In those years there was snow around all summer, and even at the end of the season there were still flowing water, green meadows, and even wildflowers.

This summer fell into the latter category. Although last winter’s season started out looking dry, a series of strong storms arrived a bit later and produced a much larger than average snowpack. Once again, the opening of the high country was delayed, and when it did open up there was water everywhere. My recent visit was during the final few days of August and the first couple of days of September. Despite the late date, many areas were still green — especially in the well-watered valley we visited — and wildflowers were still blooming. Not far from our camp I found extensive patches of lupine in full bloom.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Reflections, Rocky Shoreline

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Reflections, Rocky Shoreline
Huge rocky slabs meet the shorline of a subalpine Sierra Nevada lake

Reflections, Rocky Shoreline. © Copyright 2019 G Dan Mitchell – all rights reserved.

Huge rocky slabs meet the shorline of a subalpine Sierra Nevada lake.

A group of us recently spent a week camped at 11,000′ in a landscape of water, glaciated rocks, meadows, and high peaks. AS the week went on we gradually pushed out the boundaries of our photographic explorations. My first view of this formation was on my initial scouting trip to this lake — I did not photograph it on that visit, but I made a mental note to return when the light would be more ideal. In this case, “ideal” meant “not in full sun,” so my plan was to come back in the early morning and evening hours. Early morning turned out to be best since the air was still at that hour, leaving the water still enough to produce coherent reflections.

I returned a few mornings later. Demonstrating once again the importance of what I might term “attentive serendipity” in photography, even though I got distracted and arrived at the lake later than planned, the timing turned out to be nearly perfect. I had a few minutes to photograph the larger landscape in the pre-sunlight “quiet light” before moving on to photograph this still-shaded scene. And once I finished here, the sunlight cooperated by arriving at a nearby rocky peninsula and both backlighting a tree and turning the water a lovely deep blue color.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Ridge, Last Light

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Ridge, Last Light
The last evening light strikes the top of a Sierra crest ridge

Ridge, Last Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

The last evening light strikes the top of a Sierra crest ridge.

As a photographer of landscapes I like to think of myself as being something of a connoisseur of sunsets. Hey, I’ve seen a few of them! There is not denying that it is a special time of the day, just like dawn, when the landscape undergoes a rapid and often striking transformation, made more notable against the backdrop of daytime light that changes very slowly. As the day comes to an end the changes accelerate — shadows lengthen, the sun approaches the horizon or other blockage, the color of the light warms, and distant clouds and other features begin to affect the local scene. Quickly the light disappears, leaving some alpenglow if you are lucky, and then the transition slows again as darkness falls.

Over several evenings it became obvious that this ridge above our camp was the last one to get the sunlight. Since we were camped to the east of the Sierra Nevada crest, there was little full-on sunset light here. However, given the curved shape of the upper canyon and the high peaks on the crest, there were a few spots like this one that were open to the light coming from far to the west. On this evening some clouds assembled above the ridge, creating a more dramatic backdrop.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Glaciated Terrain

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Glaciated Terrain
A Sierra Nevada scene including glaciated slabs, a shallow lake, and old moraines

Glaciated Terrain. © Copyright 2019 G Dan Mitchell – all rights reserved.

A Sierra Nevada scene including glaciated slabs, a shallow lake, and old moraines.

There are quite a few “terrains” in the Sierra Nevada, ranging from foothills oak grasslands through the mid-elevation forest, and on up to the rocky alpine heights. Off all of them, I think my favorite is that found just below the treelike, where granite slabs are frequently interspersed with small trees and meadows, where you are rarely very far from water, and where evidence of the glacial heritage of the range are everywhere. There is virtually no element of this scene that doesn’t owe something to those glaciers — the smoothly rounded slabs of foreground granite, the lake lying in a scooped-out hollow where glaciers converged, the moraines (at least two of which appear in the photograph), and even the line between the tops of the glaciers and the more jagged formations that remained above their reach.

This photograph is also about light, and a more subtle form of it. I composed the scene to exclude as much of the direct morning sun as possible, but yet to take advantage of its presence nearby. One of the favorite forms of light among photographers is that which is reflected into the scene from nearby objects in bright light. Here much of the warmer colored light is of that sort, reflected into the scene from nearby slopes that were already in the direct morning sun. This light fills shadows and can add soft color to the cold tones in the shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.