Tag Archives: landscape

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Big Sur Coast, Evening Haze

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Big Sur Coast, Evening Haze
Evening winter haze and mist at sunset along the rugged Big Sur coastline

Big Sur Coast, Evening Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening winter haze and mist at sunset along the rugged Big Sur coastline

This is perhaps a fairly “typical” winter view of this coastline — if such a landscape can ever by described using that term. We were on the return leg of a visit to the Los Angles Basin, and we decided to take the long route back, following US 1 up the Big Sur coast. (There is an inverse relationship between speed and rewards when traveling between northern and southern California. Racing up and down I-5 in the Central Valley has its place, but you miss a lot. US 101 is slower but more interesting, and US 1 is a lot slower and a lot more interesting!)

By the time we got out of the LA Basin — which took three hours even on a post-holiday morning — it was clear that the winter sunset would occur when we were somewhere north of Ragged Point and south of the town of Big Sur. We did not know precisely where, but along this coast it is usually possible, when you realize that the day is ending, to find a good spot fairly quickly. I picked this one perhaps 10-15 minutes before sunset, mainly by intuition as we came around a headland and saw the foreground bay, the layered headlands, and the long view to the north. I quickly got out and set up to photograph in the warm, sunset light… and then watched it “gray out” as the sun dropped behind low haze sitting on the horizon!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sculpted Sandstone

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Sculpted Sandstone
Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

Sculpted Sandstone. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

We have to change the way we think about the daily progression of light when photographing in slot canyons. I first learned this when photographing in the red sandstone country of Utah, but it is just as true in the relatively less colorful canyons of Death Valley or even in some places in the plain gray granite landscape of the Sierra Nevada. In most cases we are drawn to the warm, early morning light, with its long shadows and lovely color. But in the canyons that light can be far less compelling, and it may even just end up seeming drab. Once you reset your expectations you find that the best canyon light often comes in the middle of the day, when the sun rises high enough to directly illuminate the red canyon rims, and then this light bounces and reflects downward into the canyon depths.

I made this photograph in a spot in a Utah canyon that was perhaps an even better than usual location for reflected canyon light. The rock was red standstone. Late-morning sunlight lit the upper rim, and that light suffused the lower reaches of the canyon. But here the narrow section of slot canyon wasn’t very long, and some bluish light from the sky reflected on angled rock surfaces, introducing a striking color contrast to the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Fractured Rock and Lichen

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Fractured Rock and Lichen
Yellow lichen grows on fractured, terraced rocks in the Eastern Sierra Nevada

Fractured Rock and Lichen. © Copyright 2018 G Dan Mitchell – all rights reserved.

Yellow lichen grows on fractured, terraced rocks in the Eastern Sierra Nevada

I had been camped within walking distance of this feature for the better part of a week before I spent time photographing it. Oddly, I had walked right past it as we hiked in to our base camp, and I had apparently not even looked up to see it. It is a long section of granite-like rock that runs along the shoreline of a lake, and because the rocks are high enough the spot retains soft, shaded light well into the morning. While it isn’t a dramatic, iconic sort of location, a closer look revealed lots of intimate details worth photographing.

This section of fractured blocks intrigued me for several reasons. The shapes themselves hint at geological processes about which I can only speculate — lots of linear and crossing fractures that gradually eroded to leave a stair step sort of structure. The rock itself is covered in places with some vividly colorful lichen, and small plants grow in cracks where water is apparently available. The color of the scene is a bit unusual, in that the bluish tones come from reflected sky, which produces a large portion of the illumination here.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Morning, Fog, Surf

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Morning, Fog, Surf, Big Sur
“Morning, Fog, Surf” — Bright morning light illuminates fog along the Big Sur coast as storm wave run up against the cliffs

The fog in this photograph doesn’t come from the usual source. Typically, along this section of California’s Big Sur coastline, fog rolls in from the ocean in big, fluffy, low-level clouds. That fog is a dark, damp, gray thing, and — with the exception of the moments while it is clearing — it generally does not let in much light. The “fog” in this photograph, which might more accurately be called mist or spray, comes from gigantic waves from a winter storm breaking along the coast in windy conditions. The waves produced this mist on this day of surf up to 40 feet high.

The photograph could also serve as an example of looking away from the most obvious thing. The location is at or just before a very popular and iconic stopping place along the Coast Highway in the Big Sur region. In fact, many people making a quick trip down from the north choose this spot as their turn-around point. I stopped a bit before the throng and pointed my lens in a different direction, down toward a familiar beach lying at the base of huge shoreline cliffs. The beach isn’t visible — the giant waves were so strong that they ran all the way up to the base of the cliff. I decided on a high key interpretation of this scene in order to reveal the glowing backlight slanting across the cliff from above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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