Tag Archives: last

Ridge, Last Light

Ridge, Last Light
The last evening light strikes the top of a Sierra crest ridge

Ridge, Last Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

The last evening light strikes the top of a Sierra crest ridge.

As a photographer of landscapes I like to think of myself as being something of a connoisseur of sunsets. Hey, I’ve seen a few of them! There is not denying that it is a special time of the day, just like dawn, when the landscape undergoes a rapid and often striking transformation, made more notable against the backdrop of daytime light that changes very slowly. As the day comes to an end the changes accelerate — shadows lengthen, the sun approaches the horizon or other blockage, the color of the light warms, and distant clouds and other features begin to affect the local scene. Quickly the light disappears, leaving some alpenglow if you are lucky, and then the transition slows again as darkness falls.

Over several evenings it became obvious that this ridge above our camp was the last one to get the sunlight. Since we were camped to the east of the Sierra Nevada crest, there was little full-on sunset light here. However, given the curved shape of the upper canyon and the high peaks on the crest, there were a few spots like this one that were open to the light coming from far to the west. On this evening some clouds assembled above the ridge, creating a more dramatic backdrop.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Ridge And Lake, Twilight

Ridge And Lake, Twilight
The last twilight alpenglow on peaks above a John Muir Wilderness lake

Ridge And Lake, Twilight. © Copyright 2019 G Dan Mitchell – all rights reserved.

The last twilight alpenglow on peaks above a John Muir Wilderness lake.

A group of us spent last week base-camped at 11,000′ in the Eastern Sierra Nevada, in an open landscape of lakes, meadows, granite slabs, and high ridges. Our most pressing concerns were making photographs, reveling in our surroundings, and enjoying one another’s company. We do this every year — some have been doing it for nearly two decades, I’ve been part of it for about ten years, and we added one new participant this time. In some following posts I’ll have more to say about the goals and experience of such a thing.

Because of our location, each evening the final light would fall on a long ridge above a high, glaciated valley to our southeast. Although the sun had already set, this high spot was open to light coming from the other side of the Sierra crest, far to the west and perhaps even along the distant Pacific coast. Set against the twilight sky and shadowed nearer landscape of rock, water, and trees, this last bit of light was dramatic, and it never failed to capture our attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Last Light

The Last Light
A final and unexpected bit of sunset color over the Sierra Nevada crest at Tuolumne Meadows

The Last Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

A final and unexpected bit of sunset color over the Sierra Nevada crest at Tuolumne Meadows

I could probably write a chapter on topics related to this photograph and the circumstances of making it. But I promise to keep this to a couple of paragraphs… at least for now. Earlier on this day I thought that I might make an evening visit to this high point in the Tuolumne Meadows area. As I ascended the conditions were far from promising — thunderstorms and light rain were falling to the east and the cloud shield extended far enough west to cut off the light. It was one of those occasions when I was ready to simply enjoy being in the place and perhaps not bother to photograph. There was one other photographer in this location and since there wasn’t much to photograph we spend some time in casual conversation, largely about the less than exciting light. There was a lighter area far to the west, but it appeared to be too far north of the setting sun to send much light our direction.

As we talked I mentioned a specific condition that can quickly (and often quite briefly) turn very boring light into something miraculous. If the cloud shield ends far to the west (or in the east at sunrise) there may be a narrow gap between the edge of the clouds and the horizon. If so, as the sun nears the horizon there can be a short burst of intensely colorful light. Any time I’m in a situation like the one on this evening, I look for signs of that horizon light… and if they are present I stay. That’s what I did on this evening, and I set up my camera with a lens selected for my guess at what the scene might do. With 5-10 minutes to go before sunset the sky was still murky and gray, and it appeared that my patience might not be rewarded. Then I noticed some pink in clouds far to the north. In a matter of second a soft reddish glow appeared at the summit of the large granite dome, and almost instantly the light came up on the peaks as a beam passed across the forest in the foreground. For the next 3-5 minutes the entire scene was a miracle of colorful light… until the sun dropped below the horizon and the red was gone.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Waterfall and Trees, Spring Evening

Waterfall and Trees, Spring Evening
Evening light on Yosemite Falls and meadow trees

Waterfall and Trees, Spring Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening light on Yosemite Falls and meadow trees

I have had my eyes on this composition for some time. The photograph is, in many ways, a pretty straightforward thing, and it certainly doesn’t require any logistical difficulty or long hikes. However, there are a few variables in play that are not entirely under the photographer’s control, and timing is critical — as to the season, the time of day, and the momentary conditions. The green of that group of trees is briefly at its most intense for a period in the spring. As in so many photographs, the momentary effect of light is critical and ephemeral. Two days earlier I had photographed this same scene, with results I liked but not as much as what happened here.

Speaking of that earlier photograph of the same subject, I had not made a firm decision to re-photograph the scene on the evening when I made this version. I was thinking about several potential subjects on this final evening in the Valley for this trip, but it was the infamous Yosemite Valley traffic that put me here at the right moment. I had parked in a day use lot while I went on an afternoon hike, returning to my vehicle in time to finalize my evening plans. The traffic was completely stopped due to the combination of large numbers of spring visitor and construction work to the west. So I headed across the Valley and back to the east, looping around towards this spot. Some distance away the traffic stopped completely once again, so I simply pulled to the side, loaded my equipment on my back abandoned (temporarily!) my vehicle, and started walking. I could see good light ahead through the trees, but as I arrived some clouds blocked it. But since I wasn’t going to have much luck trying to drive elsewhere I simply decided to stick around and watch. Eventually there was a short break in the clouds, and a brief moment of lovely light illuminated these trees. And then the show was over.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.