Tag Archives: lesser

Three Cranes in Formation

Three Cranes in Formation
Three lesser sandhill cranes against blue winter sky above California’s Central Valley.

Three Cranes in Formation. © Copyright 2022 G Dan Mitchell.

Three lesser sandhill cranes against blue winter sky above California’s Central Valley.

As I posted this I was considering the title… and it occurred to me that “Three More Cranes” might be the appropriate modification, considering how many crane photographs I have been sharing! And I’m not done — there are still a few more in the queue. Think of it as a sort of end-of-season (at least in Central California) crane fest, with the photographs coming from my final two visits to local crane areas this winter.

Getting a good, close photograph of cranes in flight is more of a challenge than you might think. On a day like this one, the cranes are everywhere, and they are quite active. But a whole bunch of things have to fall into place for it to work, and most of them are decidedly not under the photographer’s control. There must be some sort of good light, and the cranes must be flying in a good direction relative to that light. Their flight must take them near (and preferably over) my position, but cranes are notoriously finicky about flying directly over people. The individual birds must align themselves in aesthetic ways — not blocking one another or creating awkward shadows, wings in an interesting position, yet close enough to one another to fit in the frame. The truth is that a day of photography may not produce a photograph with the birds aligned as beautifully as this trio.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Three Cranes, Winter Sky

Three Cranes, Winter Sky
Three lesser sandhill cranes against winter blue sky, Central Valley.

Three Cranes, Winter Sky. © Copyright 2022 G Dan Mitchell.

Three lesser sandhill cranes against winter blue sky, Central Valley.

This is another “just plain birds” photograph, in this case of a small group of lesser sandhill cranes that flew past my position in mid-morning light on a late-winter day near the end of the migratory bird season at this location. I often try to photograph the birds in some context, whether it is against the landscape of the Great Central Valley or a dramatic winter sky or in tule fog. But sometimes I just go ahead and make a straightforward, no-apologies photograph of birds. Like this one.

At one point some years ago I realized that cranes would often follow the flight paths of other cranes that had just passed by. It occurred to me that instead of waiting for the birds to come to me, I could just move to one of these spots, then sit and wait for them to fly over. I quickly learned that cranes do not like flying over humans. They may begin on a trajectory headed straight for you, but they will almost always divert and curve around. (The direct oversight is so rare that it always surprises me when it does happen.) This trio deflected later than most and flew past quite closely.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Walking Cranes

Walking Cranes
A flock of sandhill cranes crosses a rural roadway in Central Valley pasture land.

Walking Cranes. © Copyright 2022 G Dan Mitchell.

A flock of sandhill cranes crosses a rural roadway in Central Valley pasture land.

Why did the crane cross the road? In some of my recent posts I have written about how the behavior of geese and cranes seems to change as the time for them to fly back to the north approaches. From what I have seen, the birds become increasingly active — I’m tempted to use the word “restless” to describe it. They appear in larger flocks, and they assembly in different and more predictable places. They seem to be active at all hours of the day, there are frequent “lift offs” by thousands of them, and the cranes and various kinds of geese often seem to intermix.

It also seems like they become a bit less hesitant about being where humans are. You still can’t (and should not) get too close to them, but they start to show up alongside roads and paths and in ponds very close to such places. It isn’t at all uncommon to arrive in places along gravel roads… and find that the flocks are stretched right across the roadway. I often end up stopping to wait for them to finish their business or else approaching very slowly, giving them time to slowly move out of the way. I stopped to let this group of cranes finish its activities — I was in no hurry, and it gave me a chance to photograph them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Four Cranes in Flight

Four Cranes in Flight
Four lesser sandhill cranes in flight against blue sky.

Four Cranes in Flight. © Copyright 2022 G Dan Mitchell.

Four lesser sandhill cranes in flight against blue sky.

So often photography is about composition, controlling the relationships among elements within the frame —left and right, front and back, up and down, relationships among colors and luminosity levels, lines, curves, and all the rest. This is certainly the case when photographing from the tripod, and it is usually true even when shooting with a handheld camera. Even in situations when things happen quickly, we try to maintain some awareness of how the different elements fit together.

Then some birds fly overhead against a pure blue sky… and one just makes exposures. In the midst of photographing birds in the larger landscape, I realized that I was in a spot that groups of sandhill cranes were traversing, often nearly directly overhead. To some extent you take what you get in these situations, and you don’t have any control over the relative positions of the birds. But you do have some control, at least if you have been photographing birds for a while. Rather than just blasting away in burst mode — which is sometimes the only realistic strategy — you can watch the birds, track their movements relative to one another, and increase the odds a bit by timing the exposures.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.