A new trillium plant emerges and begins to blossom beneath the redwood forest canopy.
With enough time to observe these plants – and a few return visits to fill in observational gaps – it is possible to see the full process of their unfolding. Though I still haven’t spotted the very earliest sprouts – probably because I didn’t look quite closely enough – I can spot the newly emerging plants that are about to open up and blossom. The leaves wrap around the incipient flower, and when they begin to open the appearance of the flower itself isn’t far behind.
On this visit to Muir Woods National Monument I found trillium plants in all stages from tiny plants with small leaves to those that had already blossomed and even lost the flowers. A few were at this wonderful stage when the cradling outside leaves are just opening to reveal the new flower. Soon the leaves will drop and flatten to produce the familiar three-part shape and the flower will stand (or droop!) above the leaves.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Two trillium blossoms in the redwood forests of the Golden Gate National Recreation Area, California.
It is probably obvious by now that I’m a trillium fanatic. Early March is “trillium season” in the redwood forests around the San Francisco Bay Area, so I have been out photographing these flowers during the past couple of weeks. I was originally concerned that this might be a very poor year for them since we are in the midst of a serious drought in California, but some early March rain seems to have provided enough water to get them to sprout. In fact, this past weekend I saw lots of new plants just starting to emerge, so it seems to me that there may be some life left in the this year’s bloom. (And now we are looking hopefully at an upcoming week of much-needed rain.)
I photographed this pair along a trail that traverses a hillside above a valley filled with coast redwoods. I arrived in this spot just as morning light was beginning to filter down through the tall canopy of this forest and, in spots, hit the ground and the new plants. The trick is is to get some of the brighter color of this sunlight but to avoid the direct sun – the latter is far too harsh for photographing these flowers. So I worked in the shaded areas or, at times, in those spots that were right on the sun/shade boundary. I probably most often photograph single flowers, but when I can find a group I like to see how I can make a composition out of them. It is a bit trickier than it might seem, as there are a bunch of elements that must work together. First, the two flowers need to be fairly close together, and they both need to be at roughly the same point in their development – it isn’t so wonderful to get one beautiful flower and one half-dead, dried hulk. Then they must both be illuminated in roughly the same way – it won’t work so well if one is in brighter light than the other. The background is a tricky thing, too. If it is too bright or too busy (or too well focused) it can easily distract from the flowers themselves, so I usually look for something in shadow and without any very bright objects. While I may be able to find a camera position that accomplishes this, sometimes I need to move a small, bright leaf or twig. And once all of this is worked out, the flowers must be roughly in a plane parallel to the camera’s sensor so that both will be in focus – and this must happen while shooting at the large apertures necessary to throw the background out of focus. And last, but not least, exposure can be slightly tricky – it is very easy to over-expose the bright but delicate form of the flower’s petals, and end up losing detail.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Trillium flowers bloom beneath the redwood forest, Northern California.
This is another in what is likely to be a series of photographs of trillium blooms in the redwood forest just north of San Francisco. On this morning I arrived before the crowds that often come across the Golden Gate to visit this nearby forest, and I walked into the redwood groves while there was still a relatively small number of people. Despite this being a very dry winter, some recent rains had moistened things up a bit and there was a fair amount of water around – and it almost seemed like plants that had been waiting for water were now making up for lost time.
At first I didn’t see too many trillium plants or flowers, but as I walked I began to come across more of them. A hike on a side-trail that traversed a hillside brought me to many more flowers, and in a few places they were thick enough and close enough together that I could include groups of them in the frame. Here I put on a very wide angle lens, and shot from a very close distance at a large aperture so that I could include this row of flowers and throw the background of the forest floor out of focus.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Golden light reflects on the muddy winter flow of Redwood Creek as it flows over boulders and new late-winter growth.
Even in this dry year in Northern California, there is finally water running in the creeks of the redwood forests. I arrived fairly early on this early March day, looking for trillium flowers. (Although they are not the subject of this photograph, I did find those flowers later on this visit.) As I walked up the trail to enter this park, the sun had risen but it was too early for its light to make it down to the forest floor or to the creek. However, the reflected light of the sun hitting trees high overhead was turning the water a sort of golden brown color, which contrasted in a striking way with the bluish light on the rocks and in some of the shaded areas of the water. New spring (though that season was still several weeks away) growth was coming up everywhere, including in shallow areas of the creek such as this one.
Because I could not get right down to the creek here, I actually photographed this with a fairly long telephoto lens. I had to look around carefully to find a spot where there was enough of a break in the foreground vegetation to provide me with a gap to shoot through. I was also lucky that the plants were not moving a lot in the creek, since the exposure time was surprisingly long – there isn’t a lot of light down in the bottom a canyon through the redwood forest!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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