Tag Archives: Mountain

Black Point

Black Point
Mono Lake and Black Point

Black Point. © Copyright 2019 G Dan Mitchell – all rights reserved.

Mono Lake and Black Point.

Mono Lake and the basin it occupies make up a huge and diverse area with all sorts of attractions. The lake itself is usually regarded as the most striking feature — it is a massive, landlocked body of water filled by runoff from the eastern Sierra, whose peaks form the backdrop to the west. It sits on the western edge of the basin and range country that stretches east for many hundred of miles. And there are subjects on a more intimate scale, too, ranging from tufa towers to the abundant birdlife. It is also a place of volcanism, with craters in and extending south from the lake. And for me one of the most impressive features is the expanse of the place, with views extending across vast distances.

This feature, also volcanic, sits along the northern shoreline of the lake. While is easy to view from afar, it isn’t quite so simple to get to it, and consequently it is not a crowded place at all. In the lower portion of the photograph the lake’s waters meet its gentle shoreline, where water levels have dropped, in more recent times largely due to water withdrawn from tributary streams and sent to the LA area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Keith Walklet, Yosemite Backcountry

Keith Walklet, Yosemite Backcountry
Photographer Keith Walklet hikes past subalpine lakes in the Yosemite National Park backcountry.

Keith Walklet, Yosemite Backcountry. © Copyright 2019 G Dan Mitchell – all rights reserved.

Photographer Keith Walklet hikes past subalpine lakes in the Yosemite National Park backcountry.

This is an extra fun post for me to share because it ties a whole bunch of strings together — and it somehow manages to memorialize literally the first instant of my friendship with Keith Walklet. Back n 2008 I had heard from Charles Cramer that he and a group of fellow photographers would be spending a week or so in a Yosemite backcountry location that was very familiar to me, as part of a long term project that took them into the backcountry to make photographs every year. I mentioned that I might just backpack in on my own and look them up. I arrived in the neighborhood, but couldn’t find them, so I went ahead and set up my own solo camp and got to work exploring and photographing. A day or two later I was descending cross-country from a high, rocky lake when I spotted a heavily-laden figure coming up the valley, skirting a lake and heading my direction. Judging from the absurdly large load he was carrying I knew it was either an overburdened backpacker… or a photographer. I suspected the latter.

I quickly made a couple of exposures as he approached — mostly thinking that the figure in this landscape might be interesting. I made this photograph less than a minute before our first meeting. I had never met him, but I guessed he might be part of Charlie’s group and he confirmed. We spoke a bit — I don’t recall many details of the conversation aside from finding out where they were camped and that he was probably heading to the lake I had just left — and then I continued down canyon as he continued up. A day later I caught up with the group at their camp as I began my walk back out to the trailhead. This was the end of my trip, but it was the beginning of a longer, fulfilling journey with this band of friends: Keith, Scot, Mike, Karl, Charlie, and occasionally others. The next summer I hiked in to meet them for a couple days at their next location. The summer after that I still went in on my own, but walked with them and camped with the group for several days. And the next summer I began to participate in these wonderful expeditions every summer, spending a week or more in the glorious Sierra backcountry with a wonderful group of photographers and friends. (And, yes, we’ll be doing it again later this summer. I’ll perhaps have more to say about that later this season.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sunlit Mountains, Sand Storm

Sunlit Mountains, Sand Storm
A desert sand storm spreads dust high into the air above a sunlit mountain range

Sunlit Mountains, Sand Storm. © Copyright 2019 G Dan Mitchell – all rights reserved.

A desert sand storm spreads dust high into the air above a sunlit mountain range.

You might imagine that this was a quiet and peaceful landscape scene, judging by the sort light and static nature of the photograph. You would be wrong. I was standing in gale force winds, with windblown sand flying everywhere, out of my vehicle just long enough to make a few exposures.

The haze filling the air is from a sand storm that was emanating from more or less my location, and which then carried the blown sand and dust northeast into desert mountains. In some places the cloud seemed to make it all the way to the summit of the mountain range, but in this spot it was clear, even through this thick air, that the sun was still shining on the ridgeline.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mount Dana

Mount Dana
Mount Dana, against a sky full of summer thunder clouds

Mount Dana. © Copyright 2018 G Dan Mitchell – all rights reserved.

Mount Dana, against a sky full of summer thunder clouds.

This photograph comes from last summer, on a lovely mid-July day when I was slowly poking around a few locations near the eastern Yosemite boundary on a relatively early visit to the high country. You never know, from year to year, what you’ll find there in July. In a very snowy year this scene could still hold a lot of snow, but in 2018 the snowfall had been less impressive, and most of it was already gone. The creeks were still high and meadow grasses were coming up, with the promise of wildflowers soon to arrive.

The peak itself is on the park boundary, and the view here looks toward the side that is inside the park. However, my camera location was outside the park, in an area that has long intrigued me — for this view, for views back up to the crest north of Tioga Pass, and for some of the more intimate nearby views. It was a cloudy day, and alternative light and shadow moved across the landscape, changing the appearance from moment to moment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.