Tag Archives: national

Photographs: Germany, Photographs: Nature, Photographs: Travel

Bavarian Alps at Königssee

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Bavarian Alps at Königssee
Alpine ridges and peaks above the Königssee, Bavaria.

Bavarian Alps at Königssee. © Copyright 2021 G Dan Mitchell – all rights reserved.

Alpine ridges and peaks above the Königssee, Bavaria.

Today’s photograph ties together several threads — mountain landscapes, travel, and my continuing pandemic survey and reevaluation of older photographic files. This photograph comes from a wonderful trip we took almost a decade ago. Among other things, we all rented a big “farm house” near this location for a week — with a backyard view of the Watzmann massif, the highest peak wholly within Germany. (If I’m correct, the face on the right in this photograph leads up toward that summit.)

We did the tourist thing on this day, taking the electric boats up the Königssee lake to St. Bartholomä, from which we did the hike to the Eiskapelle at the base of a mountain face where fallen snow and ice collects. The photograph is from the boat. Every mountain range seems to have a personality of its own, and here (at least while we were there) the very steep faces, the forest along the lower slopes, the large meadows, the soft light and haze, and the non-granitic rock (which gets the attention of this Sierra guy) seemed to define this range.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Point Reyes, Clearing Fog

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Point Reyes, Clearing Fog
Morning fog clears aove the hills and bays of Point Reyes National Seashore.

Point Reyes, Clearing Fog. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning fog clears aove the hills and bays of Point Reyes National Seashore.

Living in the greater San Francisco Bay Area, the Point Reyes National Seashore is merely a longish day trip for me. I haven’t been there since the onset of the pandemic, but in more normal times I make up there during every season of the year — mostly to photograph, but also to see the elephant seals, to escape inland heat… and to stop for morning pasty and coffee at Point Reyes Station.

The park mostly wraps itself along and around Drakes Bay, with the “point” being the furthest terminus of a long peninsula extending into the Pacific Ocean. To make this photograph I stopped near the base of that peninsula and drove up a narrow road toward a high point on the ridge that runs roughly parallel to Tomales Bay. From here I could look across nearby tree-covered hills, past the lower rolling hills, over Drakes Estero, and toward Point Reyes, barely visible in the thinning morning fog.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Spring Flow

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Spring Flow
“Spring Flow” — Rushing spring water and reflections, Merced River.

For a place made of stone, the Sierra Nevada can be a surprising transitory subject. Summer is brief, and wildflowers bloom and are soon gone. Color comes to aspens in the fall and is gone weeks later. Spring is the time of rushing water in the Sierra, from the high country to the lowlands. The water rises as the snow melts, creeks and rivers fill to their banks, and waterfalls appear. I photographed this minor torrent along the Merced River as it passes through Yosemite Valley.

Every landscape photographer I know has tried his or her hand at photographing the moving water this way. No matter what other marvelous landscape features are around, eventually we come back to the water and try to do something with the ever-changing colors and shapes of water. This is that “what the camera sees” sorts of photography, since our eyes cannot see the river this way, and these shapes and colors change too quickly without the camera to grab and hold them.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Sandstorm Rising

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Sandstorm Rising
Clouds from a desert sandstorm rise above Death Valley National Park sand dunes.

Sandstorm Rising. © Copyright 2012 G Dan Mitchell – all rights reserved.

Clouds from a desert sandstorm rise above Death Valley National Park sand dunes.

Today I am sharing yet another of the Death Valley photographs from my spring 2013 visit when, among other things, I had a couple of opportunities to photograph in sandstorm conditions. Like many photographers I tend to photograph this location early in the morning and late in the evening, when the light is softer and subtle colors emerge in the fascinating shapes of the dunes. But the stark midday light can be interesting too, especially when the light is softened and diffused by a dust-filled atmosphere.

My roots are in black and white film photography, and I still find myself leaning back in that direction fairly often. I feel that in many cases monochrome can let us see the subject more in terms of shapes, textures, tones — less as an attempt at literal representation of the subject and more about how we choose to interpret it. With monochrome we explicitly begin by accepting an interpretation that cannot be objectively accurate, since the world is (almost) never monochromatic. In addition, we have more freedom do things during the post-processing stages (as we did in the film era) that we probably could not get away with in color, and the result still register as being “true.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.