Tag Archives: national

Rugged Terrain, Lower Titus Canyon

Rugged Terrain, Lower Titus Canyon
Rugged Terrain, Lower Titus Canyon

Rugged Terrain, Lower Titus Canyon. Death Valley National Park, California. March 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Details of the rugged cliffs and walls rising above lower Titus Canyon in Death Valley National Park.

Titus Canyon Road is one of the marvels of Death Valley National Park. It begins in high desert of Amargosa Valley near the town of Beatty and the ghost town of Rhyolite, winds over the summit of the Grapevine Mountains, drops precipitously into upper Titus Canyon, passes a number of historically interesting sites, passes through a very narrow and deep section in the lower canyon, and then suddenly emerges into the vastness of Death Valley.

In the lower section of the canyon, the wash becomes very narrow, passing through a twisty slot canyon and is, in places, barely wide enough for the one-lane gravel road. Here the walls of the canyon press tightly together and rise steeply for hundreds of feet. Some places are so deep that the sun rarely penetrates to the bottom.

Fortunately for the preservation of the canyon the road is horrible, at least if you are used to more civilized driving. It is a one-way road and the whole thing is gravel. Sections are in decent shape, but it other places the road passes over narrow and twisty sections next to precipitous drop-offs and then dives steeply into deep canyons. At times the route is closed after heavy rains or other conditions that make the route impassable.

Fortunately, the section that is perhaps the most impressive in many ways – the deep slot canyon near the bottom – is easily accessible by foot from Death Valley. After a short drive up to the canyon entrance on a gravel road to a parking area, you can enter the canyon on foot and walk up as far as you want. This photograph was made within the lower mile of the canyon during the late morning, when the light penetrates more deeply into the canyon and creates a glow on the canyon walls.

G Dan Mitchell Photography
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Two Hikers at the Summit of Death Valley Dunes

Two Hikers at the Summit of Death Valley Dunes
Two Hikers at the Summit of Death Valley Dunes

Two Hikers at the Summit of Death Valley Dunes. Death Valley National Park, California. © Copyright G Dan Mitchell – all rights reserved.

Two hikers take in the evening landscape of Death Valley National Park from the Summit of the dunes.

Many times I might have been disappointed to have two hikers enter “my” scene in such beautiful dusk light, but here I feel like they crystalize the scene. In a larger version of the photograph the two of them seem to stand silently facing the rugged vastness of Death Valley – and I think their presence invites us to think of ourselves in the scene and to imagine our own reaction to it.

My favorite time to photograph these iconic dunes near Stovepipe Wells is in the evening during a brief interval right around sunset and lasting a while after the sun drops behind the peaks to the west. The light softens, especially if there is a bit of haze in the sky, and the dunes that are so bright and harsh at other times of day take on a smoother and softer quality and their subtle colors become visible.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Alcatraz Island, San Francisco Bay Fog

Alcatraz Island, San Francisco Bay Fog
Alcatraz Island, San Francisco Bay Fog

Alcatraz Island, San Francisco Bay Fog. San Francisco, California. December 16, 2010. © Copyright G Dan Mitchell – all rights reserved.

Alcatraz Island is almost completely obscured by San Francisco Bay fog drifting beneath blue sky.

This is another of what I sort of think of as my “barely there” photographs, in which I work with subjects that are almost completely obscured by fog, mist, rain, or clouds. Some of my Yosemite Valley photographs from a rainy weekend near the end of this past October are in the same category.

 

You can experience an astonishing range of atmospheric conditions in and around San Francisco Bay. The patterns at this time of year (the very end of fall, and more like winter conditions) are quite different from summer. As often as not, the fog in the winter comes from inland rather than drifting in through the Golden Gate, and it is more related to the tule fog that can sit in the Central Valley during the winter, sometimes for weeks. On the other hand, after the passage of a winter storm (which brings its own impressive conditions) the winter air over the Bay can be crystal clear. And frequently the conditions can change rapidly, as was the case on this morning. When I arrived in the Marin Headlands above the north end of the Golden Gate Bridge before dawn, I was initially a bit disappointed that the conditions were too clear! Except for a bank of clouds right above San Francisco (the subject of some other recently posted photographs) the rest of the Bay was almost completely clear. But then, at first imperceptibly and then very quickly, fog began to condense out of the air above the bay. In a short period of time subjects that had been clearly visible were completely obscured. Within moments after making this photograph, Alcatraz was not longer visible.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Fog, San Francisco, Dawn

Fog, San Francisco, Dawn
Fog, San Francisco, Dawn

Fog, San Francisco, Dawn. San Francisco, California. December 16, 2010. © Copyright G Dan Mitchell – all rights reserved.

Winter fog illuminated by dawn light engulfs the skyline of San Francisco.

The conditions changed radically during the half hour or so during which I stopped on my way to Muir Woods to photograph the San Francisco skyline from above the Golden Gate Bridge. I was initially concerned that the morning would be too clear, since I am usually more interested in scenes with varied atmosphere. When I arrived it was mostly clear, though there was a bit of low fog out over the bay and some low clouds clustered above San Francisco, especially the downtown area where the tops of buildings were in the clouds.

I made a series of photographs of the skyline using my longest lens – others may appear here before long. This was one of the last ones I was able to make as the clouds thickened and eventually blocked my view completely. (What had started as a largely bright and clear early morning eventually evolved into a very foggy scene.)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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