Tag Archives: national

Canyon Reflections

Reflective mud and shallow water in a Utah clot canyon
“Canyon Reflections” — Reflections of canyon and sky in the muddy bed of a canyon stream

I was tempted to title this “More Mud.” But I didn’t, even though canyon mud is a very interesting subject throughout this area of the Southwest. I had been in one south Utah location for a few days and it was time to travel to different area to meet up with a friend. Rather than taking the paved routes I decided to follow about 50 miles of gravel back roads — the mileage was shorter but the time was longer. Better yet, this route took me past several interesting sites that I wanted to explore a bit.

One of these is a little canyon that I first visited a few years ago with friends. In fact, this spot was my very first time in one of these deep and narrow canyons. I recall that the entire experience was foreign to me on that first visit — from walking up the middle of a shallow running stream, to shooting in midday for the best reflected light, and the new and unusual (to me) sights and sounds of this part of Utah. So I figured that it might be fun to make a brief stop on this drive and wander back up the canyon for an hour or two. The canyon has many attractions, but one is that its regularly running steam keeps the canyon floor mud damp and reflective. Another is that high red rock walls reflect lovely bright colors down onto the water and the mud. After hitting my turnaround point, as I retraced my steps back down the canyon I paid special attention to the textures and reflections in the mud, and I was excited to find this spot that combined the red sand, the deep blue reflection of sky, the reddish reflection of canyon walls, and the warm light reflected down into the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Forest, Granite Bowl

Forest, Granite Bowl
Forest, Granite Bowl

Forest, Granite Bowl. Yosemite National Park, California. September 8, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening light on forests and a glaciated granite bowl, Yosemite National Park

Large slabs of nearly unbroken granite, left behind in the wake of ancient glaciers, are a prominent and characteristic feature of the high country of Yosemite National Park. There is granite all of the Sierra, but this granite often seems to me to be more intact, and rather than encountering fields of broken rock it is common to come across these beautiful structures of exfoliating granite, often still with areas of smooth and reflective glacial polish. Scattered trees have taken hold in surprisingly thin cracks.

This bowl is in such a characteristic place, in the bottom of a great river canyon, just where it begins to become narrower and steeper. The area clearly shows the effects of glaciation, from the smooth rock in the canyon bottom to the sculpted domes and faces above. I have photographed in this bowl before on several occasions, and despite shooting there many times I continue to find new ways to see it every time I visit.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Morning, Fremont River Valley

Autumn Morning, Fremont River Valley
Autumn Morning, Fremont River Valley

Autumn Morning, Fremont River Valley. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Autumn morning light and clouds above the valley of the Fremont River

Technically this location is actually just outside of Capitol Reef National Park, but its close enough. The plan on this morning was to make a journey down the east side of the park to a somewhat more remote area, so we started out rather early. After passing through the park and starting the drive to our eventual destination we quickly realized that a fairly unusual and spectacular sunrise was underway, so we found the first available location from which to take advantage of the situation.

This was most definitely not a blah blue sky morning! A variety of clouds filled a good portion of the sky in several directions, though light was able to pass through gaps in the clouds to the east. Above the peaks of Capitol Reef to the west the sky was generally darkened by high clouds that briefly took on rosy dawn colors before fading. To the north were lenticular clouds, some lined up in formations that reminded me of California’s “Sierra wave” clouds. When I saw these clouds and this light, the obvious question was what to put in a photograph that included them — so I quickly wandered over the a high point above the valley of the Fremont River from which I could photograph across the sunlit valley to include the spectacular clouds and darker peaks in the distance.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dry Mud and Sand

Dry Mud and Sand
Dry Mud and Sand

Dry Mud and Sand. Grand Staircase-Escalante National Monument, Utah. October 25, 2014.© Copyright 2014 G Dan Mitchell – all rights reserved.

A dry and curled layer of mud atop red sand in the bottom of a Utah canyon

It might be amusing for “normal people” to encounter a group of photographers in the bottom of a narrow Utah canyon, where the photographers might be found clustered attentively and enthusiastically around… dry mud. That was the case here, as a group of use suddenly halted our progress down a small (though much larger later on) canyon to set up tripods, fit just the right lenses, and spend about a half hour making photographs of mud.

However, as is often the case in landscape photography, it turns out that even dried mud may have a lot more going on than a casual glance would suggest. For people who are not particularly conscious of their “seeing,” it would be easy to walk past and think, “that curled mud is very interesting” and not pay much more attention to it. However, a bit of time spent in these narrow canyon walls teaches you to become alert to the possibility that you might be missing certain things. One bit of visual magic in these canyons happens during the middle part of the day, when the sun directly strikes the red rock canyon walls and reflects this red-saturated light down into the bottom of the canyon. Once you train yourself to see past what your visual system tells you it is seeing (brown mud) you can begin to see the intensely red coloration of this light and even begin to notice that there is a blue component where direct light from the open sky reflects off of some surfaces. And then, you may also find yourself intently focusing on making a photograph of a small patch of dry and cracked mud sitting atop red sand.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.