Tag Archives: nevda

Mountains and Cascade, Dawn

Mountains and Cascade, Dawn
A cascade descends from the high country as dawn light illuminates peaks.

Mountains and Cascade, Dawn. © Copyright 2022 G Dan Mitchell.

A cascade descends from the high country as dawn light illuminates peaks.

One benefit of surviving the deluge we experienced on the first days of our recent backcountry photography trip was that the streams came back to life… and then some. In this drought-year August we were not expecting to see a lot of water, but as the near-flood receded the streams were flowing as if it were still early summer. There was water everywhere — tarns were full, small streams came back to life in meadows, and rocky cascades were full of water.

As I headed into one lovely subalpine meadow I had to cross several of these streams, something that presented a bit more of an adventure than I might have seen a few days earlier. As I pondered this crossing I noted that first morning light on the peaks far above, and I paused to photograph the rapidly descending water that I was about to cross.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clouds Rest and Quarter Dome, Winter

Clouds Rest and Quarter Dome, Winter
Clouds Rest and Quarter Dome, Winter

Clouds Rest and Quarter Dome, Winter. Yosemite National Park, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Early evening light breaks through winter mists shrouding the snow-covered summits of Clouds Rest and Quarter Dome, Yosemite National Park

In Yosemite Valley in late winter for the opening of the Yosemite Renaissance exhibit, I had several days of photographing in and around the Valley in winter conditions — or what passed for winter in this year of California drought. There had been snow a few days earlier, to the surrounding peaks and upper Valley walls were coated with white. As late afternoon arrived it was time to go photograph, but it seemed that the clouds were likely to kill the light in the Valley, so we headed higher.

From this elevated overlook there is, of course, a famous view of the stupendous panorama of Yosemite Valley. However, I’ve taken to mostly photographing smaller bits of the scene rather than continuing to photograph the whole darned thing — most of the time, though there are exceptions. As we watched, there were a lot of clouds. Some floated across high landmarks at the far end of the Valley. Others drifted upwards along closer rocky faces. Fog began to collect in spots along the valley floor. Clouds to the west of the Valley mostly blocked direct sunlight, which can be a good thing when it softens the light, but is much trickier and occasionally disappointing when it blocks it entirely. Shooting with a very long focal length I was able to focus on this small scene at the far end of the Valley, where drifting clouds parted enough to reveal a partially obscured view of sunlight on the snowy slopes of Clouds Rest and Quarter Dome.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.