Tag Archives: north

Waiting For Transit

Waiting For Transit
People await their ride at a San Francisco light rail station.

Waiting For Transit. © Copyright 2021 G Dan Mitchell – all rights reserved.

People await their ride at a San Francisco light rail station.

Perhaps you already knew that I made this photograph a few years ago — it is in San Francisco, it is at a transit stop… and no one is wearing a mask! You wouldn’t find that combination today. (That’s one reason that the San Francisco Bay Area has among the lowest infection rates in the country, but I digress…) I made the photograph on one of my photography days in San Francisco, which tend to follow a familiar pattern: Up well before dawn, catch a train to the City, arrive around sunrise, spend the morning wandering on foot and photography, then take the train back home my mid-afternoon. San Francisco is a very walkable city, and you can cover a lot of ground there on foot.

Recently I had the pleasure of giving a talk on street photography to a somewhat surprising group, the photography section of the San Diego Chapter of the Sierra Club. That’s not your typical topic for this group, and I was aware that there might be some skeptics. My premise is that doing street photography (and other kinds of not-nature photography) can make you a better photographer, and that the benefits can accrue to your nature photography, too. I can’t recreate the entire talk here, but this photograph embodies a few key ideas. First, it takes advantage of a very local photographic opportunity, so I can photograph even when I can’t travel to lovely, far away, natural places. Second, it treats the street as a kind of urban landscape, occupied by “human wildlife.” In fact, I often construct photographs like this one by first finding the “landscape” and then waiting for passers-by to populate it. Third (and final for now) photographing these local subjects is good “practice” that keeps my ability to see photographically tuned up.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Color, Aspens and Brush

Autumn Color, Aspens and Brush
Backlight on a high country brush and a small copse of aspens with fall colors.

Autumn Color, Aspens and Brush. © Copyright 2021 G Dan Mitchell – all rights reserved.

Backlight on a high country brush and a small copse of aspens with fall colors.

There is a good chance that I’m approaching the end of this season’s fall color photographs — though there are still at least a couple in the pipeline. Given that in prior years have managed to hunt down a few remaining examples of autumn leaves in early January, well, there could are more! Here on the West Coast, by starting high in the Sierra in September and continuing into the lowlands as fall ends and winter begins, it is possible to experience a “fall” color season that lasts up to four months!

This scene comes from a location where the color transition begins near the beginning of this period. It is in the Eastern Sierra Nevada, at close to 8000′ elevation, where the semi-arid high desert terrain rises to meet the eastern escarpment of the range. Years ago I did not pay much attention to this zone, preferring instead to head straight to the high country. More recently, at least in part as a result of my fall color photography, I have become fascinated by this region. It is a complex zone, and the boundaries are affected by water, exposure, elevation, and soil conditions. The foreground brush is more typical of the high desert, while we usually tend to think of aspens as belonging to the near-alpine high country.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cherry Pickers

Cherry Pickers
A line of cherry pickers along a San Francisco street.

Cherry Pickers. © Copyright 2021 G Dan Mitchell – all rights reserved.

A line of cherry pickers along a San Francisco street.

Since the previous photograph I posted featured cranes (of a different sort!) I suppose that you could, from a certain perspective, regard this as part of a series. Well, these are sort of cranes, right? I encountered them along a San Francisco street a couple of years ago, in an area under extensive construction as part of the underground expansion of the City’s transit system. I can’t explain why there would be quite so many cherry pickers lined up in a row, but they certainly caught my attention.

I think this photograph my be an example of how the act of carrying a camera can change how you see. I know it changes how I see. Normally, I might give this sight no more than a moment’s notice before moving on: “Interesting. Cherry pickers parked along the road.” But with a camera in hand I start to ask visual and other questions: Who thought to segregate them by color? Do they always store them this way or did someone carefully extend them so their angles nearly matched? Am I the only person who thought they looked like gigantic anthropomorphic figures marching to the right?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pas de Deux

Pas de Deux
A pair of sandhill cranes performing “the dance.”

Pas de Deux. © Copyright 2021 G Dan Mitchell – all rights reserved.

A pair of sandhill cranes performing “the dance.”

Sandhill cranes have become perhaps my favorite bird subject. These large and ancient birds behave in ways that fascinate me more and more over time. (Their distinctive call is the first thing I listen for when I arrive at my favorite bird photography locations.) Geese that first drew me to photographing birds, but the more time I spent in the field the more the cranes attracted me. (Perhaps the earliest push in this direction came years ago, long before I had even seen a Sandhill crane, when I read about them in the writings of Aldo Leopold.)

It is a constant challenge to try to figure out their behavior and its logic. For example, even though I’ve spent a lot of time watching them around sunrise, when they generally fly out for the day, almost every lift-off comes as a surprise. I learned to be strategic about where I placed myself when photographing birds. After watching groups of cranes fly successively over a particular spot, I would move quietly to that location and wait… at which point they would all avoid that location, sometimes diverting the place I had just left! The “crane dance” seen here also seems to be a bit of a mystery — and not just to me. From what I read, while there is a courtship angle to the behavior, that may not be its only context.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.