Tag Archives: north

John Muir Trail, Yosemite

John Muir Trail, Yosemite
The John Muir Trail crosses Cathedral Pass near Cathedral Peak on a late-summer morning

John Muir Trail, Yosemite. Yosemite National Park, California. September 11, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The John Muir Trail crosses Cathedral Pass near Cathedral Peak on a late-summer morning

Late in the season in the Sierra backcountry the population begins to change. During the high season of July through Labor Day, when passes are usually clear of snow and when people are in the middle of their summer vacations, the backcountry is filled with backpackers of all sorts, though quite a few are weekend visitors out of a few days. The through-hikers are there, but they are outnumbered by the other folks. After Labor Day things begin to change, and I have a sense that a greater percentage of the backpackers are of the “serious” sort — the people who are out for longer trips, who are covering greater mileage, and who may visit some of the more out-of-the-way locations. Our photography trip into the Yosemite backcountry was during this period, and out camp was on a section of the John Muir Trail, so quite a few of these “hard-core” hikers passed through. (I enjoy talking to them, since I’ve been across almost all of the trails they were traversing.)

One morning I got up, as we always do on these trips, before dawn. I gradually worked my way up through a rocky forest/meadow behind our camp, climbing toward a saddle not far above our location and photographing along the way. Shortly before the saddle I caught sight of an actual trail heading up there, and I quickly figured out that it was the portion of the JMT that ran past our lake. I arrived at the saddle before the sun had risen far enough to light the beautiful meadow that extended beyond it, but knowing that the light would soon slant across the pass I set up and picked some possible compositions. Here I made a conscious choice to “document” this bit of the JMT as it crossed the pass and headed off toward the distant peak, and right as the first light bit the trail I made a series of photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Architectural Shapes

Architectural Shapes
Intersecting walls, San Francisco architecture

Architectural Shapes. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Intersecting walls, San Francisco architecture

I saw this little architectural vignette when I took an impromptu side trip up a set of stairs while walking around downtown San Francisco. I’ve been to and photographed the general location — near Moscone Center — in the past, but that wasn’t my plan this time. Near the top of the stairs I happened to notice a bit of wall with a combination of soft colors and hard angles. The colors were the first focus of my attention, but as I looked at the scene more closely I noticed that squares are everywhere, small and large and interlocking with one another.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Granite Ridge, Trees

Granite Ridge, Trees
Tall trees on top of a granite ridge, Yosemite National Park

Granite Ridge, Trees. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Tall trees on top of a granite ridge, Yosemite National Park

This has been a period of unprecedented drought in California as a whole and particularly in the Sierra Nevada. In the fourth of this series of drought years the Sierra is showing the strain. Creeks have stopped flowing, lake levels are significantly low, trees are under stress and dying throughout the range. This summer the annual wildfire season began much earlier than usual, and many fires spread quickly and took longer to contain. We certainly saw all of these effects during our week-long photographic sojourn in the Yosemite backcountry. Until we had a couple of days of (welcome!) rain near the end of the trip, the smoke was a major factor. On many days we had smoke so thick that we were concerned about our health, and the pall often made photography somewhat challenging. Fortunately, even on the smokiest days there were times when it was clear, too.

However, it is possible to see how to make photographs even in smoky conditions. On the plus side, some smoke can soften the light a bit, and the haze can enhance the atmospheric recession effect, which can emphasize the distances between subjects in front of the camera. The haze in this photograph comes partially from wildfire smoke. Here it muted to sometimes-difficult highlights on the granite, and it softened and muted the distant forest across the valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Reflections, Cathedral Range Granite

Reflections, Cathedral Range Granite
Still waters of a lake reflect Cathedral Range granite patterns, Yosemite National Park

Reflections, Cathedral Range Granite. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved

Still waters of a lake reflect Cathedral Range granite patterns, Yosemite National Park

This is likely to be the first in a somewhat large group of photographs made during a recent weeklong stay at a backcountry Sierra Nevada lake with friends and fellow photographers Charlie Cramer and Scot Miller. The two of them are part of a larger group of photographers who have photographed annually in the high Sierra, most often in Yosemite, for about the past 15 years. I’m a more recent hanger-on, first tagging along on my own perhaps a half-dozen years ago, and then participating more fully for the past three years or so. The typical plan is to pack in to a scenic backcountry location, set up a base camp, and then photograph the heck out of the area for a week or so. This approach has all kinds of advantages — too many to completely describe them here — including the ability to watch for perfection conditions or to return to a location and refine a vision of the subject over a period of days.

Near the start of the trip I saw this little area where vertical rocks meet water near the edge of a lake. My first photographs were OK, but just OK. However, I knew the spot had potential given the right water and light conditions. I watched the area each time I passed it, always watching for those better conditions. I got them on this day, when the water had become almost completely still, producing a more coherent reflection of the lichen-covered rocks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.