Tag Archives: orange

Aspen Slope

Aspen Slope
Autumn aspens descend from a ridge to the shore of an Eastern Sierra Nevada subalpine lake.

Aspen Slope. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn aspens descend from a ridge to the shore of an Eastern Sierra Nevada subalpine lake.

This spot is probably familiar to you, especially if you use the version of the Mac OS that used a different photograph of the feature as its branding. This aspen forest or grove — which someone once aptly referred to as the “Cheetos Forest” — is an example of something you can find in many Sierra locations, namely aspen groves that follow a watercourse as it descends from the heights. The result can be the appearance that the grove itself seems to flow over the landscape.

This grove also provides a notable example of other transitions that may take place within a single aspen grove. The color variation from top to bottom here is striking, with red autumn leaves up high, a distinct orange band in the middle, and then yellow/gold trees as the trees fan out just above the lake. The size of the trees also evolves within the grove from very small “scrub aspens” higher up to larger (though still not gigantic) trees lower down.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Autumn Aspens, Eastern Sierra Lake

Autumn Aspens, Eastern Sierra Lake
Faint wildfire smoke and fall aspen color around an Eastern Sierra Nevada lake.

Autumn Aspens, Eastern Sierra Lake. © Copyright 2020 G Dan Mitchell – all rights reserved.

Faint wildfire smoke and fall aspen color around an Eastern Sierra Nevada lake.

Along the same lines as another photograph I recently wrote about, this one is an alternate framing of a scene that I previously shared in a landscape mode photograph. (For folks unfamiliar with this terminology, “portrait” mode is taller than it is wide and “landscape” mode is wider than it is tall.) When I wrote about the decision to create two versions of such a scene I proposed two reasons for doing so. First, I cannot always say with certainty which formatting is better. Second, clients (especially in the publishing world) are often quite specific about which they need, so it makes sense to have both if possible.

There is another practical factor at work in this case, too. Before I went to this spot I had a fairly specific idea of the camera position I wanted to use and of how I wanted to incorporate the red foreground trees with the lake, the more distant colorful aspens, and the higher mountains. So I got their very early — early enough that I took a headlamp when I walked to this spot — and prepared to work from more or less the same spot as the light evolved. And it evolved a lot on this morning. Before sunrise there was abundant wildfire smoke floating around and the scene was quite muted and not what I hoped for. Initially I had decided to let the distant part of the scene go and instead focus on the closer portions less affected by the smoke, but as the sun came up it cut through some of the haze. All of this meant that as I worked from this fixed location, waiting for the right light to evolve, and I had plenty of time to try different camera orientations and other small modifications of the composition and framing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Branch and Leaves

Aspen Branch and Leaves
An aspen branch bearing leaves at the peak of autumn color, Eastern Sierra Nevada.

Aspen Branch and Leaves. © Copyright 2020 G Dan Mitchell – all rights reserved.

An aspen branch bearing leaves at the peak of autumn color, Eastern Sierra Nevada.

This is another photograph made during a brief “up close and personal” ramble through an aspen grove that was absolutely full of the widest range of aspen color I have seen — the full gamut of green, yellow, gold, orange, red, and even a few tan or brown leaves.

I enjoy taking a break from typical landscape photography, which tends to focus on the large view and on producing an image of the scene that evokes its reality to some extent, and working these tiny “intimate landscapes” with their immense range of variables. The scene may contain as little as a single leaf and rarely includes more than four or five, and the juxtaposition of the leaves within the group and against the background provides lots of room for experimentation. Here I used a macro lens with a large aperture so that I could could separate the relatively crisp foreground leaves from the amorphous and blurred background.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Leaves, Autumn Color

Aspen Leaves, Autumn Color
Eastern Sierra Nevada aspen leaves at their peak of fall color.

Aspen Leaves, Autumn Color. © Copyright 2020 G Dan Mitchell – all rights reserved.

Eastern Sierra Nevada aspen leaves at their peak of fall color.

Most of the time I tend to treat aspen trees as part of the larger landscape, perhaps with a grove or a few trees as the subject, or even including some trees of a larger scene. But every so often I get the urge to wander inside a grove and photograph individual leaves up close. I spent an hour or so doing just that at an Eastern Sierra grove that was full of leaves spanning the full spectrum of aspen color, from green through yellow and orange to red.

I photographed the subjects in this series using a handheld camera and a macro lens. (Typically I would use a tripod and put a zoom lens on the camera.) By shooting handheld I was able to explore a wide range of composition spontaneously. That is useful with this subject since even very small changes in camera position can produce entirely different juxtapositions of foreground leaves and the beautiful blur of background color and light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.