Tag Archives: paintbrush

Photographs: Nature, Photographs: Sierra Nevada

Broken Branch and Wildflowers

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Broken Branch and Wildflowers
“Broken Branch and Wildflowers” — A broken branch lies in a Sierra Nevada meadow next to wildflowers.

We were camped on a low hill covered with trees — likely an old lateral moraine of some sort. A subalpine lake below our hill was surrounded by meadows, and the wildflowers were still in bloom even though it was late in the season. On several occasions I just wandered slowly around and through the meadow, and on one of those walks I found this broken branch lying on the green grasses next to a few colorful wildflowers.

We had been base-camped at this Sierra Nevada backcountry location for the better part of a week when I made this photograph. Working in a limited area for an extended period reveals details that we miss on shorter visits. With less time I tend to focus on the most spectacular and dramatic elements in the landscape. But given more time I slow down and start to notice the small things like this.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Elephants Head Flower

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Elephants Head Flower
Elephants head flower against the backdrop of a flower-filled Sierra meadow.

Elephants Head Flower. © Copyright 2022 G Dan Mitchell.

Elephants head flower against the backdrop of a flower-filled Sierra meadow.

I’ve always had a somewhat challenged relationship with the identification of flowers (and trees and a few other things) in the natural world. While certain facts stick in my mind (locations, elevations, etc.), it has always been hard for me to hold onto accurate information about plant identification. I usually do recognize the plant, tree, or wildflower… down to the level of knowing exactly where it grows, when it flowers, even what it looks like in its dormant seasons… but when it comes to recalling the plant’s name I’m often at a loss. But this one was new to me on all counts.

I’m told by a usually-reliable source (thanks, Patty… via Keith Walklet) that this is an elephants head flower. I did not know that when I photographed it. I was just attracted by its complex shape, its subtle colors, and its vertical extent against the background of a meadow full of other kinds of wildflowers in the Eastern Sierra Nevada.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature

Lupine And Paintbrush

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The flowers of lupine and paintbrush plants, Pinnacles National Park
The flowers of lupine and paintbrush plants, Pinnacles National Park

Lupine And Paintbrush. © Copyright 2019 G Dan Mitchell – all rights reserved.

The flowers of lupine and paintbrush plants, Pinnacles National Park.

I found these wildflowers — lupine and paintbrush — along the High Peaks Trail and Pinnacles National Park on a recent visit this spring. I had gone there to try to catch the tail end of the spring wildflower season, which was quite good this year following heavier-than-average rainfall. I also felt like it was time for a good hike over some mountainous terrain. This route gave me both.

While wildflower photography constitutes a small portion of my work, I’ve been attracted to the subject ever since I started going into outdoor places decades ago. This year, for the first time, I finally have a macro lens, arguably the ideal tool for this subject. My ideal wildflower subject probably has some combination of the following: an interesting flower or flowers, perhaps some colors that are both striking and interact well, soft light, a background that is either not distracting or which can be made so with focusing techniques. This one group of flowers gave me most of that. In an area that was largely in sun and mostly featured clumps of individual types of flowers, here I found the red paintbrush and the blue/purple lupine juxtaposed in a narrow band of shade.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature

Desert Indian Paintbrush

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Desert Indian Paintbrush
Indian paintbrush flowers in a canyon at Death Valley National Park

Desert Indian Paintbrush. © Copyright 2019 G Dan Mitchell – all rights reserved.

Indian paintbrush flowers in a canyon at Death Valley National Park.

This impressive — and very red! — flower and its neighbors were photographed in Death Valley National Park in early April, as this year’s spring bloom seemed to be getting underway in earnest. Predicting desert wildflower bloom timing is a tricky thing. This year a lot of folks were saying that there wouldn’t be that much of a bloom since the early season had been rather dry. However, very heavy rains swept through Southern California, including Death Valley, in early 2019. An atmospheric river situation developed near the start of March and there was enough rain to flood washes, fill desert playas, and damage many roads. I had an idea that there might be a good bloom this year, but that it might be a bit later than usual. Judging what I saw on my two visits — one in early March and other at the start of April — that is what happened, and a lot of flowers were emerging near the end of that second visit.

I’m going to use the second part of this post to share a little technical consideration to be aware of when photographing intensely colorful subjects, especially those that are yellow, orange, red, purple, or similar colors. It has to do with exposure. Most digital cameras meter the overall light, but they assume that the colors will be roughly balanced. In scenes with extremely intense colors — like those seen on the paintbrush flowers — the camera’s metering system can over-expose a color channel, often the red channel, even when it seems like the exposure is right. Often the safest thing to do when photographing such a subject (flowers, brilliant sunsets, autumn leaves) is to under-expose by about 1/3 to 2/3 stops so that you’ll retain some highlight detail in the intensely colorful subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.