Tag Archives: passes

Passing Cyclist, Le Marais

Passing Cyclist, Le Marais
“Passing Cyclist, Le Marais” — A bicycle rider quickly passes at a cross street in Le Marais, Paris.

I often ponder the similarities and differences among the various genres of photography I pursue. (If you follow me you have seen everything from landscapes to night photography to street photography to travel and more.) The connection between landscape and street photography especially interests me, partly because many people think of them as being utterly different. I think that there are some similarities. For example, I often think about the street landscape first, and then wait and watch for someone to animate it.

That was the case here. I was interested in the wall at the end of this narrow street, and the way that its view is bounded by the darker walls on either side. I knew that I could photograph people as they passed by. One tricky part of this is that I had no idea who was about to enter the scene or from which direction. So I had to be ready to react quickly. (This necessarily results in some less than remarkable photographs, too. I won’t share those!) The time was even shorter as this woman sped past on her bicycle.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Man at Crosswalk

Man at Crosswalk
Man at Crosswalk

Man at Crosswalk. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A man at a crosswalk extends his arms as a bus passes

On Friday the 13th I spent part of my morning walking around and photographing in San Francisco, starting very early at about 7:00 AM, and making a large loop that eventually took me back to the Caltrain station and out of the city before noon. This photograph was a quick shot at a corner along Market Street.

I do this kind of shooting for may reasons, among them being simply that I’m interested in more than just “nature” photography and I am fascinated by the urban landscape, too. (There’s also a deeper philosophical question about just where boundaries between “natural” and “not natural” actually do and do not lie.) When it comes to the process of how I photograph, this work also provides a sometimes-welcome contrast. Most of the work shared here is created by going out with some amount of equipment that typically includes lenses, camera, tripod, and more and then finding more or less static locations from which to shoot. On the other hand, photography like that which I did on this day is more dynamic and fluid. I work with a small handheld camera, carrying only a rather small messenger bag with two more small lenses, and keeping the camera out and ready to shoot in an instant. Sometimes I may work a subject more slowly, but I also sometimes simply raise the camera quickly and almost without conscious thought and make an exposure. In fact, in some situations like this one, that is the only option. There was almost no time to think at all in this case. Without warning I found myself standing behind this fellow who spontaneously put his arms out, in a gesture that is open to many interpretations. The camera was in my hand, I quickly raised it and shot without looking through the viewfinder, making perhaps three quick exposures, one of which included the blurred shape of the bus beyond him, without which this would have been a very different photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.