Tag Archives: people

Winter Light and Cross Walks

Winter Light and Cross Walks
Winter backlight illuminates pedestrians and cross walks in Manhattan

Winter Light and Cross Walks. © Copyright 2017 G Dan Mitchell – all rights reserved.

Winter backlight illuminates pedestrians and cross walks in Manhattan

People in cross walks seems to be becoming a bit of a theme here. I think that a reason may be that people tend to stay more or less in one place a bit longer while waiting to cross and their paths are more constrained while crossing the street. On top of that, encountering the temporary end of the sidewalk at a street corner does tend to face people into groups, and once the light changes they retain some connection to the group for a moment.

A few other factors appealed to me in this scene, and it wasn’t just the people. The light was wonderful, low winter light coming up the street from Lower Manhattan, and impossible to keep its sources out of the camera’s field of view in this shot. That produced the soft glare of light in front of the buildings on the right and it backlit the figures and case long shadows. Those shadows cross perpendicular to the light-colored lines of the cross walk, with become wider as they get closer to my camera position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Museum Lobby

Museum Lobby
Visitors milling about in the lobby of SFMOMA

Museum Lobby. © Copyright 2018 G Dan Mitchell – all rights reserved.

Visitors milling about in the lobby of SFMOMA

It has been a while, and I was more than due for one of my periodic walking days in San Francisco. As per the usual plan, I was out the front door of our house long before dawn, to the train station by bus, and then by train to San Francisco, arriving just before sunrise. There were clouds over the City to my north and west, so I headed to the edge of the Bay, where the skies were clear to the east and early sun shone through on the shoreline and the City. I photographed along the waterfront for a while, and eventually wanted past the Ferry Building and up into the City north of Market Street.

I had a plan to circle back to SFMoMA by late morning, since the expansive Walker Evans show ends there in about a week. I arrived and took a break from my own photograph to view his and that of his contemporaries. (To anyone in the SF Bay Area who likes this sort of thing, go now! There is a ton of work in this show, and it ends a few days into February.) Evans evokes a mixed response for me. I share an interest in some of the subjects that interested him, including certain kinds of shops and other urban structures. His photographs of common tools are exquisite, and the WPA photographs of sharecroppers are really great. Other work impresses me less, and some of the photographs of objects and buildings (though not all of the latter!) impress me at times as being snapshots. But still, there’s a lot of great work in the show, and Evans had a big influence on the ways that many of us see. Once I completed my time in the Evans exhibit, it was time to leave and head back to the train station. But before I left I made a few photographs inside the museum, where I saw for the first time the patters of these lights reflecting on the floor in many places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Friendly Pizza

Friendly Pizza
A bright red pizza shop on a cold winter day in Manhattan

Friendly Pizza. © Copyright 2017 G Dan Mitchell – all rights reserved.

A bright red pizza shop on a cold winter day in Manhattan

This was one among a string of very cold days in New York City between Christmas and New Years Day. The light was “gray” (though, objectively speaking, “blue” might be a more accurate description) as a result of this weather and of being in the urban canyons of Manhattan. The streets of Manhattan are often very busy and there is a lot to see, but in many areas the actual appearance of the streets is pretty much all business. Aside from those exceptions — some parks and stores, for example — much of the street/sidewalk scene is more about practical than aesthetics. On a cold day this seemed especially true, except that on such a day the contrast with a shop like this one, with its bright red and yellow colors and bright lights, was perhaps stronger than usual.

I sometimes struggle a bit to explain what I “see” when making my street photographs — I know what I’m after but it isn’t easy to put into words. However, I think this photograph does include some of the elements. I see the street as a kind of urban landscape, where the size and color and relatives shapes of things matters. I’m also intrigued by shops, especially when something makes them stand out. (Here it is the color and the corner location.) Perhaps even more important, I’m always on the look out for fleeting human tableaux that form and are gone — here with the fellow striding purposefully toward the shop entrance, the slow-moving man with the wheeled suitcase, and the woman in the winter coat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Soda Candy Luncheonette

Soda Candy Luncheonette
Street scene in winter light on the Upper East Side, Manhattan

Soda Candy Luncheonette. © Copyright 2017 G Dan Mitchell – all rights reserved.

Street scene in winter light on the Upper East Side, Manhattan

Today’s photo takes us back to the urban world again, and away from the world of winter migratory birds that I have shared more recently. The photograph is from our weeklong visit to New York City between Christmas and (almost) New Year’s Day. It was a cold week! As we usually do, we went out and wandered Manhattan quite a bit — hard to do street photography without going into the street! Daytime highs made it (barely, and not always) into the low 20 degree range, but we fought back by layering up and by stopping frequently for refreshments in warm places. Not that the latter is a bad thing!

I made this photograph on one of those cold days. We had queued up to get into the Guggenheim, but the line wasn’t moving at all. Standing there in the bitter cold and strong wind, the thought of finding a place with warm soup suddenly occurred to us, and we left the line and found food. Feeling warmer now, we headed back out onto Lexington and walked south. When I first spotted this place, somewhat interesting in its own right though not quite unique as a structure, the words on the sign caught my attention: “Soda Candy Luncheonette.” Then I noticed the nice light coming up Lexington and the interesting arrangements of pedestrians as they walked past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.