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Imaginary Landscape — Rocks

Imaginary Landscape — Rocks
“Imaginary Landscape — Rocks” — An abstraction from a photograph of colorful shoreline rocks.

I decided to experiment a bit with this image. What is a photograph, anyway? No photograph is “real” and every photograph offers only a limited and incomplete view of its subject. This image begins as a photograph of some rocks. (The original image appeared at this website previously.) A very close look might reveal the underlying subject, though it is not easy to see. But I had an urge to use it as a starting point for experimentation.

From time to time I have played with altering photographic images more than usual, partly as a way to develop my “chops” and partly because, well, this fascinates me. The immediate inspiration for this one was an online conversation a few days ago that considered how far a photograph can be “pushed.” Years ago I decided to refer to these experiments as “imaginary landscapes,” in part to acknowledge that they forego photographic realism.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Meadowlark Song #2

As I recently posted, I am not a classic “birder.” I’m just a photographer who counts birds among the many subjects that fascinate me. Years ago I was originally drawn to flocks of birds — often consisting of thousands of geese — but over time I’ve become more interested in individuals. The meadowlark is a beautiful bird, not just visually, but also for its exuberant song.

This one posed on a fencepost near me back on a New Year’s Day adventure with the birds. I had been photographing geese and cranes, and was taking a break from that later in the day. I turned my attention to some of the smaller birds hanging out in brush and alongside the roadway I was using. I came slowly up to this meadowlark, hoping to avoid spooking it. It stuck around, posing and singing its song from its perch.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Meadowlark Song

Meadowlark Song
“Meadowlark Song” — A meadowlark perches on a post and sings a New Year’s Day song.

We spent New Year’s Day with friends in a natural area full of birds. Mostly we were looking for big flocks of migratory geese along with cranes and ibises, but there were lots of other interesting critters in the neighborhood, too. This little meadowlark took up residence on top of a sign post and sang its heart out… and let me photograph for quite a while without flying away.

I don’t usually say much about photographic equipment in these posts, but I’ll make an exception this time. I have been using Fujifilm APS-C x-trans cameras for my travel and street photography for about a decade. (This gear compliments the Canon full-frame system that I use for things like landscape photography.) Recently I decided to try using the Fujifilm gear for some new things such as bird photography, and this was one of my first outings with a suitable Fujifilm telephoto. I think it works pretty well!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Post-Storm Clouds

Post-Storm Clouds
A great variety of clouds and fog as a summer storm clears over the Eastern Sierra.

Post-Storm Clouds. © Copyright 2022 G Dan Mitchell.

A great variety of clouds and fog as a summer storm clears over the Eastern Sierra.

No, I am still not quite finished with this spectacular evening in the Sierra backcountry. In early August our group spent a week base-camped in the wilderness, heading out each day (starting before sunrise and concluding after dark) to photograph our spectacular surroundings. We experienced challenging weather during the first 24 hours, but on the evening of the second day the storm dissipated, and just at sunset things opened up and alpenglow briefly lit up the sky.

There was no guarantee of this happening — which is often the case when chasing such subjects. Not long before this things were pretty gray, and fog drifted just overhead, obscuring trees and peaks, al though we could see that the sky was lightening up a bit. Then a bit of pink showed up on the higher clouds, gradually working its way down though the various layers left by the departing storm. I had been photographing the fog, but I quickly turned my attention to this developing scene! As the sky became more and more colorful, a bank of lighter fog enveloped the top of a ridge on the other side of the valley beyond the lake. A few minutes after this spectacular finale… the show was over.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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