Tag Archives: review

Review: “Light & Land” by Michael Frye

Over the past few weeks I have had the chance to go through Michael Frye’s new ebook, “Light and Land: Landscapes in the Digital Darkroom.” Many are no doubt already aware of Michael’s reputation from his photography, his workshops, and his other publications including his “Photographer’s Guide to Yosemite” and “Digital Landscape Photography: In The Footsteps of Ansel Adams and the Masters.” I have the .pdf version of “Light and Land”, and I understand that an iPad app version may also be available.

Light and Land - Michael Frye
Light and Land - Michael Frye

It is typical for photographic “how to” books to focus on specific techniques, and to be organized around a presentation of these techniques – perhaps with a section on curves, a section on black and white conversion, and so forth. This approach has its place, especially for certain types of learners and at certain points in the learning process. It is important to understand the basic techniques and operations that are available in the “digital darkroom” of such programs as Photoshop, Lightroom and so forth. That said, the bigger and more important issue is how to call upon these techniques creatively and effectively and appropriately in order to make photographs. Not all “how to” books do an effective job of illustrating this.

Michael’s “Light & Land” takes a different approach, and one that more accurately and realistically reflects the thought process of a photographer who is calling upon this arsenal of techniques in the service of creating beautiful photographs.  He writes:

“The digital darkroom gives us tremendous control over our images. We can make them lighter, darker, add contrast, change the color balance, increase saturation, turn a color photograph into black and white, remove telephone poles, blend exposures with HDR, combine ten images to capture infinite depth of field, or put a winged elephant in the sky.

But what do we do with these choices?” Continue reading Review: “Light & Land” by Michael Frye

Two Holiday Rituals

I have two holiday photographic rituals this time of year. I have begun one and will soon get to work on the other.

Today I began going through all of my raw files from 2010. I don’t even know how many thousands of files there must be, and it is perhaps better that I don’t know! Each time I do this year-end review I find a number of photographs with potential that I did not see right after I made them. Sometimes it simply takes a bit of distance in order to see what is there; other times I just moved on to another project before I was truly finished with the previous one. Don’t be surprised to see of these photographs posted here over the next few weeks.

Soon I’ll begin the second task, trying to pick my favorite photographs of 2010. I also enjoy this since the process lets me revisit and relive some of the experiences I had as I made the photographs. Given that I work from my “daily photograph” pool, it should be easier than reviewing the raw files – instead of thousands of files there are only a few hundred. However, it always turns out to be harder than I think it will be. I think there are perhaps two reasons. First, while most of the raw files are not really worth a second look, the photographs from which I select the “favorite of the year” images are all images that I like. This makes it very hard to narrow the selection down to perhaps ten or twelve photographs. Second, in some ways I am the least qualified to understand my photographs. That may sound odd, but no one else can see them in the same way that I do since I was there when they were made and thus know things about them that only I can know. Other viewers are perhaps better able to simply view them “as photographs.”

Regarding the second task, feel free to share your ideas and suggestions concerning the selection process or even to suggest specific photographs that might have connected with you.

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An Itinerant Photographer and His iPad: A Second Report

Some time ago I posted “An Itinerant Photographer and His iPad: A First Report” – and this is a follow-up to that post, written after a few more months of experience with the iPad. It is also an expanded version of something that I posted in a photography forum in response to a question about using the iPad as an image backup device.

One question that seems to come up a lot is whether it is possible/viable to use the iPad as a backup device for making copies of your files in the field. There at least two reasons that you might want to copy your files from your camera’s memory to an external storage. First, you may want to create duplicate backup copies of the image files on your camera memory cards for safety reasons – it is risky to have only single copies of them. Second, some might choose to do this so that they can economize by using a single memory card, transferring files from the card when it is full, erasing the card, and starting over again. I’m not convinced that this makes a lot of sense given the relatively low cost of memory cards today and the risks of having only a single copy of your files.

You can transfer raw files directly from your camera to the iPad using a USB cable and the “camera connection kit” adapter. Here are ome observations based on my experience doing this:

  • It works – you can move your raw files to the iPad and view them there.
  • The process is very slow. Thumbnail previews appear quite quickly, but downloading is a very long process during which I usually find something else to do.
  • You need to think through the memory issues carefully. Your raw files are quite large and the maximum memory in an iPad is currently 64GB. I have the maximum in mine which leaves me about 32GB for photographs. (I have a lot of music and video files on my iPad – perhaps more than the typical user.) There will be very little space for photographs if you get the 16GB model and the 32GB might be tight depending upon what else you store on it.
  • You can view the raw files directly on the iPad. They are not optimized – and raw files need some sharpening and so forth to look their best – but they are fine for previewing images and sharing with others who might want to quickly see what you came up with. Don’t underestimate the value of being able to share files this way. I notice that sharing the images with others on the iPad is often a more natural and pleasant experience than sharing them on a laptop – viewers will frequently hold the iPad and pass it to one another in ways that are rarely seen with laptops.
  • The raw files cannot display at full native resolution – there is some upper boundary currently built into the iPad – though they do  display at a resolution that is considerably larger than that of the iPad screen.
  • I may be missing something that would make the task simpler, but I don’t find it very easy to delete the files from the iPad once they are transferred to my computer.

A bottom line is that you can use an iPad for backing up files in the field, but you need to be aware of several issues before you decide to depend on this. The issues include the very slow file transfer speed and the importance of making sure that the unused memory on your iPad is sufficient for the files you will transfer. With a 64GB iPad, the vast majority of users will have more than 32GB available.

(If the speed and storage space limitations of the iPad are a problem for you, there are other options for backing up in the field. There are specialized back drive products that are designed for making backups of your camera memory cards, or you could use a regular laptop. The tradeoff its greater storage capacity and access to more photo editing applications include shorter battery life and greater size/weight.

What about image editing on the iPad? Several programs are available the provide varying levels of image editing capability.  I use Photogene. It is competent and well-worth the very tiny cost. It provides basic editing features that can let you create decent (but not stellar) jpgs for upload. It does a curve, cropping, black and white conversion, color adjustments, simple sharpening and so forth – but it most definitely is not Photoshop or Light Room. That said, I’ve used it for doing quick edits and web posts from the field. For what it is and for the very low cost, I recommend it. (iPad apps appear so rapidly that it is quite possible that other options will be available by the time you read this.)

Can an iPad replace your laptop? The iPad is only sort of a laptop replacement – I like to simply say that “an iPad is not a laptop,” though it can perform some tasks that you might otherwise use a laptop for. It is great for web browsing and OK for email, though extensive typing on the virtual keyboard is awkward and error-prone. I am fine with it for short emails and short web posts and reading the updating social media sites. You can do better with an external keyboard, but this starts to defeat the small size/weight and convenience of the iPad and makes a laptop look like less of a burden.

Battery life is excellent. Apple is not lying when they claim 10 hours per charge.

The tiny size and small weight make a significant difference. Even my small laptop seems downright large after carrying the iPad instead. It is small enough to easily slip into a side pocket of my camera bag when traveling. I left the laptop at home and carried only an iPad on a weeklong trip to New York City. I was very grateful for the size and weight savings and only mildly inconvenienced by missing some of the power of the laptop I would usually take. What with tripods, lenses, bodies, flash equipment and other gear, I welcome the smaller size/weight of the iPad when a regular laptop is not really needed.

One other reason to have an iPad is that publishing is likely to move increasingly to forms that can be distributed on devices such as the iPad. Photographers would do well to experience and understand this first hand, especially if they intend to distribute their photographs electronically and/or write about photography.

VERDICT:

It will make sense for some photographers and some circumstances, but not for others. There is no universal “right” answer to the question of whether the iPad is a useful tool for photographers – the real question is whether its features will or will not be useful to you. For my part, when I don’t have to do more than minimal editing in the field and I want to share electronic versions of photographs and travel light… I prefer to take the iPad rather than my laptop.

What do you think? Do you use an iPad for photography-related purposes? Are you wondering if it will work for you? Leave a comment via the link found below.

Photo Equipment I Use: Two Resources on the Blog

Since (believe it or not… ;-) people sometimes ask me what equipment I use and why, I have created a page listing some of the products I use these days: See G Dan Mitchell’s Equipment List. In addition, there is also a Reports, Tests, and Commentary page that serves as an index of posts that I have made about equipment and other related topics.

Enjoy, and feel free to post questions and comments.