Tag Archives: ross’s

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Winter Geese, Winter Pond

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Winter Geese, Winter Pond
“Winter Geese, Winter Pond” — Migratory geese (including Rosss, snow, and cackling geese) settle in a California Central Valley pond as a weather front approaches.

On the best winter days, migratory birds gather by the hundreds of thousands (millions?) up and down California’s Central Valley, especially where the winter wetland ponds form. I first became vaguely aware of this decades ago on a winter drive up the Sacramento Valley on my way to Washington, when for the first time I saw multitudes of birds in the winter sky. Later a chance comment by a friend led me to a location in the delta where birds gather by thousands. Since then, I’ve been addicted to experiencing and photographing this annual wonder.

I made this photograph on a cloudy morning. The cloud shield overhead extended to the edge of the Sierra, which meant we had a brief but brilliant sunrise above the mountains. Then everything went mostly gray and hazy, and the light turned soft. These geese — largely a mixture of Ross’s, snow, and white-fronted — settled into a pond where I paused.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Late Winter Flocks

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Late Winter Flocks
Huge numbers of sandhill cranes and several varieties of migratory geese in late winter.

Late Winter Flocks. © Copyright 2023 G Dan Mitchell.

Huge numbers of sandhill cranes and several varieties of migratory geese in late winter.

Yes, another “sky full of birds” photograph! It may seem that I”m sharing a lot of them… but it is not anywhere near all of them. And that, of course, brings up one of the great “secrets” of photographing birds: for every good image that “works” there are dozens of others that never see the light of day. Landscapes don’t move (much), so they are more predictable. But most of the time birds are in motion — at least when they are doing interesting things — and it is impossible to control or predict everything that will happen. You can improve your odds over time… but there is still an element of chance..

These fields were full of late season birds — mostly various kinds of geese, but also lots of sandhill cranes and even a few egrets here and there. At this time of year — just before the long migration back to the north — they seem to become extremely active. At the least provocation huge numbers of birds will suddenly and noisily take to the air and circle before finally returning to the field for a while… and then repeating the process a bit later.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Wildlife

Three Ross’s Geese

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Three Ross's Geese In Flight
Three Ross’s geese in flight

Three Ross’s Geese In Flight. © Copyright 2017 G Dan Mitchell – all rights reserved.

Three Ross’s geese in flight.

During a discussion among attendees at the opening reception for our (David Hoffman and my) exhibit, “Birdscapes,” at the Stellar Gallery in Oakhurst something occurred to me about my bird photographs — something that is perfectly obvious in retrospect. While there are many ways to photograph birds, virtually all of my bird photographs feature birds in groups and birds in flight. There are very, very few photographs of individual birds aside from those that are normally loners, and I nearly always photograph them in action in one way or another.

This trio of Ross’s geese in flight against a bright, foggy sky fits the mold. I had encountered a large flock of the birds feeding in a grassy area near water, and they were surprisingly willing to allow close approach. In fact, there were in a location where avoiding a close approach was essentially impossible. There was a lot of coming and going in the flock as groups departed and arrived, so I set about tracking small groups of the birds as they passed at close range.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Wildlife

Geese, Pond, Dawn Sky

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Geese, Pond, Dawn Sky
Ross’s geese in a wetland pond on a foggy morning beneath dawn sky

Geese, Pond, Dawn Sky. © Copyright 2019 G Dan Mitchell – all rights reserved.

Ross’s geese in a wetland pond on a foggy morning beneath dawn sky.

There is often a particular esthetic around bird photography that concentrates on close photographs of individual birds. I’ve often thought that the reasons for this particular approach are several. For some bird photographers – though not so much for me — this work is an outgrowth of “birding,” and in that endeavor being able to view individuals close up is a goal. There’s also an element of the technical challenge. It isn’t easy to get in position to fill the frame with one bird, and it is even more difficult when the bird is in flight. On top of that, we must acknowledge that for at least a subset of bird photographers, the acquisition and use of really big and really expensive lenses has its attractions.

I’m not immune to those things, but I often find myself approaching birds in a somewhat different way. Few of my photographs feature a single bird filling the frame. (I can do that, and I have, just not that often.) More typically, the photographs include a group of birds — a couple of them together or perhaps thousands — and place them in the landscape. The latter is quite likely linked to my long interest in the landscape as a subject. This photograph clearly fits that lineage — it is what I think of as a “birdscape,” a photograph including birds in the landscape they occupy. I made this photograph in a water-filled place on a foggy morning when soft and colorful dawn light briefly lit the sky.

David Hoffman and I have an exhibit of “birdscapes” opening very soon at Stellar Gallery in Oakhurst, California, near the southern entrance to Yosemite National Park. If you’ll be in the neighborhood — going to see the Yosemite Valley snow or to photograph Horsetail Fall? — stop by and take a look at our photographs!

February 16th-March12th. Reception February 16 5-8:00PM. Stellar Gallery, Oakhurst, California

Birdscapes — David Hoffman and G Dan Mitchell
Birdscapes — David Hoffman and G Dan Mitchell

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.