Tag Archives: sf

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Weathered and cracked numbers painted on the wall of an old San Francisco hotel

50. © Copyright 2019 G Dan Mitchell – all rights reserved.

Weathered and cracked numbers painted on the wall of an old San Francisco hotel.

Photographs like this one have, at least for me, several purposes or rationales. To some extent, walking into a regular city environment and looking for little visual odds and ends is an important exercise in visual awareness. It is so easy to walk through such places and not pay a lot of attention, and when you do so while searching for images you see things that you’d otherwise miss. It is also interesting, I think, to “excerpt” small things from their larger context. (This bit of signage, is small enough that you might barely notice it if you took in the whole building at once.) With this one there is also a bit of that odd characteristic of some photographs, where their age — or the age of the subject — becomes somewhat interesting on its own.

So, what is it? It is a bit of a hand-painted street number sign on a very old (and somewhat iconic) building on a street in San Francisco that I often walk on these street photography visits. What else is it? It is color and form, abstracted to some extent from its original context. But not entirely abstracted, since if you look closely you might notice the extremely weathered and cracked paint and you might wonder about the history of this little bit of a sign, especially in an era when one-of-a-kind hand-painted signage is increasingly replaced by industrial signage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Museum Layers

Museum Layers
A somewhat whimsical view of the interior of San Francisco MOMA through a portal

Museum Layers. © Copyright 2018 G Dan Mitchell – all rights reserved.

A somewhat whimsical view of the interior of San Francisco MOMA through a portal

When I visit museums I often bring a camera along. I’m not too likely to photograph the art — though that does occasionally happen, most often when someone is interacting with it. I’m more  interested in the light and architecture of such places and with the activities of museum visitors, who tend to behave in different ways than they might in other locations.

This photograph is about the architecture, of course, and how it is lit.  quite simply, the portal (outlined in black) was my initial subject, but then I saw the fantastic landscape of light gradients and contrasting colors. The two figures in the nearly central light circle were a matter of serendipity.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Museum Lobby

Museum Lobby
Visitors milling about in the lobby of SFMOMA

Museum Lobby. © Copyright 2018 G Dan Mitchell – all rights reserved.

Visitors milling about in the lobby of SFMOMA

It has been a while, and I was more than due for one of my periodic walking days in San Francisco. As per the usual plan, I was out the front door of our house long before dawn, to the train station by bus, and then by train to San Francisco, arriving just before sunrise. There were clouds over the City to my north and west, so I headed to the edge of the Bay, where the skies were clear to the east and early sun shone through on the shoreline and the City. I photographed along the waterfront for a while, and eventually wanted past the Ferry Building and up into the City north of Market Street.

I had a plan to circle back to SFMoMA by late morning, since the expansive Walker Evans show ends there in about a week. I arrived and took a break from my own photograph to view his and that of his contemporaries. (To anyone in the SF Bay Area who likes this sort of thing, go now! There is a ton of work in this show, and it ends a few days into February.) Evans evokes a mixed response for me. I share an interest in some of the subjects that interested him, including certain kinds of shops and other urban structures. His photographs of common tools are exquisite, and the WPA photographs of sharecroppers are really great. Other work impresses me less, and some of the photographs of objects and buildings (though not all of the latter!) impress me at times as being snapshots. But still, there’s a lot of great work in the show, and Evans had a big influence on the ways that many of us see. Once I completed my time in the Evans exhibit, it was time to leave and head back to the train station. But before I left I made a few photographs inside the museum, where I saw for the first time the patters of these lights reflecting on the floor in many places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

From The Gallery Window

From The Gallery Window
A San Francisco street scene viewed from the window of a photography gallery

From The Gallery Window. San Francisco, California. December 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A San Francisco street scene viewed from the window of a photography gallery

We came to this place more or less by chance. It was a somewhat lazy day for us — we had attended a concert the night before and stayed overnight near the venue. Since we had another concert coming up on the second evening we decided to not have any serious plans in the morning. We got up late and finally wandered down past City Hall, through a farmers market, and then headed down Market Street. At one point I happened to look across the street and see the sign for “SF Camerawork” above an unlikely looking storefront, so we walked across to take a look, noticed that it was scheduled to open in less than 10 minutes, and decided we would stick around and take a look.

It probably seems odd that I hadn’t ever visited before, especially since this organization has existed in the City for decades, but sometimes odd things happen. In any case, the door finally opened, we climbed the long and marrow stairway, and arrived to find them in the process if installing an upcoming show: Landmark: Yosemite Through The Lens of Contemporary Landscape Photography. Despite the unfinished state of the installation, they allowed us to poke around and see the work that was already hung. They had one of Jerry Uelsmann’s fantastical landscape, several of the Mark Klett & Byron Wolfe juxtapositions of classic photographs collaged with modern photos of the same locations, a few witty Ted Orland pieces, and more. The exhibition space itself is very nice — open and with good light — and at one point I wandered to one of the street-facing windows and took advantage of the upper story location to make a few photographs of the street below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.