Tag Archives: shadow

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Death Valley, Mountains, Morning

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Death Valley, Mountains, Morning
Morning light on Death Valley and the base of the Panamint Mountain Range

Death Valley, Mountains, Morning. © Copyright 2018 G Dan Mitchell – all rights reserved.

Morning light on Death Valley and the base of the Panamint Mountain Range

A few recent photographs here have focused on the intimate landscapes of Death Vally canyons. This one leaves the canyon and moves out into the open, looking from the eastern mountains across valley to the base of the Panamint range on the other side. We had driven up in to these mountains in the morning after first photographing dawn from the valley. Here we could watch the morning light traverse the valley — in the photograph it still had not made it to the low hills below our position.

At about the time of my first visits to Death Valley I had also made my first trips to Alaska. It may seem odd, given their different climates, but it struck me that the two places have a lot in common. Most of all, in both places I experiences huge spaces and immense quiet and stillness in ways that I had not really known before. (I rarely experience this in the Sierra, even above timberline, since the distances are smaller and somewhere in the landscape there will be a tree.) In Death Vally, it is hard to make sense of the scale of the landscape. The combination of huge distances, tremendously large features, and a dearth of objects of known size conspire to confuse us. Look across flats to a barren mountain and its valleys, it might seem that you could just walk there. You could, perhaps, but it might take many days.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, Light And Shadow

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Dunes, Light And Shadow
A curving interaction between light and shadow on Death Valley sand dunes

Dunes, Light And Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

A curving interaction between light and shadow on Death Valley sand dunes

The visual patterns of desert sand dunes can quickly become a sort of photographers’ playground. While we often may go out looking for individual subjects and composition (the “perfect photograph of that mountain”), once in the sand dunes there are likely to be photographs almost everywhere we look. The subjects are remarkably varied, ranging from the smallest to the largest, from nearly pure abstraction to literal depictions, including human elements or not, and changing over the course of the day and in evolving light. Topping another wave of sand or curving around into a new hollow can bring a whole new set of possible photographs.

I made this photograph on a morning when we walked out into a lonely section of dunes before sunrise. I generally tend to photograph more “literal” subjects in that softer pre-sunrise illumination. That softness quickly disappears with the sunrise most days, and I begin to look for more stark compositional contrasts. Here I was attracted but the abstract shape of the sand that was struck by the light, and the suggestively organic shapes of the curve.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dunes, First Light

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Dunes, First Light
First light on Death Valley sand dunes

Dunes, First Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

First light on Death Valley sand dunes

No matter how many times I experience it — and I’ve experienced it a lot! — the instant when the first sunlight suffuses the landscape is always magical. Invariably, it sneaks up on me, even though I plan to be there for it and have probably calculated the precise time of the light’s arrival. Perhaps it is because I’m engaged in photographing the pre-sunrise light, a phenomenon that also is transitory. To this day, it still somehow surprises me when this light arrives in complete silence and stillness. Somehow it seems like there should be music or a rising wind… but it is just the light.

Sand dunes provide unending possibilities for photography, and they are a remarkable canvas on which the light can paint. In the middle of the day this sand would be a sort of bland off-white color. But for a few moments at the start and end of the day the sand takes on almost gaudy colors of sky and sunlight, and the soft shadows both emphasize the forms of the dunes and produce their own shapes and lines. Non-photographers probably wonder how we can force ourselves out of bed a couple hours before dawn and drive or hike long distances the pre-dawn darkness. We wonder how the rest of the world can sleep through it!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Trees In Sun, Cliff In Shadow

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Trees In Sun, Cliff In Shadow
Sun from behind an ice-rimmed granite monolith lights a row of trees at the edge of a meadow

Trees In Sun, Cliff In Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sun from behind an ice-rimmed granite monolith lights a row of trees at the edge of a meadow

I made this photograph on a day of somewhat ephemeral conditions. There had been snow the day before — light snow, but in very cold conditions. On this morning the storm had passed, but it was so cold that a thin layer of snow was still there. It was in the meadows, on the branches of trees, and collected on every small irregularity on the granite cliffs above Yosemite Valley. At the moment I made this photograph the sunlight, shining through thin clouds, had just arrived on the closest trees, while those in the distance remained in cold shadows.

The light and the snow patterns on the face of the granite monolith are remarkable. The small amount of snow — perhaps only and inch or two — brought the patterns of cracks and small ledges into relief, making visible features that we might overlook on a warmer day And the light on the cliff is rather blue since the face is illuminated not by direct sunlight, but instead by the giant “light panel in the sky,” which happens to be very blue!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.