Tag Archives: ship

Wall, After Rain, Night

Wall, After Rain, Night
Wall, After Rain, Night

Wall, After Rain, Night. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. Copyright 2014 G Dan Mitchell – all rights reserved.

Night photograph of the walls of an industrial building reflected in a pool of rainwater, Mare Island Naval Ship Yard

Recently I returned to the Mare Island Naval Ship Yard with my friends from The Nocturnes, a group of folks who focus on night photography. The Nocturnes have been photographing there for many years and the group forms a core of San Francisco Bay Area night photographers. Mare Island has become something of a mecca for night photography in the area, to the point that you can often find photographers shooting there in the dark and so that certain images from the location have achieved an almost iconic status. I first photographed there about a decade ago, and I’ve gone back at least a couple of times each year, to the point that I now have quite a few images of the place.

Having shot there so much, the way I approach the subject has evolved. At first, like anyone else getting to know the place, I focused on the well-known shipbuilding machinery—steel towers and cranes, dry docks, and so forth. Eventually, I began to look for other subjects, and I also began to understand the patterns of the place. Shooting on a full moon night is one thing, while shooting on a completely dark night another. Clear skies bring different opportunities than clouds. (I’m still waiting for a foggy night there!) More recently there have been changes to the area lighting on the island. The lighting is part of what has made photography there so interesting. It includes a wild range of sources—sodium vapor, mercury, fluorescent, tungsten, moonlight, and more—and sometimes turns otherwise bland structures into brilliantly colorful subjects. (Or at least it did. Now the older, colorful lighting is gradually being replaced with sun-white LED lights!) The weather is a major player, and it had rained the week beforehand. Because of this I was on the lookout for puddles and pools that might reflect the images of Mare Island structures, and here I found a very large puddle right in front of the wall of this large building.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Stairs and Green Windows, Night

Stairs and Green Windows, Night
Stairs and Green Windows, Night

Stairs and Green Windows, Night. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

An industrial building with green windows and a shadow-casting staircase, Mare Island Naval Ship Yard

The lighting is part of what has made photography there so interesting. It includes a wild range of sources—sodium vapor, mercury, fluorescent, tungsten, moonlight, and more—and sometimes turns otherwise bland structures into brilliantly colorful subjects. More recently there have been changes to the area lighting on the island. Now the older, colorful lighting is gradually being replaced with sun-white LED lights!) While I have to agree with the goal of increased energy efficiency, many of us mourn the loss of those old, colorful light sources. The LEDs can produce light that looks almost like daylight in some situations!

The first thing that brought me to the general area of this photograph was a pool of bright light in front of it that I saw coming from a very bright light across the roadway. As I approached I saw the interesting old external staircase, a subject that I often find interesting at Mare Island, and the complex pattern of shadows cast by the lights. I’m also a fan of the many large banks of windows in the buildings on the island. I’ve always assumed that the construction must have included so much glass so as to provide better interior light for these very large shop buildings. These windows are somewhat opaque, perhaps at least partially from age, and the lighter objects inside are only seen faintly through the glass.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Shadow on Door 4

Shadow on Door 4
Shadow on Door 4

Shadow on Door 4. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A night scene from the historic Mare Island Naval Ship Yard

This is another night photograph from the historic Mare Island Naval Shipyard near Vallejo, California. It is hard to explain what attracted me to this specific subject, though the photograph is one of a small series I shot of this wall and the white building. (A “series” of night photographs often comprises a small number of photographs, since it often takes many minutes to complete a single exposure.)

I began by photographing from a position far to the right, where there was a large puddle of reflecting water between my position and the two buildings, and then I worked my way around the scene to finally shoot it straight on. In addition to the water, I was intrigued by the color contrast between the salmon colored wall and the stark white shack in front of it. (Though, to be honest, in the near darkness I had to make some assumptions about what the colors might actually be!) This photograph contains a number of elements that are common at Mare Island, especially at night. The architecture itself is typical—mostly quite utilitarian, with many very large buildings that were constructed for ship-building industry. There are often exposed pipes and wires and other elements. It is common to see weathered paint and rust. Windows are everywhere, often comprising surprisingly extensive portions of the exterior walls. I’ve never asked anyone, but my assumption is that it was less expensive to “light” the interior naturally than to use artificial light to illuminate such large spaces. The photo also illustrates a much more modern feature. Not long ago, when I first photographed here, the lights were often quite colorful, including sodium vapor, tungsten, fluorescent, mercury, and more. This often produces wildly colorful images at night. But today, for energy efficiency reasons, neutral colored LED lighting is being installed everywhere, and the color balance is more like that of daylight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

No POV Parking

No POV Parking
No POV Parking

No POV Parking. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Glowing lights inside a shop building at Mare Island Naval Shipyard, reflected in a pool of rainwater

I have now been doing night photography at the historic Mare Island Naval Ship Yard near Vallejo, California for perhaps a decade. Back when I visited for the first time I would not have expected that night photography or this particular location would still occupy me today, but they do. In many ways, photographing this location at night is an almost meditative experience. I’m long past the initial surprise to find such a place exists—with its long history and old structures in varied states of decay—and I now regard it as a familiar place. The photography itself is part of the attraction. I continue to find new subjects and to see old subjects in new ways and to watch how the place changes over time. But it is also about the slow, quiet, and methodical work of photographing at night. In many places I can barely see my subjects, and I have to wander around slowly and carefully, taking time to look in places that might initially not seem to offer anything of interest. When I think of this photography, the damp air near the waterfront and the deep quiet form as great a part of the experience as anything else.

This visit followed a week when several rain storms had passed over the Bay Area. (I had missed the actual storms, as I was away photographing in Death Valley.) As soon as I arrived at Mare Island I noticed that there were puddles everywhere, so I was on the lookout for reflections. This building is absolutely huge, but in other ways not all that exciting in daylight—but at night, with interior lights glowing, it can become a bit mysterious.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.