Tag Archives: state

People At The Corner

People At The Corner
People stand on a Manhattan corner, waiting for the light to change

People At The Corner. © Copyright 2017 G Dan Mitchell – all rights reserved.

People stand on a Manhattan corner, waiting for the light to change

I work in various ways when photographing in urban settings. Sometimes I’m somewhat slow and careful, perhaps waiting for people to populate a scene or when treating the urban environment as a sort of landscape. Other times I work more quickly and spontaneously, photographing quickly and intuitively as instants occur and quickly are gone. This photograph came from the latter approach, and my recollection is that I made a series of perhaps three photographs in quick succession, perhaps not even looking through the viewfinder.

There are, obviously, people in the photograph. But something else here links to something I was told by someone who lives and works there. In Manhattan you constantly see these scaffolds set up over sidewalks. I had assumed that it was simply the case that there is work going on all the time. My source tells me it isn’t always quite that simple — sometimes the scaffolding is left up well beyond when is needed… because it is cheaper to leave it there than to take it down and find a place to store it! I enjoy looking a bit more closely at the individuals in this photograph and not just at the group as a whole. The people have a variety of demeanors and poses, some are interacting with others, and they vary in the extent to which they are engaged in the scene verses walking through it without paying much attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Winter Light and Cross Walks

Winter Light and Cross Walks
Winter backlight illuminates pedestrians and cross walks in Manhattan

Winter Light and Cross Walks. © Copyright 2017 G Dan Mitchell – all rights reserved.

Winter backlight illuminates pedestrians and cross walks in Manhattan

People in cross walks seems to be becoming a bit of a theme here. I think that a reason may be that people tend to stay more or less in one place a bit longer while waiting to cross and their paths are more constrained while crossing the street. On top of that, encountering the temporary end of the sidewalk at a street corner does tend to face people into groups, and once the light changes they retain some connection to the group for a moment.

A few other factors appealed to me in this scene, and it wasn’t just the people. The light was wonderful, low winter light coming up the street from Lower Manhattan, and impossible to keep its sources out of the camera’s field of view in this shot. That produced the soft glare of light in front of the buildings on the right and it backlit the figures and case long shadows. Those shadows cross perpendicular to the light-colored lines of the cross walk, with become wider as they get closer to my camera position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tasty Hand-Pulled Noodles

Tasty Hand-Pulled Noodles
Man in vest and helmet emerges from Tasty Hand-Pulled Noodles, Inc.

Tasty Hand-Pulled Noodles. © Copyright 2017 G Dan Mitchell – all rights reserved.

Man in vest and helmet emerges from Tasty Hand-Pulled Noodles, Inc.

This is another quite street photography photograph made in Manhattan, almost certainly along the edges of its Chinatown district. On the scale from instant and intuitive to slow and methodical, this photograph fits in the former category. I think I recall stopping for no longer than a few seconds to photograph this place, and timing a couple of the exposures to include this fellow coming out through the door. Once he was out of the picture my interest waned and we moved on.

Of course the name of the business caught my attention — not just “Noodles” or that word plus someone’s name, but “Tasty, hand-pulled noodles, Inc.”, and on a shop that wasn’t, well, very pretentious. The fellow coming out the door was wearing one of those bright orange reflective vests and a bicycle helmet. I saw no bicycle nearby, but perhaps he was a messenger. Not clear from the photograph, unless you notice how much clothing he is wearing, is that he was apparently out on a bicycle on a day when the temperature barely reached twenty degrees and the wind was blowing strongly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Brick Wall, Balcony Shadows

Brick Wall, Balcony Shadows
Shadows from metal balconies slant across brick wall

Brick Wall, Balcony Shadows. © Copyright 2018 G Dan Mitchell – all rights reserved.

Shadows from metal balconies slant across brick wall

I don’t think I can up with a comprehensive list of all of the variations on urban and street subjects, but there are a lot of them. You can, of course, focus on photographing people — whether street portraits, with our without the subject’s cooperation, or anything up to groups and crowds. You can treat the urban environment as its own sort of landscape, looking for form and color and light in the familiar ways. You can think of it as a way of simply making a record of transitory things that will soon be changed or bone. It can focus on architecture. And the list goes on.

I think of this as a sort of street landscape. This New York wall, at this time of day and during this season, transforms into something that I can’t imagine the builders understood when they constructed it. My bet is that they were making a practical brick wall, with practical windows, a simple pair of balconies (probably designed to save money), and fire escapes. But, as was apparent when I walked past in December, becomes a canvas for a wild conjunction of shapes and textures and shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.