Tag Archives: structure

Escalator and Stairs

Escalator and Stairs
Escalator and Stairs

Escalator and Stairs. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Escalator and stairs at a San Francisco BART station

These BART entrance stations are well-known to San Francisco Bay Area residents. (As are the many stories about them: the wisdom—or not—of outdoor escalators, the necessity of, uh, cleaning them frequently, and more.) They tend to feature a combination of escalators for those going up and stairs for those descending.

I think that they sometimes create a visual center of interest in the cluttered environment of the downtown city. They are ringed by a low metal fence, and this one at least is designed in an attractive curve. (Some other photographs of mine work with that subject.) Looking down from the railings of this fence and tightening the crop enough, I could create a composition of shapes and colors that excluded just about everything but the large vertical shapes broken up by the smaller horizontal shapes, and the contrasting blue and yellow tones. A person begins to enter the frame at the lower right.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting
Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Numerous sources of artificial light illuminate an industrial building from outside and inside

I like night photography for a number of reasons. I enjoy the very slow work, finding subjects and compositions in near darkness and then waiting patiently for long exposures to complete. “Normal” photography can be a slow and meditative process, but night photography must be. Given so much time to stand and wait, I cannot help but notice the stillness and quiet of the night, and to feel the cool and damp air. In fact, as a person who does night photography, these things are almost as much part of the experience as the visual elements.

In the visual context, there are a few things about the appeal of night photography that might not occur to a person who has not done it. When photographing in very low light, what we photograph is often very different from what we actually see. Often the subject is quite dark, even when lit by the moon or nearby lights, but the camera doesn’t care—a long enough exposure can collect more light that our eyes can, and a dim and drab subject can become bright. Also, the illusion that the camera stops time is not quite so strong when photographing at night. Over the course of a many minutes long exposure stars move, lights of cars appear and pass, clouds blur into soft streaks, and the edges of shadows from moonlight blur. In industrial areas such as this one, the lighting is a mixture of things glowing from within and lit from without, and the diversity of lighting—tungsten, fluorescent, sodium vapor, LED, mercury vapor, moonlight—paints the nightscape with wild colors. This building is an excellent example. The upper windows emanate a glow from yellow interior light. Relatively colorless light hits the upper walls, but the light takes on an odd blue/pink tone on the lower building, and the shadows head toward blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ship Yard Crane, Night Sky

Ship Yard Crane, Night Sky
Ship Yard Crane, Night Sky

Ship Yard Crane, Night Sky. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A gigantic ship yard crane extends high into the night sky, Mare Island Naval Ship Yard, Vallejo, California

For many of us, these gigantic cranes, towering above the historic ship yard buildings and docks, are the iconic structures of the Mare Island Naval Ship Yard near Vallejo, California. The facility has been here since the 1800s, when it was the first naval ship yard on the west coast of the United States, and its history is quite remarkable. I won’t even begin to try to recount it here since a) it is so extensive and b) I’m far from an expert! In the 1990s it was decommissioned and since that time parts of the facility have fallen into ruin, others have been maintained in more or less their condition at that time, and some have been converted to other uses ranging from industrial to housing.

I have photographed here at night for about a decade. It used to be that these towering structures were mostly just parked in somewhat inaccessible locations behind fences along the waterfront. (The folks I photograph with here have a policy of not going into areas that are off-limits, and this had led to generally very good relations with the folks who oversee the place.) More recently the dry dock facility has been put back to use to dismantle very old ships from the “mothball fleet” that had been moored nearby, and now when I visit I often find the cranes have moved and may even be in more accessible locations. The first thing that struck me on this night’s visit was the effect of the security lights playing over the structure—and the fact that the lights are still the older and very colorful lights rather than the newer, more energy-efficient, and very boring LED lighting!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ship Yard Crane

Ship Yard Crane
Ship Yard Crane

Ship Yard Crane. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Giant ship yard crane against night sky at the Mare Island Naval Ship Yard, Vallejo, California

These towering cranes, remnants of the active period of ship building at Mare Island Naval Ship Yard, are an iconic feature of the place. Among the many photographs of the locations, especially those by night photographers, they are among the features most often captured. Several of them tower along the waterfront, and their height and their retro-industrial appearance command attention.

Although I have photographed at Mare Island a lot, I have very few photographs of these objects. On most of the occasions when I have photographed there they have been parked too far away (they move on tracks), too poorly lit, or have been obscured by fences and other objects. Recently the ship yard has seen renewed activity as it is being used to partially dismantle some of the old ships of the “mothball fleet” that has long been anchored in the delta near the Carquinez Bridge. On my most recent visit to photograph here at night I found that several of these structures had moved to more accessible areas and that they were better lit. This one was behind a fence, but since I wanted to emphasize its height towering against the backdrop of the night sky I was able to shoot up at a steep angle and keep the fence out of the frame. The perspective distortion, the cut off upper portion, and the sense that the structure is leaning amplify, for me, the mysterious and other-worldly quality of these slightly anthropomorphic structures.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.