I confess that I barely, if at all, remember making this photograph, nor can I say precisely where in London I made it. I grabbed it while in a particular mode of street photography that is the antithesis of how I might photograph, say, a landscape. I shoot handheld. I carry a small camera with a single small prime lens. I work very quickly, often not even slowing down to frame the subject, and continue on. In this case, I shot “blind,” holding the camera down at my side. (That created a little problem. More below.)
There are a few things about this photograph that could make some viewers a bit uneasy. First, I did not ask for permission and I doubt the subject was even aware that I made the photograph. There was no time, and if I had asked, the photograph would have been a very different thing. (BTW, sometimes I’m in public and I see that I might end up in someone’s photograph like this — and I remind myself that it is OK since I do it, too!) Second, the original image had a serious problem. It was badly tilted, perhaps as much as 20-degrees. I liked the image, but I had to crop radically to get the framing I wanted, and there were still problems. How did I fix it? For the first time, I allowed an AI tool to generate some content in the corners of the frame. Still not sure how I feel about that, but it seems worth experimenting with at least.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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