Tag Archives: trunks

Burned Forest, Autumn Color

Burned Forest, Autumn Color
Autumn colors in a forest of burned trees, Yosemite Valley

Burned Forest, Autumn Color. Yosemite Valley, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Autumn colors in a forest of burned trees, Yosemite Valley

During this final weekend of October I spent a few days photographing in the Yosemite area, including along the road between Oakhurst and the Valley and then in Yosemite Valley itself. I had quite varied weather conditions — pouring rain on the first day as I drove up from the Bay Area, beautiful evening and morning fog followed by a sunny autumn day, and then a weather forecast of heavy rain that convinced me to beat a retreat from the park a day early.

Late on the second afternoon I stopped at a very popular and iconic location in the Valley, but I walked the other way, heading out into an area of rock, dry meadow and oak trees that gradually transitioned into conifer trees and big leaf maples, the latter being at their peak of fall color. Knowing the Valley pretty well at this point, I often prefer to look past the big sights and just wander, and that’s what I did here, eventually ending up in an area that had been burned recently by a management fire, clearing out the underbrush and charring the lower trunks of tall trees. In fact, the lower trunks were so affected that there were no branches to obstruct the view of the maples just beyond or of the vertical granite cliffs a bit further away.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspens, Green and Yellow

Aspens, Green and Yellow
Transitional early autumn aspen color in the Eastern Sierra Nevada

Aspens, Green and Yellow. Eastern Sierra Nevada, California. October 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Transitional early autumn aspen color in the Eastern Sierra Nevada

These tall aspen trees with their straight trunks are not the most common sight in the Eastern Sierra Nevada, where smaller and more twisted trees are more the rule. But in protected and well-watered locations the trees can grow straight and tall. I photographed these at the beginning of what most would consider the prime aspen color season in this region, the first two or three weeks of October. The color starts up high (often even earlier than this) among small, high elevation trees and then works its way down into the canyons and out into the drier lands east of the Sierra. At this spot, though not within the view of the camera, there was an entire hillside covered in bright yellow small trees, but among these larger trees the show was just beginning.

This demonstrates something that Sierra aspen-chasers eventually learn, namely that if the trees in one spot are not ideal we can simply look higher or lower, north or south, and we’ll probably find trees in good condition. Although I did not make it back after this visit during the 2016 aspen color season, I’m quite sure that those who came to this spot a week or two after I was there found that some of the yellow trees had lost their leaves and that the trees that are green in this photograph were brightly colored.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dense Aspen Grove

Dense Aspen Grove
Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

Dense Aspen Grove. Eastern Sierra Nevada, California. September 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

While the exuberant colors of large groves of autumn aspens are attractive, there is something about the trunks that is hard to resist, even when the colors may have diminished a bit — or perhaps because the colors are less striking. I know I’m not the only photographer who returns to this “take” on the subject. It is fun and more than a bit challenging to make compositions out of such complexity. Frequently I’ll stop and look at a grove, think “that will make a great photograph,” and then gradually discover that some subtle element is not quite right and the whole thing won’t work. I’m continually surprised that a subject that seems so simple often isn’t.

To a great extent it is a question of balance of several sorts. The complex patterns of trunks cannot be completely uniform or there will be no form to the image. There must be some differentiation in the ways that trunks are grouped and among the angles of branches. But too much differentiation is also a problem. There is a “just right” quality to these compositions that is hard to explain, but which I know when I see it. A bit of “dissonance” can help, too — a little bit of something that seems to step outside the predominant patterns. In this photograph that could be the diagonal branches at coming across from the right, or it might be the group of closer leaves along one side. There is also some sense of depth, and if you look closely you may see a good distance into the more distant and darker areas of the small grove. And aside from the obvious vertical lines, there are three horizontal layers — brush at the bottom, trunks in the middle, and yellow leaves at the top.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Grove of Bare Aspen Trees

Grove of Bare Aspen Trees
A few autumn leaves linger on a grove of bare aspen trees, eastern Sierra Nevada

Grove of Bare Aspen Trees. Eastern Sierra Nevada, California. October 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A few autumn leaves linger on a grove of bare aspen trees, eastern Sierra Nevada

No, I’m still not done with my photographs from autumn 2015 in the Sierra Nevada! This year I first photographed this grove in late September, much earlier than would normally be the case. Even then many of the trees had already lost their leaves, seemingly in response to the fourth serious drought year in the Sierra. The drought affected trees in a variety of ways, ranging from early color change to simply dropping leaves without a color change to seemingly going dormant. (Other trees that were less stressed seemed to change later than usual, perhaps in response to later warm temperatures resulting from climate change.) I was less than satisfied with those first late-September photographs of these trees, so I thought more about them after returning home and made a plan to return the following week and refine my ideas.

And that’s just what I did. I made this photograph one week after those first images. This time I spent less time at the grove since I already had a fairly clear idea of what I was trying to produce. Given how few leaves there had been the week before, I was somewhat surprised to find any color still left here — but I was also happy that there was some! Bare and near bare late-season aspen trees seem compelling to me, for reasons I cannot quite put my finger on. Is it that they signal the fine, incontrovertible end of the warm season? Or is it that they signal the certain arrival of the beauties of winter? Perhaps there is something about these bare trees standing in groups and their promise of new life the following spring? When there are still just a few colorful leaves remaining, as in this scene, somehow the effect seems even stronger.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.