Tag Archives: urban

Gelato Stand, Evening

Gelato Stand, Evening
People stop at a Little Italy gelato stand on a summer evening, Manhattan

Gelato Stand, Evening. New York City. July 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

People stop at a Little Italy gelato stand on a summer evening, Manhattan

Near the end of the year it is my custom to start going back to my raw file archives from the previous year, looking for photographs that I might have overlooked initially. Sometimes I missed them because I was working on other things that caught my attention at the time. In other cases there were simply a lot of photographs, and I moved on to other work before finishing with an earlier set of photographs. I’m starting that project now, so you are likely to see some older work mixed in with more recent photographs over the next few weeks.

We spent a week in New York City in July. (Yes, I know that smart people don’t go to New York during the hot and humid summer months. But I do. Draw your own conclusions… ;-) This time we stayed in the general area of Little Italy. That area is a bit of a tourist place, but it is also an interesting place to wander at night. There are lots of light, lots of shops, and lots of people out and about. On this evening I headed out from the hotel just after dark and did a quick loop through the neighborhood with my camera. Here a group of people lines up at a small gelato stand, while someone shops next door and nearby people sit on benches along the sidewalk.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Selfie, Reflection

Selfie, Reflection
Reflection of a couple posing for a selfie, Whitney Museum, Manhattan

Selfie, Reflection. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Reflection of a couple posing for a selfie, Whitney Museum, Manhattan

I made this photograph when we visited the Whitney Museum on a trip to New York City earlier this year — the new version of the Whitney located in Chelsea near the end of The High Line Park. We were there at least partly to see the Calder exhibit, but also because we like the Whitney itself. I not only like the place (and this is true of other museums I visit) for the work that is exhibited, but also for the photographic opportunities. There are lots of people to see, and this museum incorporates all kinds of other interesting visual opportunities: the architecture of the building, the outside terraces, the views of the surrounding areas.

I made this photograph on one of the outdoor terraces on an upper floor. The terraces provide open views of Manhattan, and they house large works that display well in outdoor spaces. There are always lots of people passing through these spaces, and this couple stopped to make a selfie photo against one of the sculptures, inadvertently positioning themselves where their reflection also incorporated a slightly distorted view of the Manhattan surroundings. The subject of “selfies” is a big one on its own, and I won’t try to take that on in its entirely here. However, people making these photographs of themselves sometimes seem to let down their guard as they temporarily become almost oblivious to their surroundings and they often assemble into interesting group poses.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Easy Joe’s

Easy Joe's
Street scene with pedestrians, Seattle

Easy Joe’s. Seattle, Washington. September 8, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Street scene with pedestrians, Seattle

Today I’m going to insert one more street photograph into what has largely been a recent stream of natural world photographs. (I suppose that focus should not be a surprise during the fall season!) Back in September I was in the Seattle area of several days, mostly on non-photographic business, but I managed to get out and spend some time photographing, too. One day I made it to the North Cascades for a bit of landscape photography, and on another I sneaked out for a few hours of street photography.

I actually have no idea what Easy Joe’s is (or who Easy Joe is or was), but since the text appears in the scene I am going with it. For some reason, this photograph feels like Seattle to me — something about the architecture, perhaps, or the light or possibly I just recognize the downtown location. It also presented a sort of urban geometry that I enjoy, with tons of vertical and horizontal forms, but broken up by the passage of a compact group of pedestrians.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Shadow

A Shadow
A shadow falls across a Seattle sidewalk and roll-up door

A Shadow. Seattle, Washington. September 8, ,2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A shadow falls across a Seattle sidewalk and roll-up door

In early September I had the opportunity to spend several days in the Seattle area. I was actually there on a sort of business — not photography related — but I did have enough spare time that I could do some photography, too. It turned out that I had two opportunities. On nearly the last time of the trip I managed the long drive to the North Cascades, where I photographed in the Mount Shuksan and Artist Point area for an afternoon. Before that I managed to head to downtown Seattle for a bout of street photography. This photograph comes from that visit.

When I do street photography I work in ways that are both related to my landscape photography and also different. In both cases I tend to only select general subjects ahead of time, preferring to head out and explore and see what I can find. In both cases I am looking not just for “depictions” of the subjects, but also for bits of visually interesting material that might stand on their own outside of the specific location context. Of course, I use different equipment — for street I leave the tripod behind and I work with a small camera, typically using one or two small prime lenses. As I walk, often slowly, I am attentive to what is around me. I am discrete with the camera, only lifting it in front of me when I make a photograph. I often spot something, make the photograph, and move on quickly. (Not always, though. Some subjects demand more patience or are worth a careful exploration.) I may photograph people, architecture, or fragments of the scene. This is one of those fragments, an odd shadow falling across the slightly warped geometry of the metal roll-up door, and offset by the tilting sidewalk below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.