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Tufa Hill, Twilight

Tufa Hill, Twilight
Twilight and evening clouds above a tufa hill in the Death Valley landscape

Tufa Hill, Twilight. © Copyright 2018 G Dan Mitchell – all rights reserved.

Twilight and evening clouds above a tufa hill in the Death Valley landscape

A day or two earlier than this I had been out in a location not far from this spot at the end of the day, hoping to photograph end-of-day color. Just before sunset the sky went “dead” — some haze, no color in the sky, and a generally flat-looking landscape. I was about to pack up when “someone” (thanks, Patty!) pointed out, perhaps more than once, that I really should stick around “just in case.” And, yes, within moments a dull, gray cloud began to pick up pink tones, and before long sufficient color appeared to produce an interesting photograph. I know not to “pack before it is black,” but I need reminding from time to time!

The evening when I made the photograph seen here was challenging in many ways, and it began with perhaps even less promise than that evening a few days earlier. This time the sun went behind clouds to the west as it descended, turning the light completely flat. On top of that, the wind was absolutely howling, and sand was just beginning to blow. If I hadn’t had that reminder a couple of evenings earlier, I would have been out of there! But I stuck around, switching out the long lens that I had been using for a wider lens used for this photograph, and when the post-sunset, early twilight glow and color began I was ready. (A note regarding the title of this photograph. I’ve wondered about the source of these fantastical hills on the floor of Death Valley. As near as I can tell, they were formed many thousands of years ago, at the bottom of what was then a giant prehistoric lake.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Avocet, Sunset Reflection

Avocet, Sunset Reflection
An avocet feeds in shallow water reflecting sunset light

Avocet, Sunset Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

An avocet feeds in shallow water reflecting sunset light

I remember, many years ago, taking a college class that included a section on birds in the San Francisco Bay Area. The birding gene didn’t initially take for me — that came many years later — but I remember what must have been a very effective presentation on differences among shore birds. The birds found along the edges of bodies of water vary greatly in size and shape, from very small to quite large, and their leg and bill sizes vary, too. What I recall is the obvious point, that I hadn’t thought of before, that each bird, with its long or short legs and its long or short bill, is adapted to a different niche in this environment, and even to differing depths of water.

The avocet is a striking bird in many ways. This one, like most that I’ve seen, was an almost solitary specimen. If another was nearby I did not see it. The bird has long legs, which it puts to use by wading in a few inches of water as it feeds. The long, curved beak allows it to reach down and pluck edibles out of the water. This one was feeding close to the shoreline and moving toward water that reflects the sunset sky, so I held still and waited for it to move into just the right position, where the colors of reflected sky were most strongly reflected in the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Metal Building, Distressed Paint

Metal Building, Distressed Paint
Metal industrial building with marks from patched paint

Metal Building, Distressed Paint. © Copyright 2018 G Dan Mitchell – all rights reserved.

Metal industrial building with marks from patched paint

This is another of the pre-dark twilight photographs I made on my recent visit to the Mare Island Naval Ship Yard to do night photography. A group of us assembled bit by bit, some starting close to the middle of the day and others, like me, arriving shortly before dark. About a half hour before sunset I headed out, beginning with some daylight photograph around some industrial buildings I had noticed on my way to the meet-up. By the time I got there and got set up I was only able to make a few photographers before the sun set far to the west over San Francisco, but the twilight light is also interesting to work with.

In this photograph I was interested in the objective qualities of the old building with its weathered and patched metal walls, especially in the random nature of the patched paint along with the juxtaposition of the warmer colors on the walls and the cool, blue tones on the roof, with all of the colors altered in the blue twilight. At the same time, I went with the wide and narrow landscape orientation of this photograph in an attempt to treat the colors and forms as abstract elements, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Snow Begins

Snow Begins
Snow begins to fall on trees alongside a Yosemite Valley meadow

Snow Begins. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow begins to fall on trees alongside a Yosemite Valley meadow

Yes, another photograph of Yosemite Valley on a winter day. I made this photograph on an afternoon when snow flurries were beginning to affect the Valley. It was an extremely cold day, and I was resuming my photography after a mid-day break. The light was “challenging” as the clouds moved in, muting colors, lowering the light levels, and producing a rather gray affect. But that is what it looks like when snow is coming!

If I recall correctly, I passed by this well-known meadow on my way to another objective, and paused long enough to walk about a bit and make a few photographs before moving on. At this point it was only snowing lightly. It is perhaps hard to see the falling snow in the meadow, at least in the small online version of the photograph, and it was still possible to see through the flurries to the surrounding cliffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.