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Burned Forest, Autumn Color

Burned Forest, Autumn Color
Autumn colors in a forest of burned trees, Yosemite Valley

Burned Forest, Autumn Color. Yosemite Valley, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Autumn colors in a forest of burned trees, Yosemite Valley

During this final weekend of October I spent a few days photographing in the Yosemite area, including along the road between Oakhurst and the Valley and then in Yosemite Valley itself. I had quite varied weather conditions — pouring rain on the first day as I drove up from the Bay Area, beautiful evening and morning fog followed by a sunny autumn day, and then a weather forecast of heavy rain that convinced me to beat a retreat from the park a day early.

Late on the second afternoon I stopped at a very popular and iconic location in the Valley, but I walked the other way, heading out into an area of rock, dry meadow and oak trees that gradually transitioned into conifer trees and big leaf maples, the latter being at their peak of fall color. Knowing the Valley pretty well at this point, I often prefer to look past the big sights and just wander, and that’s what I did here, eventually ending up in an area that had been burned recently by a management fire, clearing out the underbrush and charring the lower trunks of tall trees. In fact, the lower trunks were so affected that there were no branches to obstruct the view of the maples just beyond or of the vertical granite cliffs a bit further away.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two Small Trees, Autumn Fog

Two Small Trees, Autumn Fog
A few autumn maple trees are scattered in a Yosemite National Park forest on a foggy morning

Two Small Trees, Autumn Fog. Yosemite National Park, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A few autumn maple trees are scattered in a Yosemite National Park forest on a foggy morning

I admit it. I got distracted. This past week I had reason to visit Oakhurst, California, just below the southern boundary of Yosemite National Park. I drove up there in tremendous rain, had my meeting, and then headed to The Valley for a few hours of photography. As I drove up from Oakhurst the forest was wet and fog was everywhere — perhaps the ideal conditions for all color — but I kept driving, wanting to get to the Valley before the light was gone. At one spot inside the park I caught a glimpse of a bright yellow big leaf maple tree in a small gully leading away from the road, but I did not stop.

I was back in Oakhurst that night, and then up very early the next morning with a plan to arrive in the Valley again by daybreak. I headed up from town again, but once again there was fog, though less of it. Three things I cannot resist are autumn color, fog, and forests — so when I passed this spot again I quickly decided to turn around and come back to make some photographs. This is a complex photograph, the opposite of the minimalist images I like to produce (see some recent Mono Lake photographs for examples), but that is the nature of forest scenes like this — they are an utterly harmonious whole created out of a very complex set of components. And, even better, they are mysterious and quiet and still.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens and Sage Brush, Evening

Aspens and Sage Brush, Evening
High desert aspen groves on sage-covered eastern Sierra hills

Aspens and Sage Brush, Evening. Eastern Sierra Nevada, California. October 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

High desert aspen groves on sage-covered eastern Sierra hills

I’m continuing with one more characteristic eastern Sierra autumn photograph, though perhaps not the most common sort of view of the subject. The photograph does include some small groves of aspen trees in fall colors, but they are dwarfed by the immense scale of the rolling eastern Sierra foothills, covered by high desert sage brush, and cut with valleys containing creeks draining the eastern slopes of the range. I made this photograph in the early evening, just before sunset, as the low angle sun was sweeping across the crest and casting light and shadow almost parallel to the slope of the hills.

We usually look for fall aspen color in country that is higher and/or wetter — often somewhere up one of the great eastern Sierra canyons or perhaps along a ridge near the crest. But aspens grow in many places, some of which are unexpected or even surprising. They grow a good distance from the Sierra itself, sometimes far out in the high desert, and in areas that hardly seem alpine at all. Sometimes these are smaller trees, seeming to get by on less water and perhaps in a harsher climate, but occasionally they manage to form decent sized groves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Eastern Sierra Ridges

Eastern Sierra Ridges
A seemingly endless series of ridges rises toward the crest of the Sierra Nevada in early evening light

Eastern Sierra Ridges. Near Mono Lake, California. October 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A seemingly endless series of ridges rises toward the crest of the Sierra Nevada in early evening light

The east side of the Sierra Nevada — the “eastern escarpment” — provides an often impressive and quite varied landscape. In places the terrain at the base of the mountains may be in the 4000′ elevation range, which in others the “lowlands” to the east may lie at 8000′ or higher. The mountains may erupt from this lower landscape in a sudden upward burst of granite and cliffs, or they may rise more gradually along mountain valleys that extend well into the range. In places the summit peaks are visible, while in some areas they are hidden behind lower peaks east of the crest. In one spot in the middle of the range the crest is actually lower than peaks to the west.

In this area along the western boundary of Yosemite the Sierra rises somewhat gradually from the high desert sagebrush country. The emptiness of this high desert gives way to a band of coniferous forest and is then replaced by the rugged granite high country. Here the sagebrush highlands rise, ridge upon ridge, toward the peaks of the crest, with the golden colors of early fall becoming muted by atmospheric haze in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.