Tag Archives: utility

Rectangular Patterns (Horizontal)

Rectangular Patterns (Horizontal)
“Rectangular Patterns (Horizontal)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is one of a pair of photographs of the same structure. I’ll bet you might not be surprised to hear that the companion photograph is called “Rectangular Pattern (Vertical).” Working on this pair got me to thinking about a series that I might call “Urban Geometries” featuring such photographs, both from my existing archives and from some new work. You can look at this as a photograph of a real scene or, if you work at it, you may be able to see it as an abstract composition of forms and colors.

The location is an area that was acquired by a (very) big company for a huge future corporate campus. Then came the pandemic. Now their plans appear to be on hold, though they still hold rights to the properties. I suspect, but do not know for certain, that they did some “sprucing up” of the area to avoid charges that they are allowing it to degrade. Right now it is largely a sort of urban dead zone… though it has nice paint.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Rectangular Patterns (Vertical)

Rectangular Patterns (Vertical)
“Rectangular Patterns (Vertical)” — Patterns formed by light, paint, shadows, and structure on an urban building.

This is the second in a series of three photographs that I made on a walk that took me through an area of urban renewal in my town. A large corporation committed to very extensive building plans, then backed off during the pandemic, and now seems to be trying to, in my view, make it look like something is happening when not much really is. They have painted buildings and put up interesting interpretive signs. To their credit, this is better than just letting the properties decay.

I’m very attracted to strong graphic forms and colors — which I suppose might surprise some who think of me as “just” a landscape photographer. But I don’t see any conflict, and I feel that the interest in such forms underlies quite a few of my landscape images, even though it is possible to look at them primarily as being “pictures of nature.”


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Piaggio Ape Art Car

Piaggio Ape Art Car
“Piaggio Ape Art Car” — A highly decorated PIaggio Ape vehicle in Orvieto, Italy.

I have been looking forward to posting this photograph, the final in the Current series featuring these Piaggio Ape three-wheeled vehicles that I photographed in Italy. In the other cases the vehicles were also small “pickup trucks,” but they looked rather utilitarian. For all I know, this one may serve such a purpose, too. But it sure goes way beyond that with its visual appearance.

It was parked along a street in Orvieto when I photographed it. There was no one around who could give me a hint about what its purpose is or what it might mean. But it was quite a sight. The basic paint job is decidedly non standard, but the owners have gone well beyond that simple modification, as you can probably see.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Piaggio Ape in Turquoise

Piaggio Ape in Turquoise
“Piaggio Ape in Turquoise” — A colorful Piaggio Ape “pickup truck” parked next to a stone wall in Orvieto, Italy.

You may recall another recently shared photograph of one of these vehicles. It was actually the very same one, though photographed from a different angle and rendered in monochrome. And I’m not done — there is another coming, an example that is highly modified, to the point that it probably qualifies as a mini art car.

These little three-wheeled vehicles (and others like them) are common in these European cities with very old and very narrow streets. The town of Orvieto, where I photographed this one, is no exception. While the color of this Ape (“bee”) is a striking and attention-getting turquoise, it is clear that this is a vehicle intended for utilitarian use.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.