Tag Archives: white

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

White Pelicans, Tule Fog

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White Pelicans, Tule Fog
A flock of white pelicans swims acroiss a webland pond blanketed by morning tule fog.

White Pelicans, Tule Fog. © Copyright 2022 G Dan Mitchell.

A flock of white pelicans swims acroiss a webland pond blanketed by morning tule fog.

When I began photographing before dawn on this late-autumn morning, the fog was extremely thick. I could hear birds all around me, but I was barely able to see them and photographing them was initially out of the question. Gradually the fog began to drift a bit, and it thinned a bit in the light from the sun rising above the fog. Before long birds began to become visible, though I was still working at the borderline of sufficient light. It was at about this point that I caught sight of this line of white pelicans swimming slowly across a pond.

Every time I encounter these birds I think back to the first time I saw them. I had seen and photographed the coastal brown pelicans for years, but somehow I did not realize that white pelicans were in California! On a morning like this one I photographed some white birds that were barely visible in the fog… and misidentified them as geese or similar. Later, looking closely at the photographs, it hit me that these were very strange-looking geese, indeed! It was only at that point that I even realized that there were white pelicans here!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England, Photographs: Panorama

White Mountains Panorama

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White Mountains Panorama
Peak autumn color along New Hampshire’s Kancamagus Highway.

White Mountains Panorama. © Copyright 2022 G Dan Mitchell.

Peak autumn color along New Hampshire’s Kancamagus Highway.

This is not my typical photograph — and in more than one way. I have already written that this year marked our first photography of the famous New England fall color, but another difference is probably less apparent. This is an iPhone photograph! I’ve been carrying various iPhones for years, but I rarely use them photographically for anything more than quick snaps and record shots. But we recently upgraded to the iPhone 14, and on this trip I decided to see what I could do with the thing. Its ability to make quick — and quite decent — panoramas, even in some challenging lighting conditions, is remarkable.

Aside from that technical issue, this photograph also exemplifies some of what makes East Coast fall color experience so different from the Sierra Nevada color that I have photographed for years. Most obviously, entire forests are almost exclusively hardwood trees, their color stretches almost unbroken across miles of terrain, and the colors are so varied. I’m still processing the experience and thinking about the relative attractions of this kind of autumn photography compared to kinds that are more familiar from my years in the Sierra.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: White Mountains

Inyo Sunrise

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Inyo Sunrise
Looking south from the White Mountains toward the Inyo Range at sunrise.

Inyo Sunrise. © Copyright 2022 G Dan Mitchell.

Looking south from the White Mountains toward the Inyo Range at sunrise.

On my aspen photography trip to the Eastern Sierra during week three of October I took one day off from photographing the autumn leaves and headed east into the White Mountains to visit the Ancient Bristlecone Pine Forest. It had been a few years since my last visit, and it seemed like time. I left the town of Bishop in predawn darkness, planning to be at an overlook of the High Sierra at dawn. Dawn on the Sierra is always impressive, though the photographic challenges on this morning were many. But just at sunrise I looked back to the Southeast, across the Inyo Range and all the way to the peaks of Death Valley, to see an impressive sequence of silhouetted peaks..

From here I continued on to the higher reaches of the White Mountains, an alpine moonscape of round and very high peaks, covered in many places by the remarkable bristlecone pine forest. These trees survive in one of the most challenging environments in California, at high elevations in these dry and barren mountains. At this late-season date there was hardly anyone else there. I saw a couple of cars at the (closed) visitor center, and I was entirely alone for an hour or so at the highest, most-distant grove of trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Trunks, Fallen Leaves

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Aspen Trunks, Fallen Leaves
Fall leaves cover the ground inside a grove of small Eastern Sierra aspen trees.

Aspen Trunks, Fallen Leaves. © Copyright 2022 G Dan Mitchell.

Fall leaves cover the ground inside a grove of small Eastern Sierra aspen trees.

This stand of aspens was at the edge of a larger and wildly colorful grove that descended to a nearby creek and then a good distance up the slopes on the far side of the canyon. Those other trees are the main attraction here, but as I looked down toward these trees it seemed like they provided an opportunity to enter the grove and photograph close to the trunks. Here many of the leaves had already fallen, which might usually let some much light into the grove that it would be hard to photograph. But evening shadows had reached this point, muting highlights and opening up the shadows.

Photographing this subject presents some challenges. For one, I often start in such places thinking it should be easy to find a composition among such beautiful tree trunks — but then most of the potential compositions seem to include some sort of obstruction. Also, in order to get a lot of the trunks in the frame I must work very close the trees using a very wide angle lens, so small changes of camera position seem to have big effects! Finally there is the matter of the color of the light. If you were there in this grove you would notice white trunks and warm-colored yellow leaves. However, objectively speaking, the light in this shadowed area is quite blue, being illuminated by the sky itself. So I have a decision to make. Is it better to go with that blue, which looks quite a bit different from what I saw at the time? Or should I alter the coloration to reflect my memory. I’ve done both, but in this photograph I went with the latter option.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.