Tag Archives: white

Autumn Creek

Autumn Creek
“Autumn Creek” — A rocky creek beneath thinning autumn foliage in New Hampshire’s White Mountains.

This is a slightly different perspective on a scene that was also the focus of another photograph I shared in the past few weeks. Both focus on this quiet little New Hampshire creek, a place we came upon serendipitously, after taking a few random turns off of the main highway and driving up a gravel road into the forest. Both photographs — this one and the previous — include the same creek and were made from almost the same camera position. In this one I expanded the field of view a bit and raised the camera to include more of the fall leaves in the canopy.

I often urge folks who ask about the “secret places” they should know about when they visit a new location to instead recognize that in order to understand the place well enough to find those it will take time… and that it isn’t a bad idea to at least start with icons while you keep your eyes peeled for non-iconic spots that appeal to you. That was certainly our approach on this trip, on which we began by photographing in one of the most iconic — and crowded! — regions for New Hampshire fall color. After the first day and a half or so of that, we started to “poke around” a bit, heading up this or that little side road that we noticed and then setting off for more distant places whose names on maps caught our attention.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Autumn Morning, White Mountains #2

Autumn Morning, White Mountains #2
Colorful autumn forest in morning light, White Mountains, New Hampshire.

Autumn Morning, White Mountains #2. © Copyright 2022 G Dan Mitchell.

Colorful autumn forest in morning light, White Mountains, New Hampshire.

This photograph gets the “#2” designation since I previously posted a landscape-orientation photograph of roughly the same scene. One of challenges of photographing fall color in New Hampshire (and much of New England, for that matter) is that it can be a challenge to find open views of the terrain. In many places the roads don’t have a lot of places to pull over, and the forest often comes right to the edge of the road, blocking the views. So when I found a more open location I took advantage of it. I visited this spot more than once, and on the second try I think I got the better light and color.

This photograph illustrates differences between fall color in this region and the Eastern Sierra color that I’ve photographed for years. It would be almost impossible to find a California location with so much color extending for such great distances. (And keep in mind that this is just a small slice of what was visible from this location.) The color here also varies a lot from tree to tree, though the result is that it can produce a somewhat undifferentiated effect in long views. I found it challenging to locate compositions in photographs that focused entirely on this color. Here I separated the upper and lower portions of the frame, and then found some leading lines in the distant gully and the contrast between the yellow trees and the shadow on the left side.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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An Ancient One

An Ancient One
“An Ancient One” — An ancient bristelcone pine standing alone on a rocky ridge, White Mountains.

During my recent trip to photograph Eastern Sierra fall color I spent one day high in the White Mountains. This range (one of multiple “White Mountains” ranges in the USA!) lies to the east of the central Sierra Nevada, running south from roughly Boundary Peak, the tallest in Nevada, to Westgard Pass, which separates the range, somewhat arbitrarily, from the Inyo Mountains. It is a high, remote, dry, and largely unvisited range in the rain shadow of the Sierra Nevada. Although it rises as high as the Sierra, it lacks that range’s rugged, sculpted peaks — much of its high country is more of a rounded moonscape. It is one of the prime locations for bristlecone pines.

The bristlecone pines are remarkable trees. They are among the very oldest living things — some may be close to 5000 years old. Surprisingly perhaps, the oldest grow in some of the most rugged and least hospitable places. It seems that the struggle strengthens them, and these “old ones” are characterized by resistance to exposure and the appearance of being more dead than alive — the trees sacrifice the majority of their branches in order to sustain a few remaining living portions. Their remarkable character and great age always cause me to slow down and ponder.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Fall Color, Bare Aspens

Fall Color, Bare Aspens
Nearly bare aspen trees in the center of a scene of Eastern Sierra autumn color.

Fall Color, Bare Aspens. © Copyright 2022 G Dan Mitchell.

Nearly bare aspen trees in the center of a scene of Eastern Sierra autumn color.

This photograph, made when this grove had passed its prime, gets us closer to the end of this year’s autumn transition in the Sierra, when some trees here are almost bare. While writing about this photograph I pondered my favorite time of aspen season. Is it the first explosion of color early each fall? Is it the peak time when the greatest number of leaves are fully transitioned? Or is it this time, when some colorful leaves remain but it is more and more obvious that winter is almost here? Honestly, it is hard to pick one over the other, but I do love how the trunks and branches are gradually revealed as the leaves fall..

While this photograph focuses on trees near the end of the color transition, nearby and just out of the frame were many trees still in peak, golden color. This year it seemed that brilliant colors hung on just a bit longer, and I have some theories about why this happened. The ongoing warm-up of the California (and global) climate is one factor. Another specific to this year (thought not unique to it) is that the absence of significant early season storms or wind allowed leaves that might otherwise have been blown down to remain on the trees a bit longer.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.