Tag Archives: white

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Autumn Trees, Mountains, and Valley Fog

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Autumn Trees, Mountains, and Valley Fog
Colorful autumn trees and morning fog in distant valleys, New Hampshire.

Autumn Trees, Mountains, and Valley Fog. © Copyright 2022 G Dan Mitchell.

Colorful autumn trees and morning fog in distant valleys, New Hampshire.

This route across the White Mountains is — as I was warned and then witnessed — a very popular location for viewing New England fall color. While I like to investigate less well-known subjects as I get to know a place, since this was our first-ever visit to this region in the fall we started out by joining the hordes on this road. It is iconic and, as I often say, “there’s a reason it is an icon.” The autumn forests here are, indeed, spectacular and our visit coincided with peak color. (In case you wonder, it only took me a day or two to start exploring a few odd little gravel roads, too.)

While this viewpoint is popular and likely heavily photographed, on a morning like this it presents some aesthetic and technical challenges. The beautifully receding hills beyond the fog-lined valley are almost directly in line with the rising sun. This leads to flare challenges and to high contrasts between shadows and backlit foliage. Nearby trees, as lovely as they are, also impede on some of the longer views. But with the camera in just the right place, using my hand to shade the lens, and an exposure that captured scene data to be optimized in post… I think it works.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

New England Woods #7

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New England Woods #7
The autumn color explosion begins in the White Mountains of New Hampshire.

New England Woods #7. © Copyright 2022 G Dan Mitchell.

The autumn color explosion begins in the White Mountains of New Hampshire.

Every year at about this time I head to the east side of the Sierra Nevada to photograph fall color, which mostly means aspens. This year’s trip to the “east side,” however, was to the east side of the United States. That’ right, Patty and I finally made it to New England for its famous fall color season. (Don’t worry, I’m still hoping to squeeze in a quick visit to Sierra fall color before long.) Friends have told me for years that I had to see east coast fall color, and an August visit to Vermont’s beautiful forests intrigued me even more. Then I did a B&H podcast (“Fall Foliage East and West with Jerry Monkman and G Dan Mitchell“) and listened to my fellow interviewee, Jerry Monkman, talk about photographing there. After all of that, I guess it was pretty much fated that we would go this year!

I’ll have a lot more to say about New England fall color, the specifics of our visit, and how the East and West Coast experiences compare later on — there’s too much to write in a single post! I made this photograph near the start of the visit, perhaps a day or two before this year’s peak color in this area of the White Mountains. The color variations are, as I already understood, much greater in New England than in the Sierra, and the hardwood forests seem to all change nearly simultaneously. This photograph, like many of my favorites from this trip, was made in soft light and cloudy conditions, which provide some of the most beautiful light for this subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Elephants Head Flower

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Elephants Head Flower
Elephants head flower against the backdrop of a flower-filled Sierra meadow.

Elephants Head Flower. © Copyright 2022 G Dan Mitchell.

Elephants head flower against the backdrop of a flower-filled Sierra meadow.

I’ve always had a somewhat challenged relationship with the identification of flowers (and trees and a few other things) in the natural world. While certain facts stick in my mind (locations, elevations, etc.), it has always been hard for me to hold onto accurate information about plant identification. I usually do recognize the plant, tree, or wildflower… down to the level of knowing exactly where it grows, when it flowers, even what it looks like in its dormant seasons… but when it comes to recalling the plant’s name I’m often at a loss. But this one was new to me on all counts.

I’m told by a usually-reliable source (thanks, Patty… via Keith Walklet) that this is an elephants head flower. I did not know that when I photographed it. I was just attracted by its complex shape, its subtle colors, and its vertical extent against the background of a meadow full of other kinds of wildflowers in the Eastern Sierra Nevada.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: France, Photographs: Structures and Objects, Photographs: Travel

Hallway, The Louvre

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Hallway, The Louvre
“Hallway, The Louvre” — Light filtering through windows into a hallway, the Louvre, Paris.

One of my little secrets is that when I visit museums, the collections are not the only reason I’m there. Among other reasons, I like to photograph them. They are compelling spaces in so many ways. Although not evident in this photograph, they are great places to observe people individually and in groups, and the buildings themselves are often visually interesting. That’s no surprise since they are created from a perspective that gives great importance to visual effect and to light.

I’m betting that this is far, far from the most photographed thing at The Louvre! It is just a section of hallway near, if my memory is correct, an escalator. But the light coming through these windows was lovely, so I made a photograph. Here’s a secret: I shared a much different interpretation of of this scene previously. That version is in black and white and in it I took greater liberties with the qualities of the light and shadow.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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