Tag Archives: wilderness

Autumn Snow, Last Light On Granite

Autumn Snow, Last Light On Granite
Last evening light on glaciated granite dusted by autumn snow.

Autumn Snow, Last Light On Granite. Yosemite National Park, California. October 22, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Last evening light on glaciated granite dusted by autumn snow.

The path to this photograph was a long and convoluted one, and it was certainly not what I was planning on when my day began. I had arrived in the Yosemite area the prior morning, planning to photograph autumn subjects in The Valley before heading over to Oakhurst for the opening reception for the final run of last year’s Yosemite Renaissance Exhibit. I arrived in Yosemite Valley to find it filled with smoke (and a surprising number of October visitors), but I found subjects that could work in this conditions and set about photographing. This is the time for fall color in The Valley, with lots of beautiful leaves on big leaf maple, dogwood, oak and other trees. In the evening I went over to Oakhurst in time to enjoy the reception, where I had an opportunity to see the 2017 version of the show one last time with friends and fellow artists.

I was up well before dawn the next morning with a general plan of heading to Glacier Point for sunrise. However, a beautiful, forested valley full of dogwood and other fall color intervened, and by the time I finished there it was clear that I wasn’t going to make my goal by dawn or even close to it. I did go on up to near Glacier Point, where I photographed wildfire smoke before deciding to go back to The Valley and photograph more trees. I did so, and I had some successes, but by mid-afternoon the crowds and smoke were becoming oppressive, to I decided to make what might be my final trip of the season up to Tioga Pass. Without stopping to photograph, I made it to the pass in the late afternoon. I soon started back down to begin my long drive back to the Bay Area. As I passed the closed-for-the-winter Tuolumne store I saw a familiar van and some tripods standing nearby, so I quickly stopped to see that a couple of friends were there. We talked for a long time — longer than I expected — but I finally tore myself away with little more than a half hour of daylight left. I started west, not sure if I would stop to photograph, but I soon saw that it was going to be a beautiful evening. The smoke was gone up here, the air was clear, and the warm colors of evening were on the peaks. I quickly stopped at a familiar place, but pointed my lens at a less-familiar subject — a series of retreating granite ridges marked by new snow and lit by the final light of the evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Edge of the Meadow

Edge of the Meadow
High elevation trees at the edge of a subalpine meadow, with alpine peaks beyond

Edge of the Meadow. John Muir Wilderness, California. September 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

High elevation trees at the edge of a subalpine meadow, with alpine peaks beyond

As often happens at busy photographic times of the year, I have a set of projects that I’m working on simultaneously right now. Some come from photography I have done as recently as the current week, while other come from work that I did as long as a couple of months ago. Along those lines, I still am working on photographs from our late-August and early September visit to a special Sierra Nevada backcountry location, where a group of us spent more than a week base-camped near a region with an unbelievable wealth of photographic subjects to explore. Today’s photograph comes from that trip.

We were camped for more than a week at a lake just a bit lower in elevation than the location of this photograph. On almost every day we visiting this general area, either focusing on it as the subject or passing by it on our way to other higher places. On this day I had gotten up rather early and explored the area as the first sunlight began to fall on the distant peaks, the meadow, and the trees surrounding it. My recollection is that this was probably one of the last photographs of the morning before I headed back to base-camp, and I’m certain that we were close to the conclusion of our trip. The foreground meadow was typically our main subject here. When we arrived a week from the end of August we were surprised to find it still completely green and filled with wildflowers. The flowers were still there when I made this photograph, but already the late-summer brown meadow color was appearing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Meadow, Wildflowers, Granite Peaks

Meadow, Wildflowers, Granite Peaks
A view of wildflowers leads across a meadow and lake toward High Sierra peaks

Meadow, Wildflowers, Granite Peaks. John Muir Wilderness, California. September 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A view of wildflowers leads across a meadow and lake toward High Sierra peaks

Taking a little break from the Great Basin National Park photographs today, I’m sharing another from our late August and early September backcountry time in the John Muir Wilderness. To recap, we spent essentially nine days base-camped in one spectacular location, from which we could easily explore outwards in all directions — to the meadows surrounding the lake below our camp, further down the drainage where marshy areas were lush and green, a few hundred feet higher where a spectacular meadow full of flowers provided views of alpine peaks, and further up the canyon where we could want cross-country past the timber-line. All in all, it was the kind of location and circumstances that produce a landscape photographer’s paradise.

Near the conclusion of our visit, as happens on any such trip, I was realizing that I still had not gotten to certain obvious subjects. In my case, I hadn’t really spent as much time as I should have in the area right below our camp, where these green meadows wrapped around a small, subalpine lake. So on the first two days of September I focused on exploring this nearby area a bit more. The precise spot in this photograph was one I had first walked through a week before, on the day I completed the (slow!) hike up to this lake. I had walked up this meadow on a faint trail, not really knowing where our camp was and a bit concerned about finding it. Nonetheless, the intense green of the meadow (unusual for so late in the season) and the abundant wildflowers immediately caught my attention. There were many kinds of flowers in the meadow, but here you can see the beautiful paintbrush blossoms, and then the meadow holding the little lake, a bit of forest, and in the distance the high peaks across the canyon from us.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Meadow, Peaks, and Storm

Meadow, Peaks, and Storm
A storm gathers above an alpine meadow and beyond snow-capped peaks

Meadow, Peaks, and Storm. John Muir Wilderness, California. © Copyright 2017 G Dan Mitchell – all rights reserved.

A storm gathers above an alpine meadow and beyond snow-capped peaks

Not too long ago I posted another photograph made on this same afternoon, from roughly the same place, and featuring very similar subject. In that post I noted that I had made several photographs of this subject on this afternoon, and that I planned to share all of them eventually, perhaps with a bit of commentary concerning how each represented this subject in its own way. The general setting was a large, subalpine meadow surrounded by mountains and forest, and with expansive views across a nearby canyon to the high, rocky country on the far side. A large afternoon thunderstorm was building beyond the high ridge, but meanwhile the sun was bright at my locations. The primary elements of the scene included meadow, mountains, dark clouds, the small pond or tarn, and the nearby trees. There are many ways to “see” a subject photographically, and I tried several variations with this one.

I wanted to include the pond in the portion of the meadow in the photograph, but in this interpretation I decide not to put it in the center of the frame, but instead to have it off to the side, perhaps giving it a bit less presence in the scene. I wanted to include the small foreground trees to increase the sense of depth in the image and to ensure that there wasn’t empty space in the foreground. I framed the mountains this way so that I could place the dark peak in the middle, and envelop it in the higher peaks stretching back behind it. A remaining question was about how much sky in include. In another interpretation I included a lot of sky, placing the horizon near the center of the frame. Here I did what I more typically do, placing the horizon very high and including only a small strip of sky at the top. This draws attention to the landscape itself, and I was still able to include enough sky to make the dark thunder-storm clouds visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.